by James Ellroy This collection, packed to the brim with crime and murder, is composed of 14 pieces including three novellas, a profile of celebrity defendant Robert Blake, several true - crime stories and a wealth
of autobiographical material that provide a template for writing a mystery novel.
Not exact matches
Students use the information in the
autobiographical and biographical poems as source
material as they write essays comparing and / or contrasting themselves with the famous people who are the subjects
of their poems.
The nominees, chosen by a blue - ribbon panel
of judges, reflect the wide range
of material being published in comics and graphic novel form today, from crime noire to
autobiographical works to cartoon adventures.
Prince's Tiffany paintings are terse, tenuous combines
of material reference and literary allusion comprising, in addition to the aforementioned Tiffany's ads, scanned news events, obituaries, and the occasional
autobiographical note.
Remaining faithful to the materiality and
autobiographical nature
of her more intimately sized works, here the artist pushes into larger canvases, incorporating found
materials into allegorical, albeit elusive constructions.
Phouthavong's source
material for research is
autobiographical and stems from her personal experience as a refugee, mother, wife, teacher, citizen, and observer
of everyday culture.
Her process
of selection and arrangement
of materials is measured and refined, drawing equally on a precise formal language and the most intimate
of personal experiences to create a compelling
autobiographical thread.
Given the centrality
of sewing to her childhood, this dis - assemblage and re-assemblage
of materials also imparts
autobiographical elements to her work.
While she shares many similarities with other contemporary artists through her use
of materials, Orly uses a lighter touch than is found in the political commentaries
of Laura Splan and Ghada Amer, and more closely resembles the
autobiographical work
of Tracey Emin.
Autobiographical material - tales
of humiliation, desire, humor — presides in the details.
Culled from 14 years» worth
of interview sessions, set in Bourgeois's Brooklyn studio and her Chelsea home, the film traces the inspiration,
autobiographical materials, and day - to - day routines that inform the artist's sculptures and paintings.
However her aesthetic strategy differs from her predecessor in its
autobiographical dimension and focus on the issue
of racial identity, while at the same time suggesting a more formal reading with respect to
materials, processes, and altered states.
Downey uses the
material, painterly process
of image - creation to merge a history experienced only through books, movies, and photographs with
autobiographical memories set in the leftover landscape
of that history.
Indicative
of the Los Angeles - based artist's innovative approach to
materials since his earliest, assemblage - style works
of the 1960s, the installation has both
autobiographical and social resonances.
For Um - basax - bilua «Where They Make The Noise,» Red Star's first solo exhibition in New York, the artist eschews much
of the satire
of her earlier work, showing a large - scale installation drawn from a mix
of autobiographical and archived
material.
With this
autobiographical turn, the artist opens the exhibition to considering the different conditions imposed on each generation and works to shift the obligation
of artmaking from those
materials and techniques once defined as high art to include those relegated to craft.
Her work addresses
autobiographical material as well as the legacy
of artistic figures
of the 20th century such as dancer Josephine Baker, musician Sun Ra, writers Guillaume Dustan and Jean Genet.
In photographs and video works with a clear surrealistic twist, she uses
autobiographical material to explore mother - daughter and father - daughter relations in a way that inevitable gets under the skin
of the viewer.
Lee's multimedia art is often
autobiographical, drawing inspiration and
material from both the traumas and mundanities
of her young life.
Using
autobiographical material, Rainer told the story
of Yvonne Rainer, using voice - over, live action, and projected slides and text.
The focus
of Jacir's research encompasses a both
autobiographical and socio - political component, with an eye to revealing those aesthetic and poetic elements embedded in the
material traces
of history and current facts.
Incorporating found imagery and
material, the collages
of Romare Bearden, José Manuel Fors and Vivian Fliegel are self - reflective and
autobiographical.
Priscilla Heine has engaged in many years
of exploration and development ranging from color field painting, years
of autobiographical representational
material, to austere landscapes and symbolic compositions inspired by a balance
of internal and external landscapes.