Sentences with phrase «of background animation»

Graphical artifacts aren't particularly bad in Rockstar's newest title, but tearing can be noticeable when spinning quickly, especially with the amount of background animation happening on screen.
That meant all of the background animation from that point on had to be reworked for the Special Edition to reflect the manor's new polish.
As neat as it is to see «The Starry Night» squiggle about like a piece of background animation leftover from «Dr. Katz, Professional Therapist,» altering van Gogh's paintings has a curious way of disrupting their magic.

Not exact matches

French for Kids: Les Saisons (The Seasons) is a lively French immersion video that engages children with colorful backgrounds, animation, catchy songs, and live - action footage of familiar year - round activities.
As it is, ILM used 5,500 computer processors and 220 terabytes of storage to store all the models, animation, background plates, textures, reference materials and artwork for the film.
The movie's appeal extends to the manner of its construction; it's an almost hypnotic kind of hybrid animation in which hundreds of photographs of Hicks in various poses and at various stages in his life are grafted onto two - dimensional backgrounds.
It isn't that the animation isn't good — in fact, this is clearly the best of the three in this aspect, with its backgrounds beautiful, and characters vibrant and appealing.
Animation is still the same style of course but its all sharper and more fluid with some stunning African backgrounds and water work.
Presentation and story's very well cared for, graphics are excellent with several layers of animation and stuff happening in the backgrounds and foreground too (shadows of enemies approaching for example).
In additional to the usual manner of digital animation, Yuh employs hand - drawn imagery (or an excellent facsimile) for many of the flashback scenes and a «stick puppet» style to present narrative background.
The animation of Persepolis's first section matches the insightful critiques of Iranian life from Marji's vantage point, with the cutesy block figures often making way for harsher, more expressionistic representations of the frightening climate — background graffiti of the Statue of Liberty with a death mask, young boys sent to the battlefields against Iraq exploding in jagged strokes of ink.
Sandy King Carpenter is an artist, editor, writer, film producer and PRESIDENT OF STORM KING PRODUCTIONS.With a background in art, photography and animation, Sandy King's filmmaking career has included working with John Cassavetes, Francis Ford Coppola, Michael Mann, Walter Hill, John Hughs, and John Carpenter.
Sure, the characters resemble plastic more than any organic substance, but the scenery is lush and colorful, a far cry from the sterile backgrounds that populate run - of - the - mill low budget computer animation.
While it suffers from the limited facial animation of so many Japanese cartoons, the backgrounds, characterizations and story are consistently pleasing.
Aesthetically, art director Rebecca Dart evokes the long - gone days of cel - based animation in both the character designs and the backgrounds: Consider the hand - drawn look of the waterfalls around Canterlot, or the chain holding the cage in Tempest's airship.
The backgrounds are beautiful and the facial expressions of the drawings are really great (I ca n`t see why did n`t they move their mouths) but the animations are really crappy.
The animation was for the mostly part terrific, but at times it was below par for Disney, particularly with some of the background images.
It's almost like the attempts of introducing animation into real background, but it doesn't always work — mostly because Arlo as a character isn't particularly appealing.
I mean, we're not talking big - budget animation or anything here, but some of the backgrounds are really rather beautiful, and flesh out the world of the BFG quite nicely — his cave, for instance is much grander and more baroque than in the books.
Anno is not a professional voice actor, but a director of animation just like Miyazaki, who worked with him as a background animator for Nausicaä, and is responsible for directing seminal works such as television's Neon Genesis Evangelion and its subsequent cinematic reboot Evangelion.
Band of Misfits» for being one of the best - looking movies of this animation style, combining crisp, exaggerated puppetry with computer - generated backgrounds woven together so smoothly you probably won't even notice where one leaves off and the other begins.
The animation is almost shockingly good for a direct - to - video film, with many of the backgrounds almost passing for live - action.
Kloster employs a unique crafts - styled 2D animation which blends color backgrounds with black and white characters, reminiscent of the show «Angela Anaconda» for those who remember the late - 90s Nickelodeon cartoon.
Of course, there are hints that these are not exactly like the Genesis originals — brand new, detailed animations, incredible new songs and remixes that weren't possible on 16 bit hardware, texture scaling and multiple detailed background layers in many stages show off the power of more modern hardware — and it's put to amazing use bringing Sonic's original, vibrant art style to lifOf course, there are hints that these are not exactly like the Genesis originals — brand new, detailed animations, incredible new songs and remixes that weren't possible on 16 bit hardware, texture scaling and multiple detailed background layers in many stages show off the power of more modern hardware — and it's put to amazing use bringing Sonic's original, vibrant art style to lifof more modern hardware — and it's put to amazing use bringing Sonic's original, vibrant art style to life.
The animation is surprisingly reminiscent of Terry Gilliam's work with Monty Python (the backgrounds, not the cutouts) as well as some of the odder Frank Tashlin Looney Tunes shorts (there's a surreal Porky Pig short in particular I'm thinking of).
There are many subtle details in the art design; things like cultural influence in character models and background environments, beautiful hand - painted textures, vivid effects, smooth animations, and, of course, incredible transitional areas where lighting, shadows, and color blend so well, it could make a grown, bearded man cry.
The set - up and background to the riots is well handled and the opening scenes of animation were original, unexpected and provoking.
The animation is some of the best I've seen in a while, especially the fight sequences and the background shots of the mountains and landscape.
Samus looks great, enemies have great animations, and some of the set pieces and backgrounds are fantastic with little things happening in them.
As seems to be a tradition, the stylized animation achieves, more or less the look of the previous film while not aspiring to the same level of artistic ambition in backgrounds.
Other menus are joined by selections of score and a blue maze background but no animation.
There has been news that Disney has recently given Mermaid the same treatment done to the DVD releases of Beauty and the Beast, The Lion King, and the upcoming Aladdin - redrawn animation and backgrounds to «enhance» the movie.
Projects and participants selected for the 2015 June Directors and Screenwriters Labs are from the United States, Brazil, China, France, Georgia and the United Kingdom, and the Fellows bring experience from an unprecedented diversity of creative backgrounds, including documentary, theatre, music, new media, visual art and animation.
The hand - drawn animation is stunning, the closest analogue is a fancier, Celtic version of the great TV series Samurai Jack, at least in its angular character design and abstract backgrounds.
While all the art is done in a similar style, I was particularly struck with the Florida Project strip, which makes use of some Disney - style animation here and there, which reflects the film's use of that company's iconography — the film is set in Florida (obviously), and the Magic Kingdom is always lurking there in the background.
The Special Edition sports some reworked background animation and the addition of a musical sequence, «Human Again», originally written for the movie but not used until the 1994 stage musical.
Each menu choice takes you to the supplements pertaining to that particular sequence, containing portions of interviews used in the 50 - minute documentaries on Disc 1 & 2, parts of the «Disneyland» TV series, extensive art galleries, texts that give background on the musical pieces themselves, and treasures like abandoned concepts and deleted animation.
Three distinct chunks of information were delivered through the animation video: A background on anti-bribery law, offences covered in the law, and the ways an organization can protect itself from prosecution under the law.
Content includes description of background radiation, description and animation of nuclear fission and diagram explaining how this leads to a chain reaction.
The site uses film clips, animations, still photos, montages and diagrams to demonstrate the different principles of physics, and includes links to other supporting and related pages as well as to background information and materials.
Background: To make the compliance subject on conflicts of interest interesting, we created a microlearning nugget using the whiteboard animation technique.
But trust me, this one is different... It is truly the finest example of interactive children's story telling I have ever seen, it contains custom movies on every spread, background audio, professional narration and read aloud text highlighting, placed web code, personalisation, interactive animations and puzzles!
In this 2007 Carnegie Award — winning adaptation of Mo Willems» Caldecott Honor Book, jazzy background music, sepia - tone photographs, animation, and lively narration by the author and his daughter put a sophisticated stamp on the warm family story.
The video can consist of live action, animation, scrolling text on a black background, or anything that captures the attention of the viewer.
Adding a background to the stop motion creates more focus to this type of work, not only with pupils learning the iPad skills but also linking stop - motion animation with other subjects such as topics on Romans, Wildlife etc..
As with the Sony Tablet S, the Tablet P uses a white background for the app menu along with a nifty way of letting you know you've reached the end of the list with an animation that stretches the app icons wider apart.
We particularly love the background animations, such as the clouds that drift across the screen and the tiny cat that pops up in different areas of the display.
Namaqualand Accommodation What at first glance appears to be a wilderness of semi-desert - arid, dusty plains that stretch before one, dramatic mountains in the background, with little by way of colour or animation - is suddenly transformed, as if by a painter with...
This is a great first outing from developer Rumpus, whose background as an award - winning animation studio shows in all of Bertram «s the charming little touches, which will have us coming back for more murder - mystery shenanigans.
In this one scene, which should be a dramatic and hear - rending moment, the shoddy animation, lack of detail and background music as well as the crap sound effects leaves the whole thing feeling like a badly done pantomime rather than stunning cinematic moment.
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