Sentences with phrase «of black paint achieves»

Not exact matches

The bespoke Lava Red paint finish on the Kia Proceed concept has been achieved with 90 layers of black, chrome silver, and red lacquer.

Armed with 8 - inch blank carvings, a few inks (red, yellow, black and blue) and one brush, none of us came close to achieving the sharp, clean lines boasted by even the smallest of the professionally painted dolls, which were about 3 inches tall.

Following in the tradition of Jackson Pollock, whose drip paintings finally broke the bond between painter and canvas, and Frank Stella's Black Paintings which discarded the need for spatial illusion, Judd makes the next, unassailable step of taking art into a new dimension — a dimension in which it could finally achieve the full potential of crpaintings finally broke the bond between painter and canvas, and Frank Stella's Black Paintings which discarded the need for spatial illusion, Judd makes the next, unassailable step of taking art into a new dimension — a dimension in which it could finally achieve the full potential of crPaintings which discarded the need for spatial illusion, Judd makes the next, unassailable step of taking art into a new dimension — a dimension in which it could finally achieve the full potential of creativity.

He achieved this effect by hammering scores of carefully placed nails into elaborate wood supports, stretching the canvas over their protruding heads and then painting it, usually white but also silver, red or black.

«While several of Jackson Pollock's contemporaries combined black and white, his black paintings were exceptional in their absolute merging of color and surface, which went over and above what Pollock himself had previously achieved; this is a crucial difference for many contemporary artists revisiting Pollock's work today,» said Delahunty.

Divine Violence is a set of more than 100 wooden panels — hand - painted signs, essentially, with black lettering on gold automotive paint — bearing the names of organizations that used violence to achieve political ends.

The Swiss artist Urs Fischer, known mostly for his sculpture, has also made editioned «paintings» — laser prints of untitled landscapes or interiors that achieve a nearly abstract, cracked - mirror effect with uneven bands of red, white, or black that the artist adds by hand, using a fine paintbrush or felt - tipped marker.

Hailed in his own lifetime as among the most important figures of 20th - century art, both as a practitioner and as a teacher at the Bauhaus, Black Mountain College, and Yale University, Albers (1888 - 1976) achieved widespread acclaim across a range of mediums, from glassworks and furniture design to printmaking and painting.

1950 Achieves notoriety with first solo show of black and white abstract paintings and works on paper.

A 9 1/2 - foot - high painting consisting of black pigment on canvas, Black Fire I doubled the artist's previous auction record of $ 43.8 million - for Onement VI (1953)- achieved at Sotheby's New York in May black pigment on canvas, Black Fire I doubled the artist's previous auction record of $ 43.8 million - for Onement VI (1953)- achieved at Sotheby's New York in May Black Fire I doubled the artist's previous auction record of $ 43.8 million - for Onement VI (1953)- achieved at Sotheby's New York in May 2013.

That sometimes a painting only uses two shades of blue — say a magenta alongside a deeper, royal blue — shows that Reinhardt had not yet in the early 1950s created a system out of color, as he would later when the black paintings were fully underway, but nonetheless he had the idea that red, blue, and green mixed with a single color enabled him to achieve a high degree of coloristic complexity within a single hue, which he also employed for the contemporaneous red paintings, working with different red tones, but also mixing red with green and blue to juxtapose yellow and magenta passages with the red ones.

The weird poetry he achieves in the Paradise series with a palette limited to red, black and green, is taken to even more ambitious and mysterious realms in a larger series of paintings which will be exhibited upstairs at London's Victoria Miro Gallery in a space specially designed by his friend, the architect David Adjaye - a long, wood - panelled chamber, with seating for the contemplative visitor.

K (1979), five foot square, bisected by an off vertical line achieved by joining two canvases black to the left and blue to the right, with the green of the painted edge just showing as a narrow line down the (off) centre.

To achieve the clotted density of xeroxed text, Jack Whitten dragged afro combs and saws through thick sheets of black and white paint.

I'd use a combination of black, charcoal colors — to achieve a tone - on - tone and paint in in a way to fool the eye that there is more depth.