Sentences with phrase «of black female subjectivity»
Simone Leigh's practice incorporates sculpture, video and installation, all informed by her ongoing exploration of black female subjectivity and ethnography.
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Simone Leigh's practice is an object - based ongoing exploration of black female subjectivity.
Simone Leigh's practice focuses on an exploration of black female subjectivity, informed by her interest in African art, ethnographic research, feminism and performance.
Simone Leigh describes her practice as «an object - based on - going exploration of black female subjectivity.
Working across ceramics, sculpture, video, installation, and social practice, Simone Leigh examines the construction of black female subjectivity and economies of self - preservation and exchange.
Working in ceramics, sculpture, video, installation, and social practice, Simone Leigh (b. 1967, Chicago) examines the construction of black female subjectivity and economies of preservation and exchange.
The exhibition seeks to explore the possibility of different, critical engagements with geography through the lens of black female subjectivities and feminisms.
Not exact matches
There have since been 25 dinners that have explored themes like Baltimore, Race, and Identity (in honor of Freddy Gray); the 2016 shootings in Orlando and the need for sanctuary spaces; Black Female Subjectivity; Black Male Subjectivity; and Racial Subjugation in Latin American History.
Neptune creates counter-narratives which examine pedagogies of resistance, black subjectivity and the nuances of identity construction amongst marginalized female bodies of color.
One of their key concerns is to make visible the work of black women artists and black female subjectivities, to counteract forces that seek to make them and their community invisible or unseen.
Lorraine O'Grady presents a reading of Olympia's Maid: Reclaiming Black Female Subjectivity as part of the Future Feminism show at The Hole, New York.
Lorraine O'Grady is an artist and critic whose installations, performances, and texts address issues of diaspora, hybridity, and black female subjectivity.
Through a convergence of interest in anthropology, science fiction, black female subjectivity and women's work, her art explores the humor and fantasy involved in self - making within diasporic societies, which have an ability to live with cultural ambiguities and use them to build psychological and even metaphysical defenses against cultural invasions.
Often employing her own autobiography to consider black female subjectivities and identity construction within the social and political structures of art and the world at large, O'Grady brings sharp focus to the experience of aging.
Over the course of more than three decades, artist and cultural critic Lorraine O'Grady has won acclaim for her installations, performances and texts addressing the subjects of diaspora, hybridity and black female subjectivity.