Sentences with phrase «of black acrylic paint»

When elements of the work were rejected by censors ahead of its inclusion in a biennial in China, rather than withdraw Sze created Calendar Series China Revision, 2015, applying strips of black acrylic paint to cover the content proscribed by the censors — all news references to China.

The straightforward, descriptive title seems completely unrelated to the image, which is neither yellow nor a banana, but a wandering smear of black acrylic paint on white paper.

She taught those who attended how to create a value scale as well as how to represent the basic qualities of value by painting a white ball with one light source by only using a dollop of white acrylic paint and a dollop of black acrylic paint.

Not exact matches

An acrylic - on - canvas hand - painted Imgur logo that, when illuminated with a black light, reveals a hidden image of «dickbutt,» a not - quite SFW meme.

You can use craft eggs (or get the cheap plastic kind and paint them white), some felt, pink and black acrylic paint, and white pom poms (because, of course, you'll need a tail for the back!).

Dry brush the chosen front of each piece using black acrylic latex paint.

Get a black canvas or paint the sides of the canvas black with acrylic paint to make a black - rimmed print.

First, I gave the entire surface of the pumpkins two coats of acrylic orange paint, and gave the base of the piece two coats of black paint and let it dry.

It showed a perfectly white arena, giving the user the opportunity to define it by throwing big globs of black paint everywhere, which spattered convincingly against walls and acted as a sort of acrylic sonar to guide the player through the world.

Wilson removes the color from each nation's flag and replaces all of the graphic design elements — stars, stripes and symbols — with black acrylic paint on raw canvas.

Lining the walls are acrylic and ink paintings of palm fronds in fiery reds, blacks, and greens.

The artist strips color from flags of African and African diaspora countries, leaving only the graphic stripes, stars, crescents, and shields, applied in black acrylic paint directly on raw canvas.

He took to acrylic paints as early as the 1950s, and the black of alkyd resin marks the transition to his mature work in the early 1970s.

The exhibition at Lisson Gallery includes Untitled (White Multiband, Vertical Strokes)(2003), incorporating glass microspheres in acrylic on canvas; multiple works from the innovative White Band series; and recent paintings from the Black Band series; alongside the lightbox Untitled (Electric Light)(1968/2017), composed of argon and Plexiglas.

In her Let us now Praise Famous Men (2012) series of acrylic paintings, Ruyter appropriated Depression - era black and white photographs from the archive of the Farm Security Administration / Office of War Information in the Library of Congress.

The exhibition will include the recognizable — one of Mr. Hammons's basketball hoop chandeliers and his tarp paintings — and the more recent, like a 2014 tangerine - tinted sculpture made of glass, wood, nails and acrylic, titled «Orange Is the New Black.»

In Saint Cloud (1970), a long, rectangular black acrylic painting, rows of dashed horizontal bands cut from the surface reveal the depth of the painting's wooden framework.

His winning gambit was to use black enamel and acrylic paints, unusual media that have the feel more of viscous printing ink than of paint.

The exhibition also includes the paintings Sand Morning (1973) and Arundel XI (1974), as well as a series of black and violet acrylic works on paper, two of which Truitt made in a rented room in Georgetown in 1962; an acrylic on paper made in her studio in Tokyo in 1966; two acrylics on paper completed on Tilden Street in 1968; several early drawings of streetscapes and buildings recalled from childhood; and a rare working drawing for the Gallery's sculpture Knight's Heritage.

Of course, as a black artist painting in acrylic, Whitten was always conscious of colour's social resonance, maintained that his lived history necessarily emerged in the texture of his worOf course, as a black artist painting in acrylic, Whitten was always conscious of colour's social resonance, maintained that his lived history necessarily emerged in the texture of his worof colour's social resonance, maintained that his lived history necessarily emerged in the texture of his worof his work.

In the photos from Associations New, only a handful of them feature the credited work of individual arists, including Charlotte Herzig «s «Landscape, the sun is actually red» (2014) and Henning Strassburger «s «o.T» (2014), that yells «LOOK WHAT I PAINT» in black scrawl through the lurid pink and black noise of oil and acrylic.

A selection of a new series of paintings, The DNA Series, is a return to the black acrylic squares Corse began exploring in the early 1970s.

Molly Zuckerman - Hartung The Madame of the Painting 2013 acrylic, latex, fabric and paper collage, and black ink, on drop cloth 72 1/2 x 50 inches

Structured chronologically, the exhibition consists of works on paper from various stages of the artist's career, beginning with summary pencil scrawls of the early 1950s, when Twombly was a student at Black Mountain College in North Carolina, and ending with three works from 2008 filled almost to bursting with blood - red spirals of acrylic paint.

The works on view, a selection of oil paintings and works on paper including acrylic and crayon, display a joyful exuberance expressed through sensuous black lines and both geometric and amorphous shapes that are reminiscent of both Miró and Matisse.

Franz Kline is a large acrylic painting inspired by the black - and - white abstract paintings of the late artist Franz Kline.

The Chunk series consists of three, six - foot - square acrylic paintings plus two smaller paintings where large portions of the canvas contain black or brown blocky figurative structures accompanied by explosions of straight lines of bright colors with soft round forms capping the ends.

John applied bright red and black acrylic paint onto newspaper to create this one - of - a-kind original artwork measuring 15 inches high by 11 inches wide.

His figurative paintings of oil and acrylic present low - contrast scenes of Black individuals, often of family and friends in domestic environments.

Black - and - white photograph of cast concrete sculptures with acrylic paint in artist studio, 8 1/2 x 11 in.

FRIEDRICH KUNATH All of My Problems Are Water Based (Strawberry) 2010 polystyrene foam, acrylic resin, clothes, shoes, acrylic and watercolor paint, plastic leaves, artificial peaches, grapes and apple, fake black bird, lacquer 44 x 60 x 37 inches (111.8 x 152.4 x 94 cm) ARG # KF2010 - 028

«My Everest» by Paola F Bidinelli is a mixed media impasto painting with a textured palette of red and black acrylic color.

Thomas is an amazing artist who examines issues of black feminine beauty within an over-arching culture where the ideals of beauty may not reinforce a sense of acceptance or joy for black women and she is known for her paintings covered with rhinestones, acrylic and enamel.

Hole 2014 laser cut black fabric, acrylic paint 17.75 inches (45.1 cm) in diameter Edition of 10 with one artist's proof ARG # RMK2014 - 006

He has been quoted as saying that he used such diluted paint in the airbrush that all eight of the paintings were made with a single tube of Mars Black acrylic.

This de Kooning, which sold for $ 772,500, bears a strong painterly kinship with Richter's Lot 25 and to a lesser extent with the untitled painting by Jean - Michel Basquiat (1960 - 1988), Lot 24, a 1982 work of acrylic, spraypaint and oil - sticks on canvas that is 72 by 48 inches and is highlighted by a horned skull with floating arrows above an undefined surge of black and pink.

His large sepia - toned acrylic and silkscreen 1966 portrait of Marlon Brando in a scene from «The Wild One,» Lot 12, sold well over its high estimate of $ 2 million to a private collector for $ 2,642,500 (including the buyer's premium), but a small 1962 casein and pencil on canvas of a Campbell's Chicken With Rice Soup Can painting, Lot 13, that had been estimated at $ 600,000 to $ 800,000 soared to $ 1,652,500 (including the buyer's premium, much to the consternation of the determined underbidder, a woman in a black suit, high heels and wearing large earrings, who immediately got up from her seat and left with her companion after the lot was knocked down.

Blunk used black and white acrylic paint to emphasize the chainsaw - textured surfaces of his scrap wood panels.

Upstairs, Israel's monumental painting Sky Backdrop will be installed among 18th - century Beauvais tapestries; and the permanent installation of Renaissance bronze sculptures will make room for Israel's Maltese Falcon (cast bronze with black patina), while a room hung with works of art related to the Grand Tour will include Desperado — an acrylic - on - bronze, souvenir - like sculpture depicting a vintage convertible in a desert setting.

Installation view, from left JEREMY OKAI DAVIS, «Makes the Man,» 2012 (acrylic on canvas); NOEL ANDERSON, «Black Past - iche (to be looked at farandaway),» 2014 (fabric dye, collage and digital transfers in custom doubled - sded frame; collage, silkscreen, acrylic and digital transfers on rug); and ELLEN GALLAGHER, «DeLuxe,» 2004 — 5 (portfolio of sixty etchings with photogravure, spitbite, collage, laser - cutting, screenprint, offset lithography, hand painting and Plasticine).

Bruno Gruppalli, Obra de pared mostrando su estado de duda (Wall painting showing one's state of doubt), 2016, paper, thread, black acrylic, and glass.

¬ † The accumulated «rubble», and the sea of empty canvas on which it floats, is lacquered with layers of acrylic gesso to create «black on black» paintings which capture the scenes of decimation.

4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 iBlack Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 iblack 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 iBlack ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4painted with white color 32 1/4 x 32 1/4 x 2 3/4 inches

The seven paintings located in the north gallery are acrylic gouache on canvas and have an aesthetic theme of incandescent colors on black backgrounds.

Often incorporating life size imagery, these paintings combine collage with acrylics, drawings and oils, mosaics of real textures, and black and white photographs.

In 28 Black Holes (Dedicated To Jackie O)(1993 — 94), Whitten pieces together these pixels of acrylic to configure a larger painting.

Recent Paintings by Wini Brewer will feature new works by the Los Angeles based artist whose vibrant works infuse abstract and representational elements through a unique process of layering colorful acrylics against black and white graphics.

Stripping vintage lengths of 16 - and 35 - mm film of their emulsion and dissolving the murky material into clear acrylic paint which he then airbrushes onto canvas, Zilm collapses entire films — close - ups, slow pans, fast tracking shots, high angles, medium angles, reverses, zooms, aerial shots, encoded soundtracks — into mysterious black - and - white paintings that appear to be film stills in their own right.

Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52

On the ground right: Martin Kippenberger Richter - Modell (interconti), 1987 a 1972 Gerhard Richter painting, wood frame, metal legs From right to left: Lucio Fontana — Hisachika Takahashi Concetto spaziale, Attese, 1966 oil on canvas; Louise Lawler Chandelier, 2007 cibachrome mounted on museum box Elad Lassry Man (Selfie), 2014 c - print photograph; Sturtevant Duchamp Man Ray Portrait, 1966 black and white photograph; Louise Lawler Marilyn, 1999 cibachrome, museum mount; Sturtevant Warhol Marilyn (study for Warhol diptych), 1973 silkscreen and acrylic on canvas; Maurizio Mochetti Mochetti di Mochetti (Jean Harlow), 1976 Conté de Paris on paper; Pierre Huyghe De Hory Modigliani, 2007 oil on canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronze