No wonder Robert Duvall refused to let anyone else take control
of his beautiful script, and waited until he had the means to produce the film himself, with complete creative control.
Accessorize your look with a pair
of beautiful Script Earrings.
If that means scribbles instead
of beautiful script, so be it!
Not exact matches
In addition, there is plenty
of lettering that can be used too, these include Curly Sue, Daisy Eights, Au Contraire, London Bridge is Falling, Cappuccino Royal, Rub A Dub dub, Caps Lock, Disney Baby, Dashing, Elegant Curls, Simply Stylish, Army Block, Prima Ballerina, Princess and the Pea, Crown Jewels, Breakfast at Tiffany's, Cute As a Button, Spelling Bee Champ, A Touch
of Class, Clydesdale Bold, Byzantine
Script, Bold and
Beautiful, Bike Bones and Fancy Schmancy.
The include Fancy Schmancy, Curly Sue, Prima Ballerina, Daisy Eights, Princess and the Pea, Au Contraire, Crown Jewels, London Bridges is Falling Down, Breakfast at Tiffany's, Cappucino Royale, Cute as a Button, Rub a Dub Dub, Spelling Be Champ, Caps Lock, A Touch
of Class, Disney Baby, Dashing, Elegant Curls, Bold and
Beautiful, Simply Stylish, Army Block and Byzantine
Script too.
I used some
of my favorite Christmas - y messages and one
of my favorite font, that I absolutely adore, called Madina
Script to create these simple but
beautiful Christmas gift tags that you can just download, print and use on all your Christmas presents this year.
Accessorize your look with a pair
of beautiful Large
Script Earrings.
Add traditional charm to your ensemble with a
beautiful pair
of Small
Script Post Earrings.
This movie is very quiet, no dialog, no disturbing scenes, and no
script, so I easily say that it's
beautiful movie that brings good idea
of art.
All in all, the film is plenty conventional, even in a portrayal
of Ancient Rome that is about as thin as a lot
of the characterization, and as contrived as the melodramatics which slow down the impact
of momentum almost as much as dull and draggy spells, thus making for a
script whose shortcomings are challenged well enough by a powerful score, immersively
beautiful visual style, solid direction, and strong lead acting for Henry Koster's «The Robe» to stand as an adequately rewarding and very intriguing study on the impact Christ had even on those who brought about his demise.
A stupendous biopic centered on the life
of the perfectionist genius obsessed with his work that was Charles Chaplin, and it boasts a spectacular production design, a marvelous
script, a
beautiful score and Robert Downey Jr. in one
of his most amazing performances.
But it has given us much more: hours and hours
of gameplay, acción / RPG gameplay, stellar Voice acting /
script, tons
of side missions and exploring, lovable / likable / crappy characters,
beautiful worlds and lore, dinamic battle system with different classes that totally change the way we play as Shepard, female and male Shepard (how many games do that).
But it has given us much more: hours and hours
of gameplay, acción / RPG gameplay, stellar Voice acting /
script, tons
of side missions and exploring, lovable / likable / crappy characters,
beautiful
Michael Konyves's
script takes great pains to schematically lay out Barney's dying memories
of how, in 1974 Rome, he married a
beautiful, unfaithful bitch (Rachelle Lefevre), then after her suicide he wed the daughter (Minnie Driver)
of a condescending wealthy family, and after experiencing love at first sight with Miriam (Rosamund Pike) on his second wedding night, he eventually tied the knot with her, had two kids, and ultimately destroyed that union via infidelity.
The cover story, «Grade B — But Choice,» is devoted to an obscure 1934 musical called «Young and
Beautiful,» featuring «budding starlets, grade - A character actors, grade - B musical numbers, a pair
of vaudevillians, a look behind the scenes
of Hollywood, bogus appearances by Charlie Chaplin and Buster Keaton and a
script by Dore Schary» [later famous as a producer
of films such as «Crossfire,» «Mr. Blandings Builds His Dream House,» «They Live By Night» and «The Red Badge
of Courage»].
And that really began with reading The Price
of Salt, Patricia Highsmith's
beautiful novel, and the gorgeous adaptation
of Phyllis's
script that first came to me with Cate attached.
It's actually one
of the most
beautiful scripts I've read, it's a fantastic love story.
«I've felt a deep connection to Africa and its culture for much
of my life, and was taken with Eric's
beautiful script about a man drawn into the violent conflict with elephant poachers who emerged with a deeper understanding
of man's footprint and a profound sense
of responsibility for the world around him,» Jolie says in a statement carried by Variety.
His
script has a screenwriter (Colin Farrell) trying to write a movie while his friend (Sam Rockwell) teams up with a dog kidnapper (Christopher Walken) to steal the dog
of a mob boss (Woody Harrelson) who is dating a
beautiful women (Olga Kurylenko) with an ulterior motive.
From
beautiful cinematic pans across hazy fields, to the powerful
script, this film is a gripping, metaphoric mental game
of classism, sexism, but most
of all racism.
The likes
of Jennifer Lawrence, Felicity Jones and Alicia Vikander all stem from here — young,
beautiful, white women seemingly plucked from obscurity and groomed for future stardom, trailed by a flurry
of fashion press, the pick
of the hottest
scripts, and effusive ego - massaging courtesy
of a high - profile male producer.
«A
beautiful book, a deeply moving
script, and now a cast
of first - rate British actors.
«I had just come off the back
of quite a few big genre pieces and this was a poignant,
beautiful script.»
«I've felt a deep connection to Africa and its culture for much
of my life, and responded immediately to Eric's
beautiful script about a man drawn into a violent conflict that leads him to discover his own profound connection to that same place and people.»
Directed by Spain's F. Javier Gutiérrez and
scripted by the random, uncollaborative trio
of Oscar winner Akiva Goldsman (A
Beautiful Mind), David Louka (2012's The House at the End
of the Street), and Jacob Estes (The Details), Rings borrows from the Final Destination series and The Sixth Sense.
Men are interestingly sympathetic,
beautiful and yet still pivotal to the ever changing course
of the
script.
Sure its beautifully polished from an aesthetics stand point, with rich and
beautiful production design by Scott Chambliss, but little else to grab onto in terms
of a
script or just a normal comfort adventure movie, Bird's film turns out to be his most ambitious failure.
While I firmly believe Where the Wild Things Are (non-Kaufman
script) is one
of the most
beautiful adaptations in years, I'm not sure you can convince movie buffs and members
of the Academy that the screenplay is as sharp and memorable as Jonze's Adaptation or Being John Malkovich.
Instead, under the direction
of Peter Sohn working from a
script from Meg LeFauve, «The Good Dinosaur» is antic and unexpected as well as homiletic, rife with subversive elements, wacky critters and some
of the most
beautiful landscapes ever seen in a computer animated film.
The
script — by Brian Duffield (Jane Got a Gun), Akiva Goldsman (A
Beautiful Man, Fringe) and Mark Bomback (Dawn
of the Planet
of the Apes)-- allows for each
of the major players to have a few great moments and, mostly, avoids seeming too arbitrary.
But «The Big Stick» is not one
of those semi-awful, schematically spelled out conflicts such as the unfunny «My Big Fat Greek Wedding», but rather features a crackerjack
script graced with a marvelous ensemble that mixes melodrama and broad comedy, and comes across like a hilarious memoir based on Kumail's actual marriage to Emily in one
of the most
beautiful stories
of love and its conflicts you may run across in the theaters this year.
Taylor Sheridan's directorial debut — from his own
script — is a harsh, breathtakingly
beautiful film that a lot to say — but cagily presents it in the guise
of a gritty western thriller.
Scott Cooper wrote such a
beautiful script, and was so full
of love and strength as a director.
There's that
beautiful combination
of script and direction here, there's Kevin Pollak's jokes and Giancarlo Esposito's hat.
Angelina continued: «I was taken by Eric's
beautiful script about a man drawn into the violent conflict with elephant poachers who emerged with a deeper understanding
of man's footprint and a profound sense
of responsibility for the world around him.»
From Phyllis Nagy's
script (adapting the 1952 novel The Price
of Salt) through the loving cinematography from Edward Lachman (not as flashy as the Mad Max: Fury Roads and Sicarios
of the world, but no less impactful), from the shrewd editing
of Affonso Goncalves to Carter Burwell's understated yet foundational score and Sandy Powell's
beautiful costuming, Haynes has put together a professional crew that sets the tone with aplomb.
Liz Whittemore: With a
script that is funny, charming, smart, and eye - opening, Their Finest is a
beautiful gem
of a film.
Harking back to past Bond
scripts and including snippets
of plot points from Craig's legacy to the franchise, the screenplay has the defiant covert operative resorting to his infamous tricks
of seducing
beautiful women (passionate kissing and undressing implies further sexual activity), engaging in car chases with decked out vehicles (in this case a Aston Martin DB10 designed especially for the movie) and fighting a crime empire with an infinitely wealthy, villainous kingpin who commands an army
of minions.
Marielle Heller (Diary
of a Teenage Girl) will direct the film from a
script by Micah Fitzerman - Blue and Noah Harpster (Transparent,
Beautiful Ruins).
«It's just a
beautiful script and it's got this wonderful cast
of characters,» Clarkson said back in July.
by Bill Chambers The latest from Roger Michell, The Mother seems die cut for Stephen Frears (it was
scripted by Hanif Kureishi, author
of Frears's My
Beautiful Laundrette and Sammy and Rosie Get Laid), and one can imagine it having attracted Ken Loach or Mike Leigh with only minor tweaks.
Featuring a
script written by Arcel, Akiva Goldsman (A
Beautiful Mind), Jeff Pinker (The 5th Wave) and Anders Thomas Jensen (The Salvation), this movie feels as if all involved were responsible for crafting a handful
of ten minutes scenes that they'd all figure out how to combine into a cohesive narrative whole at a later date.
«I know that Gavin Hood, our director, really felt protective
of it, and he wrote a
beautiful script.
There is a lot
of self - pity being thrown around in the film, and for anyone dealing with similar issues or circumstance; I think this
beautiful script could be a real cathartic process.
An ideal comedy - that even at 123 minutes, it never feels long - that includes brilliant performances, and a wonderful
script (as well as a
beautiful score), Julie & Julia is one
of the most memorable films I've seen all year.
Wind River by Hope Madden In many
beautiful and horrific ways, the
scripts of Taylor Sheridan (Sicario, Hell or High... read more →
Irvine certainly leads the group, riding high on his notably
beautiful relationship with his horse, but then we get characters like Toby Kebbell's soldier who occupies a mere section
of the film, but is unforgettable thanks to what he accomplishes with the top - notch
script he's working with.
There are four important elements
of film and this one scores highly in all
of them: intriguing story, good
script, good acting and
beautiful cinematography.
I often find myself marvelling at the students» mastery
of the
beautiful, though difficult, Arabic
script proudly displayed around the school hallways.
This is forgiven when you notice the incredibly cool classic «Heuer»
script at 12 o'clock and take a peek under the hood at the
beautiful and state -
of - the - art Calibre 02 chronograph movement, a powerhouse that has been in development for quite a while.