Sentences with phrase «of black squares»

For all that he might reiterate his art - as - art position, insisting on the formless, directionless, colorless, textureless, spaceless, relationless condition of the black squares, Reinhardt nonetheless seemed to think of Art as opening up some kind of back door in the mind, an expanding, pulsing awareness of the visual process itself «Tao,» he once wrote in a note to himself, «fills the whole frame yet you can not keep track of it... It is dim and dark, showing no outward form.»

On 16 July, Ahmet Doğu İpek began Days (2016 — 17), an embodiment of lucid muteness: the presentation here extracts 21 of 157 drawings of black squares that the artist made daily, varied in density but realized using a consistent amount of watercolour.

His nested but not concentric squares explore close and contrasting colors, but without the mysteries of rectangles for Mark Rothko — or the earthly surprises of black squares for Ad Reinhardt.

An unframed, multi-paneled frieze hangs below the ceiling line like an unspooled film revealing an inventory of circular geometries; painted in hues from pastel to vibrant, their forms chart a rhythm across planes of black squares, themselves in motion.

This year marks the 101st anniversary of a turning point in the history of visual art, when Russian artist Kazimir Malevich created his momentous 1915 paintings of black squares on white backgrounds.

The center of each black square is placed at the summary point estimate; the area of the square is proportional to the statistical size; and each vertical line shows the 95 % confidence interval about the summary estimate.

For a start, some of the walls have been flown in from his recent show in Germany — and the captions on the works are from the Whitechapel's previous show, Adventures of the Black Square.

Adventures of the Black Square presents abstraction as not being estranged from social reality, that its concern with form, shape and colour throughout its history are intrinsically linked to politics and expressions of modern living.

Iwona Blazwick, ed., Adventures of the Black Square: Abstract Art and Society 1915 — 2015, exhibition catalogue, Whitechapel Gallery, London (London; Munich: Whitechapel Gallery; Prestel Verlag, 2015), 41, 270, 279.

It might be the first postmodern artwork, the text a conceptualist tool qualifying the inherited pretensions of the Black Square.

Adventures of the Black Square, Abstract Art and Society 1915 — 2015 at Whitechapel Gallery until 6 April clearly and alternatively positions the work's reductive form (in this exhibition it is Malevich's diminutive undated Black Quadrilateral that is featured) as the beginning of a new art...

Adventures of the Black Square, Abstract Art and Society 1915 — 2015 at Whitechapel Gallery until 6 April clearly and alternatively positions the work's reductive form (in this exhibition it is Malevich's diminutive undated Black Quadrilateral that is featured) as the beginning of a new art starting in Russia and Northern Europe in the early twentieth century.

Revisiting manifestations of the black square and tracing its evolution over time to a more layered and frayed entity are a new suite of paintings by Ellen Gallagher riffing off of Kazimir Malevich's Black Square on a White Ground (1915), mixed media works by Turiya Magadlela, a bound fabric wall sculpture by Laura Lima, and Jonathas de Andrade's photographic iterations of the black square, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capitalism.

What is important is taking the work you have and creating beneath it a discernible, fluid and relevant narrative, and, for the most part, Adventures of the Black Square succeeds in this.

This year the Whitechapel Gallery kick - starts a groundbreaking exhibition of 100 years of geometric abstraction, Adventures of the Black Square, with an allusion to Malevich's famous work, first shown in 1915.

• Adventures of the Black Square: Abstract Art and Society 1915 - 2015 is at the Whitechapel Gallery, London E1, from Thursday until 6 April.

Pieces by Keith Coventry, Adam Pendleton and Zhao Yao will be featured in Adventures of the Black Square: Abstract Art and Society 1915 — 2015, opening on 15 January 2015.

To coincide with Adventures of the Black Square: Abstract Art and Society 1915 — 2015, abstract art takes over the Whitechapel Gallery with displays, commissions and special events including:

Curated by Iwona Blazwick OBE, Director, and Magnus af Petersens, Curator at Large, Whitechapel Gallery, Adventures of the Black Square: Abstract Art and Society 1915 — 2015, (15 January — 6 April 2015), is international in its scope.

-- Adventures of the Black Square: Abstract Art and Society 1915 — 2015 is accompanied by a fully - illustrated catalogue with essays by the Curatorial Advisory Committee alongside Iwona Blazwick and Magnus af Petersens.

-- Adventures of the Black Square: Abstract Art and Society 1915 — 2015, 15 January — 6 April 2015 is curated by Iwona Blazwick OBE, Director, and Magnus af Petersens, Curator at Large, with Sophie McKinlay, Acting Head of Exhibitions and Candy Stobbs, Assistant Curator, Whitechapel Gallery.

Adventures of the Black Square: Abstract Art and Society 1915 — 2015, Whitechapel Gallery London, 15 Jan - 6 April, 2015; Solo Shows at Pace Hong Kong (2015); Pace London (2013); Sichuan Fine Art Institute, Chongqing, China (2012); Zhao Yao: You Can't See Me, You Can't See Me, Beijing Commune, (2012); Zhao Yao: I am Your Night, Beijing Commune (2011); 51m 2: 3 # Zhao Yao, Taikang Space, Beijing (2009).

Without any pretensions to exhaustive treatment, it is an attempt to display an intriguing and multifaceted selection of various interpretations of Black Square in the works of Estonian artists.

Metamorphoses of the Black Square.

A Painting of Thought I - 493, 2015 was created to accompany the Whitechapel Gallery exhibition Adventures of the Black Square: Abstract Art and Society, 1915 - 2015, on show from January — April, 2015.

The limited edition Loose Fit 1 (Large / Black), 1999, 2014 was produced for Whitechapel Gallery to accompany her work included in the exhibition: Adventures of the Black Square: Abstract Art and Society, 1915 — 2015, 15 January — March, 2015.

Untitled - 1, 2013, 2015, was produced at Book Works, London, exclusively for the Whitechapel Gallery to accompany Anna Parkina's works included in Adventures of the Black Square: Abstract Art and Society, 1915 - 2015.

She has participated in the group exhibitions the Venice Biennale (2011, 2015), New Museum of Contemporary Art, New York (2012); Adventures of the Black Square, Whitechapel Art Gallery, London; Under the Same Sun: Art from Latin America Today, Solomon R. Guggenheim Museum (both 2015).

The limited Edition Reflections / Refractions, 26 Oct 2014, 2015 is part of a series of collages created from an Iranian newspaper, which has been printed on aluminium printing plates and produced exclusively for the Whitechapel Gallery to accompany Ansarinia's work in the exhibition: Adventures of the Black Square, Abstract Art and Society 1915 — 2015, from 15th January — 6th April 2015.

Group Shows include: Adventures of the Black Square, Abstract Art and Society, 1915 - 2015, Whitechapel Gallery, 2015; Perspectives on Collage, The Photographers Gallery, London (2013); Marbled Reams, The Modern Institute, Glasgow (2012); Modernikon: Contemporary Art from Russia, Fondazione Sandretto Re Rebaudengo, Turin.

Tell us how Adventures of the Black Square: Abstract Art and Society 1915 — 2015 inspired you to create this design.

Maurer, whose work has finally received the deserved attention of the international art world was included in the recent exhibition Adventures of the Black Square at the Whitechapel Gallery, London and her 2014/2015 retrospective at Museum Ritter has highlighted the diversity of her highly regarded oeuvre.

This beautiful monochromatic print has been created to accompany Armando Andrade Tudela's work included in Adventures of the Black Square: Abstract Art and Society 1915 — 2015, an exhibition at the Whitechapel Gallery, 14th January — April 2015) which presents a survey of the history of the black square in modern and contemporary art.

Adventures of the Black Square: Abstract Art and Society 1915 — 2015, Whitechapel Gallery, 50 % off with National Art Pass

Adventures of the Black Square explores how abstract art has travelled worldwide, permeating our life and times.

Andrea Büttner (2009 - 11)-- Part of Andrea Büttner's work created for her Max Mara Art Prize exhibition, The Poverty of Riches, and titled Untitled (Paintings)(2011) was included in the Whitechapel Gallery's landmark exhibition Adventures of the Black Square in 2015.

This epic show takes Kazimir Malevich's radical painting of a black square — first shown in Russia 100 years ago — as the emblem of a new art and a new society.

Batchelor's work was included in the landmark group exhibition Adventures of the Black Square: Abstract Art and Society 1915 — 2015 at Whitechapel Gallery, London.

A high quality mini-print produced exclusively for the Adventures of the Black Square exhibition at the Whitechapel Gallery.

The current open call with a deadline of April 15th is being juried by John Yau, a poet, fiction writer, critic, editor, curator, and publisher of Black Square Editions, a small independent press.

Either they are throwing a (mightily odd) curveball at their audience, presenting a show of works that demonstrate where the original impulse of the black square died; or this is just a genuinely facile grouping.

The list of artists, from Anni and Josef Albers to Heimo Zobernig, whose works are included in Adventures of the Black Square, is enough to tell you that the exhibition promises great things.

Three current major exhibitions in London — «Rubens and his Legacy» at the Royal Academy, «Inventing Impressionism» at the National Gallery and «Adventures of the Black Square» at the Whitechapel Gallery — were linked to the festival's avant - garde strand.

Clark was more recently included in Radical Women: Latin American Art, Brooklyn Museum, New York (2018) and the Hammer Museum, Los Angeles (2017), Making Art Concrete: Works from Argentina and Brazil in the Colección Patricia Phelps de Cisneros, J. Paul Getty Museum, Los Angeles (2017); The Other Transatlantic, MoMA Warsaw, MMK Musuem fur Moderne Kunst, Frankfurt (2017); Being Modern: MoMA in Paris, 1929 - 2017, Louis Vuitton Foundation, Paris (2017); Modern Art and St Ives, Tate St Ives (2017); The Shadow of Color, curated by Rita Kersting, The Israel Museum, Jerusalem (2016/2017); Making and Unmaking, curated by Duro Olowu, Camden Arts Centre, London (2016); Life Itself, curated by Daniel Birnbaum, Moderna Museet, Stockholm (2016); Adventures of the Black Square, Abstract Art and Society 1915 - 2015, curated by Iwona Blazwick and Magnus Petersens, Whitechapel Art Gallery, London (2015).

Adventures of the Black Square is very precise in its aims, if not in its achievements.

While Reinhardt's paintings measured 60» square, Smith simply added another foot and transformed the frontality of the black square into a three - dimensional cube.

The Whitechapel expands this investigation across more countries and continents this week, with «Adventures of the Black Square».

2015Levitate, freiraum Q21 INTERNATIONAL / MuseumsQuartier Wien, Vienna, Austria Close to the Skin, Company Gallery, New York Adventures of the Black Square Abstract Art and Society, Whitechapel Gallery, London

Batchelor's billboard installation coincides with a major display of his Monochrome Archive (1997 - 2015) at Whitechapel Gallery and his inclusion in the group exhibition Adventures of the Black Square: Abstract Art and Society 1915 - 2015, also at the Whitechapel Gallery.

Hassan Sharif Drawing Squares on the Floor Using a Cube (1982) on view as part of Adventures of the Black Square: Abstract Art and Society 1915 - 2015 at the Whitechapel Gallery, London written about by Ben East in The National.