Not exact matches
Our cultural silence, and social ignorance towards these
awful crimes, has finally begun to come to an end, and this is marked by the increasing
dialogue between the Ministry
of Justice and charities, like Survivors Manchester, who specialise in male rape and sexual assault.
When you have dedicated episodes
of these guys taking shelter from a storm, an entire episode with an
awful hipstery filter fest, even more cringy
dialogue and ridiculous death scenes that mean nothing other than just being shocking and violent; well that's when the show suffers.
I've never been a fan, as a rule
of horror movies, however, the trailer drew me to this one and i'm glad it did, the
awful acting we usually get in horror movies wasn't there this time round, in fact, the whole cast were excellent, the special effects were really very good and the humorous, intelligent
dialogue (another thing you don't usually get in horrors) was brilliant, loved the film, Chris Hemsworth, although with less to do in this than he does in Thor, was great in it too.
Sure, fans
of the book watched it and may have got some enjoyment out
of it, but the story, accompanied by the god -
awful dialogue, really does make this film a treat to watch, even if you can admit how bad it is.
Unfortunately the show is just kinda dumb after that... the scripted
dialogue ranges from generic to
awful; the characters are pantomimes, you know exactly whether they're good or bad right up front, and the show lacks any sort
of organic development or growth, you just don't get into it like you would on a better created and wriiten show.everything is so predictable that by the time big jim kills his nth person it's just sort
of «meh whatever» time.
Of course they wouldn't just kill the golden goose, so they naturally had to came up with a sorry excuse for a «new beginning,» but it is not even fun to watch when everything (and everyone) is so extremely irritating, the script is pure garbage and the
dialogue is
awful beyond belief.
After its basic premise had been set - up Pathfinder began to feel like a random collection
of set - pieces as the characters wandered aimlessly through the woods without any particular logical purpose, and they didn't do a lot
of talking either - though that's probably a good thing as the
dialogue, on the occasions it's used, is an
awful mix
of subtitled Viking posturing and native American mysticism (spoken in English, though I suspect the native Americans
of the era weren't fluent in the language).
A movie so silly and banal that it may take us a bit longer than usual to realize how actually stupid, implausible and empty it is once it is over, with an
awful amount
of expository
dialogue, poorly - developed characters and a non-linear structure adopted for no purpose at all.
Russell is a great lead, but he is supported by frequently awkward performances that struggle with the blunt tool
of the script and sometimes
awful dialogue.
Ending: The last lines
of dialogue are an
awful truth, which makes me both proud and extremely sad to be an American.
Although the movie offers occasional glimpses
of wit and humor — a quick clip
of IBM executives singing company anthems, for example — it is, at its heart, a rather maudlin made - for - TV movie, complete with wincingly bad
dialogue, cartoonish character representation and one particularly
awful acid trip.
The effects are 90's Sci - Fi Channel - level
awful while the
dialogue is something out
of M. Night Shyamalan's worst movies.
If you want to see Shakespeare's
dialogue delivered as if it were an episode
of Buffy with excessively chewed scenery and
awful cinematography, this film is for you.
I could talk about how Tara Reid can not act, how half
of the cast are so lumbered with the role
of red shirt that they don't have a personality or even a name, or how some
of the
dialogue is so cringe - worthy that you have to pause the movie to let the
awful line sink in (although some
of the puns appeal to the terrible comedian within me — «jumping the shark?»
For his part, Diesel falls back on his usual gravelly monotone, smirking his way through
awful dialogue as though he could make it clever by sheer dint
of will.
Take every
awful indie coming -
of - age movie cliché, cram it into one film, fill it with terrible
dialogue and bored - looking actors and you are starting to approach the disaster that is Gavin Wisen's Homework.
Poor Winslet has some
awful dialogue to work with here, and most
of it involves standing around looking uncomfortable.
Perhaps it seems like over-thinking to quibble with the ideological talking points
of a movie that mostly dawdles from one skit or cameo to another, interspersed with the occasional song - and - dance number, and which contains one
of the best comic set pieces
of the Coens» career: a director and his recently re-cast lead trying to work through a single
awful line
of dialogue («Would that it were so simple») while filming a turgid melodrama.
In fact, it might just be his worst movie to date — an adaptation
of Ben Fountain's 2012 satirical war novel that's plagued by some really stilted
dialogue and acting, as well as a number
of awful subplots that go nowhere.
With so much
of Muriel's Wedding's
dialogue now part
of Australian vernacular - «you're terrible Muriel» — there were high hopes for Mental, the latest collaboration between Toni Collette and writer director P.J. Hogan, but unfortunately the result is a... «you're terrible everyone - who - had - anything - to - do - with - this -
awful - film».
Then there's Nancy, who is but isn't Max's mother, and somewhere between the obvious jokes about
awful dialogue, unnecessary slow - motion, and extended flashbacks (all by the screenplay's own design,
of course) exists a disarmingly touching story about a daughter reaching out to a deceased parent who is and isn't right there in front
of her.
What should have just been another
awful melodrama is elevated to the status
of sublime cinematic abortion by the flagrant continuity errors, dropped plot points, shoddy sets, dated fashion, cheesy music, awkward
dialogue and terrible acting, the chief offender being Wiseau himself.
As
awful as it was in Gears
of War 2, where even the computer controlled character models seemed loathe to deliver the insipid
dialogue, just image how painful it will be spilling from the mouths
of Jay Hernandez and Mila Kunis.
Your companion, Dr. Science, tries to drive the narrative along — attempting some pretty
awful dad puns along the way — but most
of the
dialogue is lost, especially if you're engaged in combat.
The
dialogue is regularly
awful to the point
of almost being funny, and the plot itself is poorly penned idiocy which barely holds together under even the lightest scrutiny.
Thankfully, Capcom decided to take the series in a fresh new direction, removing the cheesy
dialogue, tank - like controls, zombies, and
awful inventory system so they could make room for intense action sequences, interactive cutscenes, an over-the-shoulder perspective, weapon upgrading, and,
of course, Los Ganados.
It sounds shallow, but the original game was addictive and more fun than it had the right to be, possibly due to it feeling like being right in the middle
of an
awful SyFy channel movie, right down to the unintentionally hilarious
dialogue.
It's a problem exasperated by my second major complaint, which is the frequent patches
of rough, and sometimes just downright bloody
awful dialogue.
His character has a sweetness and strength, all told through body language and facial animations instead
of the traditional
awful dialogue.
Cons - Unsatisfying narrative — Gameplay elements are flawed — Horrible graphics —
Awful dialogue and emotionless characters — Changing whole landscape
of the game to something worse — Poor A.I
Still, with extremely awesome feel
of each hovercraft, a capable procedurally generated track system, well - written
dialogue, and a lovely if not simple art style, SmuggleCraft may not be masterful, but it's sure as hell nowhere near
awful.
It is marred by some
awful dialogue writing though, with lots
of clichés and some cringe inducing attempted jokes.