The third season of Better Call Saul picks up with our beloved Jimmy McGill / Saul Goodman (Bob Odenkirk) still in the midst of a legal war with his mentally ill brother Chuck (Michael McKean, who was
SNUBBED of awards attention for his performance this season), and things don't look so good.
And having a movie come out during that period and getting a
lot of awards attention isn't solving the problem that I think needs to be addressed, which is: What has happened to movies for grown - ups made by people who are still interested in the idea of cinema as an approach?
While maybe
deserving of awards attention, I kind of like the fact that she remains relatively anonymous, basking in the adoration of the select few.
The A-list ensemble cast is sure to draw some
kind of award attention and with the backing of Megan Ellison's AnnaPurna Pictures, the sky is the limit for Vice.
«Strong Island» by Yance Ford seems to be the only one that's really caught on in
terms of awards attention, but «Whose Streets?»
Saoirse Ronan and Laurie Metcalf may be getting
all of the awards attention, but «Lady Bird» had the deepest ensemble cast of the year.