Sentences with phrase «of black male identity»

Depicting the black male figure and the complexity of black male identity, the paintings explore masculinity, spirit, and humanity.

Working around issues of black male identity in the exhibition Tailor, Singer, Striker, Dandy (2011) at the Gallery of Costume, Platt Hall, Manchester Art Gallery she selected from the large West African textile collection in the gallery's stores and reinterpreted the materials to express contemporary and historic male identity through appearance and clothes.

Through his exploration of black male identity, Smith challenges the reader with truths that are powerful and urgent.

3c) so that along with a certain conception of black male identity, it helped the gangsta - rap scam get going

Not exact matches

Her work explores representations of black male sexuality and identity, through exceptional craftsmanship and embellishments.

The two key black males on campus, Lionel (Tyler James Williams) and Troy (Brandon P. Bell), are themselves caught in dual / binary identity clashes, but neither one is quite as interesting or as humorously confrontational of those of Sam and Coco.

A mashup of «Some Like It Hot» (leering rooster - in - the - henhouse voyeurism) and «Glee» (peppy musical interludes), that, on the plus side, grapples with the potent issue of young black male identity...

ohn Trengove's South African coming - of - age drama, The Wound is a visceral and powerfully done film about queer Black identity and its intersections with Ukwaluka, the rite of passage for male Xhosa teens — a rural tribe in the country.

I provide just one voice that is as unique and different as the multiple voices, narratives, and identities of other black males throughout our society.

Since its inception in 1996, the project has recorded more than 1,600 questions and responses that illuminate diversity of thought, character, and identity in America's black male population.

There have since been 25 dinners that have explored themes like Baltimore, Race, and Identity (in honor of Freddy Gray); the 2016 shootings in Orlando and the need for sanctuary spaces; Black Female Subjectivity; Black Male Subjectivity; and Racial Subjugation in Latin American History.

The critical «intention» of a male white artist is trumped by those with a greater claim to the identity at stake — «As a black woman, I'm offended».

At the Crossroads: Black Males + Race, Place, & Identity with Instructor Derrick Lanois, VCU Department of African American Studies Monday, January 20, 6 p.m. Elegba Folklore Society's Cultural Center

Taken together, Simmons oeuvre reflects the shift that curator Thelma Golden both observed and underwent herself with her exhibitions Black Male in 1994 and Freestyle in 2001: the move from highly politicized issue - based art to more apolitical considerations of identity along side the artistic process.

2015 Interventions in Printmaking: Three Generations of African American Women, Allentown Art Museum of The Lehigh Valley, Pennsylvania, USA SELF: Portraits of Artists in Their Absence, National Academy Museum of Art, New York, USA Piece by Piece: Building a Collection, Selections from the Christy & Bill Gautreaux Collection, Kemper Museum of Contemporary Art, Kansas, USA Status Quo, The School, Jack Shainman Gallery, New York, USA Breath / Breadth: Contemporary American Black Male Identity, Maier Museum of Art at Randolph College, Lynchburg, USA To Be Young, Gifted, and Black, Goodman Gallery, Cape Town, South Africa

Question Bridge: Black Males A 5 - channel video installation by Artist Hank Willis Thomas January 27 — May 1, 2016 Opening Reception: January 27 The UMCA is pleased to present Question Bridge: Black Males, a five - channel video installation that aims to represent and redefine black male identity in America, and powerfully exposes the incredible diversity of thought, character, and identity within the black American male demographic, disrupting traditional generalizatBlack Males A 5 - channel video installation by Artist Hank Willis Thomas January 27 — May 1, 2016 Opening Reception: January 27 The UMCA is pleased to present Question Bridge: Black Males, a five - channel video installation that aims to represent and redefine black male identity in America, and powerfully exposes the incredible diversity of thought, character, and identity within the black American male demographic, disrupting traditional generalizatBlack Males, a five - channel video installation that aims to represent and redefine black male identity in America, and powerfully exposes the incredible diversity of thought, character, and identity within the black American male demographic, disrupting traditional generalizatblack male identity in America, and powerfully exposes the incredible diversity of thought, character, and identity within the black American male demographic, disrupting traditional generalizatblack American male demographic, disrupting traditional generalizations.

Harris, who grew up in New York City and Dar es Salaam, Tanzania, came to prominence in 1994 when Whitney Museum of American Art curator Thelma Golden included his large - format Polaroid pictures of friends, family members and himself in poses and guises challenging racial and gender identity in her seminal exhibition «Black Male: Representations of Masculinity in Contemporary American Art.»

In the piece, now preserved in a simple black - and - white video format of the artist sitting at a desk, Wilson begins with the premise «Art making sucks identity from individuals who are close to it but not participating themselves and the only way to recover identity is to make art yourself» proceeding to ingest a photograph she took of her partner, a male artist, in attempt to recover her own identity becoming his equal in power and, in doing so, creating her own art.

Todd Gray in Breath / Breadth: Contemporary American Black Male Identity at Maier Museum of Art, Randolph College, Virginia September 3 to December 11, 2015.

While Anderson deftly dissects police brutality, rape culture and the limits of socially prescribed black male identity, Bowers tackles issues of trans liberation, labor equity and immigrant rights.

It is a multi-platform project comprised of an interactive website and online learning community, a curriculum for high schools and universities and community events partnered with organizations, centered around debunking the hegemonic identity container of what a «Black» «Male» in America signifies.

Traveled to Grazer Kunstverein, Austria and The Studio Museum, New York Tenth Anniversary Exhibition, 100 Drawings and Photographs, Matthew Marks Gallery, New York (catalogue) 2000 Made in California: Art, Image and Identity, 1900 - 2000, Section 5, 1980 - 2000, Los Angeles County Museum of Art (catalogue) 1999 Through the Looking Glass, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, NY 1995 In a Different Light, (co-curator), University of California, Berkeley Art Museum (catalogue) Into a New Museum - Recent Gifts and Acquisitions of Contemporary Art, San Francisco Museum of Modern Art 1994 Body and Soul, (with Cindy Sherman, General Idea and Ronald Jones), Baltimore Museum of Art Outside the Frame: Performance and the Object, Cleveland Center for Contemporary Art Don't Leave Me This Way: Art in the Age of AIDS, National Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, Bologna.

In 2012, the Question Bridge: Black Males project originated to provide a platform for an authentic exchange about life in America for black men, revealing the rarely seen diversity of thought, character, and identity in the black male population too often described by the media in reductive Black Males project originated to provide a platform for an authentic exchange about life in America for black men, revealing the rarely seen diversity of thought, character, and identity in the black male population too often described by the media in reductive black men, revealing the rarely seen diversity of thought, character, and identity in the black male population too often described by the media in reductive black male population too often described by the media in reductive ways.

I'm interested in interjecting the portraiture canon with brown and black bodies to further complicate heteronormative perception of male identity, the male to male gaze, and the intersectionality of gender fluid and queer bodies that are not often discussed or represented in history, and marginalized in our society.»

His paintings, performance art, and scholarly work address concerns around representations of black masculinity in popular culture and how these images impact both the reading and performance of black male masculinity and identity.

Pecou's paintings, performance art, and scholarly work addresses concerns around representations of black masculinity in popular culture and how these images impact both the reading and performance of black male masculinity and identity.

His work explores African American male identity, masculinity, notions about the father figure, and the photographic archive, by providing a frame of reference that articulates the identities of Black men.

Co-created by Chris Johnson, Hank Willis Thomas, Bayeté Ross Smith, and Kamal Sinclair, Question Bridge is a five - channel video installation giving voice to black males — exploring identity and a range of issues, highlighting a diversity of thought and experience.

CREATED BY CHRIS JOHNSON, Hank Willis Thomas, Bayeté Ross Smith, and Kamal Sinclair, «Question Bridge: Black Males» harnesses video technology to connect more than 150 men from across the country in conversations about black male identity and issues of race, masculinity, family and commuBlack Males» harnesses video technology to connect more than 150 men from across the country in conversations about black male identity and issues of race, masculinity, family and commublack male identity and issues of race, masculinity, family and community.

Using the intersectionality framework (simultaneously inhabiting multiple social identities), this study compares the social adjustment of male and female biracial / ethnic adolescents (e.g., Black / White youth) with that of corresponding monoracial / ethnic youth (e.g., Black youth and White youth).