Sentences with phrase «of bass presence»

The drums on this track receive a heavier - than - usual dose of bass presence, but it's never unpleasant.

There's a pleasant level of bass presence, but the lows play a supporting role to the higher register instrumentation.

The sub-bass synth hits that punctuate the beat are delivered with gusto, but they never approach subwoofer - in - your - skull levels of bass presence.

Not exact matches

I wanted bombastic bass pumping out of this truck, announcing its presence to all around as surely as does its appearance and engine roar.

Or, perhaps they know about how the incredibly grabby brakes make it hard to stop without snapping the necks of passengers and how those brakes announce your presence — not with throbbing 808 bass - line, but with intense, high - pitched squeaking.

By choosing four American musicians (George Lewis - trombome; Douglas Ewart - saxophone; Kent Carter - bass, and Oliver Johnson - drums) who either lived in France during the Free Jazz moment or who still reside there today STAN DOUGLAS points to the continuous presence of African - American music in Europe, starting with Josephine Baker and Sidney Bechet and continuing to the present.

Despite the sound signature featuring a strong bass presence, it does little to upset the balance of the headphones, which also devote plenty of attention to the higher frequencies.

At the plastic panel on the right side is a battery monitor button with a correspondent five - LED array, and a set of ports including a USB charger for smartphones and tablets, a 3.5 mm Aux input, and the speaker's 12 - volt charging port.The 850 also employs a well - tuned DSP system equipped with the previously mentioned SRS WOW HD audio, which is designed to add presence in the high end, and more power in the bass frequencies.

This is odd, considering the recently reviewed Beats Solo 2 sounds far more balanced, with at least a decent sense of high - mid and treble presence to keep every aspect of the track well - defined against the onslaught of deep bass.

Overall, this is a scooped sound signature with plenty of rich bass depth and sculpted highs, and less mid-range presence than many listeners will want.

Callahan's rich baritone vocals get just the right amount of low - mid presence — often, this is overdone on bass - forward headphones as well, but here, the vocals don't sound overly rich.

Through the Beoplay H4, the drums still get plenty of bass attention, but despite the boosting in the deep lows, they still sound natural — they're just given a full, powerful presence.

The guitar strums also receive plenty of high - mid presence, allowing the primary elements of the mix to not be overshadowed by the slight boosting of bass.

It does a good job of keeping the sound balance and having a strong bass presence.

There's nothing too over the top in terms of bass boosting, but there's plenty of deep low end presence.

There is, of course, not a huge amount of bass, but there is presence and a very decent sound field.

Lovers of big bass won't be disappointed, but JBL thankfully keeps the overall sound signature balanced with strong high - mid and high frequency presence.

These are flat response - style earphones, but with the ability to reach down to subwoofer levels, so you do get plenty of deep bass — but only when it makes its presence known in the mix.

The bass and drums in both songs are slightly muted, and Keith Richards» vocals don't stand in front of the mix nearly as much as Steve Tyler's higher voice does, but all of the components are clearly there and no single aspect of either mix is given overwhelming presence that completely blots out other instruments.

The lower register instrumentation is given the ideal amount of bass depth and presence.

For music, the Kraken Pro V2 is very bass heavy, packing plenty of low - end power but lacking much high - end presence.

On tracks that happen to have gobs of intense sub-bass content, like The Knife's «Silent Shout,» the Mode EQ brings plenty of deep bass presence even in the treble - focused EQ mode, but the sound is a more natural, less Beats - style bass boosting.

There's excellent, accurate presence — you get a sense of the size of the room the track was recorded in, and the bass has at times, but never feels boosted nor dialed back.

Well, they sound good for a premium pair of speakers, but there are drawbacks including thinner mid range, and high bass cut off at 70 Hz, which means while there's good bass presence, you might be missing the really low stuff.

The sub-bass synth hits that punctuate the beat and often sound thunderous on bass - forward earphone pairs are powerful here, but the bass presence isn't insanely strong like it often is — we hear just as much of the synth's raspy top notes as we do its depth.

They're not bereft of bass depth here, but they don't have much low frequency presence.

The bass and drums stand out with force, but the horns and MC Lars» slightly squeaky voice command enough presence to keep at least part of the center stage.