Sentences with phrase «of aunt»

So sorry to hear about the loss of your aunt.

I attended a teaparty on sunday afternoon, it was in celebration of my Aunt Sheryl's 50th birthday.

It reminds me of my aunt and grandmother and i love that old stupid bowl.

We're having a big family dinner here tonight, and I'm excited to see some more of my relatives and eat another one of my Aunt Chriss» delicious meals.

In the meantime, I'm going to keep enjoying as much of my aunt's home cookin» as I can!

Placed in front of her aunt's vintage enamel wood stove, blogger Virginia Fynes's rustic tree is decorated with birch sticks, glittered acorns and wreaths, hoop art, and feathers.

I love the look of the chairs also, reminds me of my Aunt's home up in Catskill in NY.

My dad told me this and I innocently warned the college roommate of my aunt who was sipping a beer when she visited.

Of course, Smith also has to take into account that buyers might be thinking of Aunt Petunia and Uncle Vernon before making an offer.

Sisters places you in the shoes of Emmanuel Burke as he attempts to uncover the mystery of Aunt Faye's disappearance by solving puzzle games in her mansion.

Monika obtained a copy of her aunt's medical report and sent that with her trip cancellation claim.

In Breslin v Bromley [2015] EWHC 3760 (Ch) the claimant (C) was the executor and beneficiary of his aunt's will.

A man taking advantage of his aunt's dementia by diverting her social security checks for his own personal use.

In the spirit of Aunt Sara's cooking, however, you should assume that the amounts are approximate, and then put them in the pan once they look right to you.

Pointing to a massive blank sheet of French cotton paper, affixed with a black and white portrait of her aunt wearing a flower dress while sitting atop the lap of Akunyili Crosby's maternal grandmother, she adds, «Sometimes I start with just one idea, sometimes I know what the whole piece will be, but for this one I just know that I want to have this image in it.»

Nina Crossland holds up a photo of her aunt Phyllis Macay.

He was later shuttled between the home of his aunt Gladys in Lake Murray, South Carolina and the home of his mother in Sumter, South Carolina.

Larry Little, co-founder of Aunt Holly's Copper Cookie Cutters with his wife Holly, describes his experiences working with artist Allan McCollum on the Shapes from Maine (2009) exhibition at Friedrich Petzel Gallery in New York.

One can also detect a strong Black feminist undercurrent to many parts of the exhibition with works by Betye Saar, including The Liberation of Aunt Jemima (1972).

Betye Saar, The Liberation of Aunt Jemima 41.

Betye Saar's The Liberation of Aunt Jemima: Cocktail combines the iconography of the Black Power Movement, political violence, and aspirational middle - class American culture.

Liberation of Aunt Jemima: Cocktail, 1973.

Born in Lewiston, Maine, as Edmund Hartley in 1877, he spent his youth in the care of an aunt.

One sees such a transition of focus from racism to sexism in the black liberatory aesthetics of Betye Saar's «Liberation of Aunt Jemima: Cocktail» (1973) and her daughter's concerns with the politicization of black women's bodies in «Sapphire» (1985).

28 August: A photographic version of Aunt Marianne [CR: 87] is sent to the memorial site of Großschweidnitz on permanent loan to mark the occasion of their publication of a database of euthanasia victims.

Betye Saar, «Liberation of Aunt Jemima,» 1972, collection of the artist and Roberts and Tilton, Los Angeles, Calif..

In one, a «mammy» figure stands on a field of cotton in front of a series of images of Aunt Jemima.

She also recalls Angela Davis stating in 2007 that the black women's movement started with «The Liberation of Aunt Jemima,» Saar's self - described «iconic» work from 1972.

It does in the fierce hilarity of a short 1971 film called «Colored Spade» by Betye Saar that flashes racial stereotypes at us like rapid - fire bullets, and in a funky 1973 assemblage called «The Liberation of Aunt Jemima: Cocktail,» by the same artist, which turns a California wine jug with a «mammy» image on one side and a Black Power fist on another, into a homemade bomb.

Betye Saar: Workers & Warriors: The Return of Aunt Jemima, is Saar's first solo gallery exhibition since 1982.

Betye Saar: Workers & Warriors: The Return of Aunt Jemima consists of thirty mixed media assemblages.

Motivated by her need to confront ongoing racism in our society, Saar has returned to the potent image of Aunt Jemima.

In 1972, she became widely known with her celebrated assemblage The Liberation of Aunt Jemima (now in the permanent collection of the Berkeley Art Museum, University of California).

Also included in writings is a typescript for Tales of Aunt Dicy, an annotated collection of Biggers» drawings of folk tales, as well as other shorter essays on Biggers, including «John Biggers: American Muralist.»

In 1998, with the series Workers + Warriors, Saar returned to the image of Aunt Jemima, a theme explored in her celebrated 1972 assemblage, The Liberation of Aunt Jemima.

Other images express the need for opposition, such as Gordon Parks» striking photograph of an aunt and niece standing under the neon sign, «Colored Entrance,» outside a movie theater in Alabama.

This work is inspired by the death of her aunt, presenting a holistic and complex subject true to the characteristic of her inspiration.

The Liberation of Aunt Jemima (1972), Betye Saar.

For Betye Saar, assemblage is a creative strategy in her subversive remodelling of the mammy figure in The Liberation of Aunt Jemima (1972).

Other images express the need for opposition, such as Gordon Parks's striking photograph of an aunt and niece standing under the neon sign, «Colored Entrance,» outside a movie theater in Alabama.

On another note, her piece The Liberation of Aunt Jemima and Uncle Ben was definitely a major shift for me in terms of thinking about the opportunities for images in popular culture to be incorporated into critical commentary — something you can definitely see in my work.

The London gallery Tiwani sold one of his photographs — of his aunt in his great - grandfather's ancestral mansion in Marrakesh — for $ 5,000.

In 1972, Saar created «The Liberation of Aunt Jemima,» a box assemblage featuring a mammy figure holding a broom in one and and a rifle in the other.

Take the painting of your aunt Marianne [CR: 87], for instance, who was killed in February 1945, or your uncle Rudi [CR: 85], wearing a Wehrmacht uniform.

Guests can choose from the cozy wooden warmth of Papa Hemingway Cottage or the lakeside cabin privacy of Aunt Zoe's Place to the chic, candied baroque appeal of Le Bebe Cottage.

Classic lines include Cabin Drop to Cabin Corner or the skier's right side of Aunt Matilda's.

We are making this donation on behalf of our aunt, Laura Stairs.

Next colony - Created through the ignorance of my aunt.

Lori, as is ritual, turns to the blue journal tucked neatly on a shelf in her study where she finds wisdom in the words of Aunt Dimity.

All the Candy Crushes and Temple Runs, plus the 30 - minute video of Aunt Vera's wedding, are maxing out the capacity on readers» iPad.