Yet in being critically successful, the games earned a remastered collection on the PlayStation 3, widening the games» audience, and putting Fumito Ueda in a special list
of auteur directors.
The sustained critical success
of auteur directors like Michael Haneke and Lars von Trier, the emergence in the 1990s and 2000s of the «new...
Like much
of the auteur directors post-Days of Heaven work, you will get out of the film what you bring into it.
The sustained critical success
of auteur directors like Michael Haneke and Lars von Trier, the emergence in the 1990s and 2000s of the «new extremism» particularly in French cinema, and the rise in recent...
Coming out of the 1970s, the era
of the auteur director and truly mind - blowing cinema that bled into the Oscar race, was really the last time the Academy hummed.
Not exact matches
Regardless
of opinion, he was not only one
of the biggest stars
of the postwar era but also one
of the most powerful, and as the writer,
director, and producer
of many
of his features, he qualified as a comic
auteur firmly in the tradition
of Chaplin and Keaton.Born Joseph Levitch in Newark, NJ, on March 16, 1926, he was the son
of borscht - belt comics, spending the majority
of his childhood living with relatives but joining his parents each summer as they performed in the Catskills.
Starring writer -
director - producer and enigmatic «
auteur» Tommy Wiseau, who had unlimited funds but questionable talent, the $ 6 - million film has been hailed «The «Citizen Kane»
of bad movies,» a fascinatingly inept and endlessly quotable cult sensation that has carved out a place for itself as a midnight - movie communal experience.
Unlike Chaplin and Keaton, they were not themselves great
auteur directors, or worked with any; the same could be said
of Laurel and Hardy and the Marx Brothers, but their respective phenomena overrided the impact
of any decision - making body behind the camera, as a hurricane is to a weatherman.
«Black Nativity,» loosely based on a play by Langston Hughes, is brought beautifully to life by writer /
director Kasi Lemmons, a true
auteur in every sense
of the word.
Director Matt Wolf's critically acclaimed documentary examines the life and work
of Arthur Russell, an influential singer, songwriter, cello player and disco
auteur who died tragically in 1992.
«Cockney
auteur» Nick Love,
director of Goodbye Charlie Bright, The Football Factory and The Firm, talks to Jason Solomons about football, fashion and funk
«I'm a Cyborg, But That's OK» (Pathfinder) is an offbeat character piece by South Korean
auteur Pak Chan - wook (
of «Oldboy» fame) and foreign terrors come from «The Child's Eye» (Lionsgate), a Hong Kong production from The Pang Brothers, and «The Sylvian Experiments» (Lionsgate) from Japanese screenwriter turned
director Hiroshi Takahashi.
The variety
of subject matter and tones he manages is more than impressive, making him an acclaimed Hollywood
director who is able to bring an
auteur's style to every project.
Very much a genre stylist in the mold
of golden - age Hollywood
directors like Anthony Mann or Raoul Walsh, Uchida showed little discernible personal style to mark him as an
auteur in the French critical mold, but the uniformly high quality
of his works and his ability to succeed in a variety
of genres mark him as a filmmaker very ripe for (re) consideration by critics.
Organizers
of London's 2012 Olympic effort have clearly filched the Chinese memo, as they've secured their own now - cuddly
auteur as artistic
director of their opening ceremony — one Mr. Danny Boyle.
What has audiences so eager this time is in part the combination
of an
auteur African - American
director (Ryan Coogler
of «Fruitvale Station» and «Creed»), a heavyweight cast (Chadwick Boseman, Michael B. Jordan, Lupita Nyong» o, Angela Bassett and Forest Whitaker) and a soundtrack co-produced by a rap superstar (Kendrick Lamar), all working on one
of the most popular franchises in Hollywood.
«Midnight in Paris» McAdams teamed up with Owen Wilson (again) and Woody Allen for the 2011 Oscar winner «Midnight in Paris,» kicking off a stretch
of prestige films in which she worked with
auteur director such as Terrence Malick on «To the Wonder,» Brian de Palma on «Passion» and Wim Wenders on «Every Thing Will Be Fine.»
While most horror films
of today struggle to out - shock one another, thankfully there are still
auteurs like
director, Brian O'Malley (Let Us Prey), who delight in a slower, more gracefully paced approach to eeriness.
The opposing forces are a direct reflection
of the challenge undertaken by
director and co-writer Craig Brewer, who only half sells out as he tries to leave an
auteur's mark while remaining faithful to a source that's loaded with dated, studio - friendly hokum.
Zhao Tao's awe - inspiring performance and the pure audacity
of director Jia Zhangke make Mountains May Depart the
auteur's best effort to date.
Esteemed as one
of the most prominent French independent
directors of the post-World War II era, Jean - Pierre Melville laid a proto -
auteur framework for the French Nouvelle Vague
directors that followed in the late 1950s and early 1960s.
Esteemed as one
of the most prominent French independent
directors of the post-World War II era, Jean - Pierre Melville laid a proto -
auteur framework for the French Nouvelle Vague
directors that followed in the...
Joan Micklin Silver By Shonni Enelow The
director of such lovingly idiosyncratic films as Crossing Delancey and Hester Street merits reconsideration as a true offbeat American
auteur
WHY: Why: The last thing anyone expected after the disaster
of 2014's «Ouija» was another installment, but this unexpected prequel from horror
auteur Mike Flanagan shows just how much difference a good script and a talented
director can make.
I thought about changing my prediction to a shock win for Michael Haneke until I remembered that no
director of a foreign language film has ever won this prize — no not even Federico Fellini or Ingmar Bergman, Oscar's indisputable favorites as foreign
auteurs go.
Unlike the «
Auteur» or «Shreiber» theories favouring either the
director or the writer as the true author
of a film, the «Fís» Theory holds that a true singular voice can only be attained when the
director is also the writer.
Director / co writer M. Night Shyamalan, working from Will Smith's story idea, continues his streak
of films that make you wonder what the heck happened to the young
auteur who gave us The Sixth Sense, Unbreakable, and Signs.
For a
director active during the Easy Riders / Raging Bulls era
of auteur - led 1970s American cinema he is a vague, near invisible presence, yet his reputation is monumental.
From the outset, the loss
of Greengrass as
director should have a detrimental effect on the overall quality
of this film, but this isn't the main obstacle facing Legacy, as they have a very capable
auteur in the form
of Gilroy, and it should be remembered that the franchise was kick - started by Doug Liman some ten years ago.
He showed a brief spark in 2008 with his Spanish installment, «Vicky Cristina Barcelona,» but the aging
director is sadly less than a pale shadow
of the
auteur / performer who enthralled audiences in the «70s, «80s, and even the early «90s with masterful comedies such as «Annie Hall,» «Crimes and Misdemeanors,» and «Husbands and Wives.»
I'm not the only one who regards it as Lewton's greatest film, and I assume the main reason for its neglect is auteurist thinking — only
directors are seen as
auteurs — and the absence
of stars.
Similarly, I'd prefer to think that the dullness
of Damage isn't attributable to the remarkable Jeremy Irons, whom I consider an
auteur — that is, a more powerful creative presence than any writer or
director he works with.
A debonair
auteur director engaging in a passive - aggressive, hyper - repetitive, dizzying line reading brings an inconsequential piece
of dialogue to breathless relief.
He draws thematic inspiration from classic Western
director John Ford (specifically 1956's «The Searchers») and from his beloved»30s and»40s crime movies as well as the visual aesthetic
of French New Wave
auteurs.
Even then in May, amongst the line - up
of melodramas and arthouses from
auteurs all around the world, it stood out as an entertaining and commercial thriller, though this is just the first take on live - action from the 39 - year - old South Korean
director who packed on his back only several animated movies, most notably The King
of Pigs and The Fake.
The rest are
of the supplements are just grace notes: a relaxed interview with actor Rod Taylor, a tribute to «The Original Inglorious Bastards» with
director Enzo Castellari and actor Bo Svenson (who both make cameo's in QT's film), a mock - featurette on «The Making
of Nation's Pride» (with the performers all in character — Eli Roth has a blast playing the sneering autocratic German
auteur of this «lost» classic
of Nazi propaganda cinema) and montages showing the playfulness
of QT and his cast and crew on the set.
Keith Urban and Kelly Clarkson provided an impromptu harmonization
of the staid «And the award goes to...» line before announcing the Best Song winner, while Franco invited The Room mastermind Tommy Wiseau on stage while accepting his Best Actor trophy — though the
director / star notably nudged the infamous
auteur away when he tried to take the microphone.
There are very few modern screenwriters who can lay claim to
auteur status over a
director and — for better or worse — one
of them is Sorkin.
Relievedly, the competition jury headed by Italian
auteur Nanni Moretti felt differently, naming Reygadas as the surprise winner
of the festival's best
director prize.
One
of the great pleasures
of being an aficionado
of auteur cinema lies in the process
of gradually discovering a new world — a world created, brick by brick, film by film, by a
director over time.
He's a fascinating figure, Wilder — a
director of obvious genius who has defied easy
auteur classification not because he didn't have his distinguishing characteristics (the outsider hero yearning for assimilation, for instance), but because his films are only queasily liked and then only at arm's length.
And Ava DuVernay, whose versatility and remarkable C.V. should already have her viewed as one
of the premiere American
auteur directors.
Fans
of the Korean
auteur (as well as fans
of good sci - fi in general) were understandably very vexed by the decision to cut the film down by twenty minutes and add expository voice over, eager to see the
director's original, uncompromising vision.
Among the biggest negative effects
of the
auteur theory is the idea that filmmakers are knowable; that every
director not only has a distinctive influ...
Our Sunhi: Korean
auteur Hong San - soo «s latest — earning him the best
director award at the Locarno Film Festival — offers a quaint comedy
of manners.
Two other Turkish films from noted
auteurs were in the retrospective section: Semih Kaplanoglu's Süt (Milk, 2008), a rich story
of a young man's quest to become a poet, done with sharp social observation by the
director, but degenerating into hazy symbolism by the end, a device that also marred the
director's next film, Mal (Honey, 2010); and Kasaba (Small Town, 1997) by Nuri Bilge Ceylan, the
director's debut feature, already displaying his steady hand and broad compassion.
I caught some
of the titles: Nugu - ui ttal - do anin Haewon (Nobody's Daughter Haewon) is a delightful film from the South Korean
auteur Hong Sang - soo, the story
of a female student's «sentimental education» as it were, as she traverses through reality, fantasy, and dreams, we viewers never quite sure what we are watching; Jim Jarmusch's Only Lovers Left Alive (TIFF's Opening Night film) is an engaging and drily humorous alternative vampire film, Tilda Swinton melding perfectly into the languid yet tense atmosphere
of the whole piece; Night Moves is from a
director (Kelly Reichardt) I've heard good things about but not seen, so I was curious to see it, but whilst the film is engaging with its ethical probing, I found the style quite laborious and lifeless; The Kampala Story (Kasper Bisgaard & Donald Mugisha) is a good little film (60 minutes long) about a teenage girl in Uganda trying to help her family out, directed in a simple, direct manner, utilising documentary elements within its fiction.
Actors who regularly work at scale or discount for
directors they believe in — actors like Matt Dillon, Jane Fonda, Morgan Freeman, Gerard Depardieu, Genevieve Bujold, William Hurt, Peter Coyote — are in effect subsidizing what's left
of the
auteur film.
Some critics have described Richard Linklater, the
director of «Boyhood,» as a defiant
auteur because
of the personal nature
of this coming -
of - age story (which even features the
director's daughter in a key supporting role).
After all, he is now a true «
auteur», being credited as the sole writer, producer and
director of The Happening.