Sentences with phrase «of black visual artists»

The Black Artists Retreat [B.A.R.] is an annual convening of black visual artists held in Chicago, IL.

Examining the migration of black visual artists to Los Angeles, she discloses the geography of artistic invention against the backdrop of the civil rights movement, Black Power and arts activism, and violent unrest.

The Black Artists Retreat is «guided by the tenets of fellowship, rejuvenation, and intellectual rigor and strives to create time and space for an intergenerational community of black visual artists to engage outside of the institutional environment.»

Not exact matches

ACE Eddie = ACE Eddie Awards (Jan. 26, 2018) ADG = Art Directors Guild Awards (Jan. 27, 2018) AFI = American Film Institute Awards (Dec. 7, 2017) African American = African American Film Critics Association Awards (Dec. 12, 2017) Alliance of Women = Alliance of Women Film Journalists Awards (Jan. 9, 2018) Atlanta = Atlanta Film Critics Circle Awards (Dec. 10, 2017) Annie = Annie Awards (Feb. 3, 2018) ASC = American Society of Cinematographers Awards (Feb. 17, 2018) Austin = Austin Film Critics Association Awards (Jan. 8, 2018) Australia = Australian Academy Awards (Jan. 5, 2018) BAFTA = BAFTA Awards (Feb. 18, 2018) Black = Black Film Critics Circle Awards (Dec. 18, 2017) Black Reel = Black Reel Awards (Feb. 22, 2018) Boston = Boston Society of Film Critics Awards (Dec. 10, 2017) Boston Online = Boston Online Film Critics Association Awards (Dec. 9, 2017) CAS = Cinema Audio Society Awards (Feb. 24, 2018) CDG = Costume Designers Guild Awards (Feb. 20, 2018) Chicago = Chicago Film Critics Association Awards (Dec. 10, 2017) Chicago Indie = Chicago Independent Film Critics Circle Awards (Dec. 30, 2017) Columbus = Columbus Film Critics Association Awards (Jan. 4, 2018) Critics» Choice = Critics» Choice Awards (Jan. 11, 2018) Critics» Choice Doc = Critics» Choice Documentary Awards (Nov. 2, 2017) Dallas - Fort Worth = Dallas - Fort Worth Film Critics Association Awards (Dec. 13, 2017) Denver = Denver Film Critics Society Awards (Jan. 16, 2018) Detroit = Detroit Film Critics Society Awards (Dec. 7, 2017) DGA = Directors Guild of America Awards (Feb. 3, 2018) Dublin = Dublin Film Critics Circle Awards (Dec. 14, 2017) European Film = European Film Awards (Dec. 9, 2017) Florida = Florida Film Critics Circle Awards (Dec. 23, 2017) Georgia = Georgia Film Critics Association Awards (Jan. 12, 2018) Golden Globe = Golden Globe Awards (Jan. 7, 2018) Gotham = Gotham Independent Film Awards (Nov. 27, 2017) Grammy = Grammy Awards (Jan. 28, 2018) Hawaii = Hawaii Film Critics Society Awards (Jan. 12, 2018) HMMA = Hollywood Music in Media Awards (Nov. 17, 2017) Hollywood = Hollywood Film Awards (Nov. 5, 2017) Houston = Houston Film Critics Society Awards (Jan. 6, 2018) IDA Doc = International Documentary Association Awards (Dec. 9, 2017) Independent Spirit = Film Independent Spirit Awards (March 3, 2018) Indiana = Indiana Film Journalists Association Awards (Dec. 17, 2017) Iowa = Iowa Film Critics Association Awards (Jan. 9, 2018) Las Vegas = Las Vegas Film Critics Society Awards (Dec. 18, 2017) Kansas City = Kansas City Film Critics Circle Awards (Dec. 17, 2017) LGBTQ = Society of LGBTQ Entertainment Critics (a.k.a. GALECA)'s Dorian Awards (Jan. 31, 2018) London = London Film Critics Circle Awards (Jan. 28, 2018) Los Angeles = Los Angeles Film Critics Association Awards (Dec. 3, 2017) Los Angeles Online = Los Angeles Online Film Critics Society Awards (Dec. 19, 2017) Memphis Online = Memphis Online Film Critics Awards (Dec. 11, 2017) MPSE = Motion Picture Sound Editors Awards (Feb. 18, 2018) MUHS = Make - Up Artists and Hair Stylists Guild Awards (Feb. 24, 2018) Music Critics = International Film Music Critics Association Awards (Feb. 22, 2018) Music Supervisors = Guild of Music Supervisors Awards (Feb. 8, 2018) NAACP = NAACP Image Awards (Jan. 15, 2018) NBR = National Board of Review (Nov. 28, 2017) Nevada = Nevada Film Critics Society Awards (Dec. 22, 2017) New Mexico = New Mexico Film Critics Awards (Dec. 10, 2017) New York = New York Film Critics Circle Awards (Nov. 30, 2017) New York Online = New York Film Critics Online Awards (Dec. 10, 2017) North Carolina = North Carolina Film Critics Association Awards (Jan. 2, 2018) North Texas = North Texas Film Critics Association Awards (Dec. 17, 2017) NSFC = National Society of Film Critics Awards (Jan. 6, 2018) Oklahoma = Oklahoma Film Critics Circle Awards (Jan. 2, 2018) Online = Online Film Critics Society Awards (Dec. 28, 2017) PGA = Producers Guild of America Awards (Jan. 20, 2018) Philadelphia = Philadelphia Film Critics Circle Awards (Dec. 10, 2017) Phoenix = Phoenix Film Critics Society Awards (Dec. 19, 2017) Phoenix Critic = Phoenix Critics Circle Awards (Dec. 16, 2017) SAG = Screen Actors Guild Awards (Jan. 21, 2018) San Diego = San Diego Film Critics Society Awards (Dec. 11, 2017) San Francisco = San Francisco Film Critics Circle Awards (Dec. 10, 2017) Satellite = Satellite Awards (Feb. 11, 2018) Seattle = Seattle Film Critics Society Awards (Dec. 18, 2017) Southeast = Southeast Film Critics Association Awards (Dec. 18, 2017) St. Louis = St. Louis Film Critics Association Awards (Dec. 17, 2017) Toronto = Toronto Film Critics Association Awards (Dec. 10, 2017) USC Scripter = USC Scripter Awards (Feb. 10, 2018) Utah = Utah Film Critics Association Awards (Dec. 17, 2017) Vancouver = Vancouver Film Critics Circle Awards (Dec. 18, 2017) VES = Visual Effects Society Awards (Feb. 13, 2018) Washington D.C. = Washington D.C. Area Film Critics Association Awards (Dec. 8, 2017) WGA = Writers Guild of America Awards (Feb. 11, 2018) Women = Women Film Critics Circle Awards (Dec. 22, 2017)

Our team of seasoned studio artists will work with you to produce striking black - and - white illustrations that add visual interest to your book's content.

The LifeRich Publishing team of seasoned studio artists will work with you to produce striking black - and - white illustrations that add visual interest to your book's content.

Williams, a co-founder of AfriCOBRA, the artist collective that developed a visual aesthetic intended to empower the black community, joined Kavi Gupta over the summer.

1987 Black & White: Visual Sonatas, Aion Fine Art, Dallas, TX Recent Figurative Prints, Associated American Artists, New York, NY Succinctly Stated, Falkirk Cultural Center, San Rafael, CA Monotypes II, Allan Frumkin Gallery, New York, NY Avant Garde In The 80's, Los Angeles County Museum of Art, Los Angeles, CA Made in New York, NY, Gianfranco Zani Gallery, Turino, Italy Group Show, Michael Kohn Gallery, Los Angeles, CA On Paper, Curt Marcus Gallery, New York, NY Group Show, Sette Gallery, Scottsdale, AZ

Featuring 28 works by 19 artists — both black and white — the exhibition explores how visual perspectives of blackness «have been influenced at particular historical moments by specific political, cultural, and aesthetic interests, as well as the motives and beliefs of the artists.»

This year marks the 101st anniversary of a turning point in the history of visual art, when Russian artist Kazimir Malevich created his momentous 1915 paintings of black squares on white backgrounds.

Abstraction, New Observations, June 1984, No. 24 1984 Is Abstract Painting Regaining its Popularity by Victoria Donohoe, Philadelphia Inquirer, September 14, 1984 1983 Ted Stamm by Sanford Kwinter, Art In America, January 1983, pp. 121-122 1983 Ted Stamm by Stephen Westfall, Arts Magazine, January 1983, p. 3 1983 Ted Stamm at the Far Turn by William Zimmer, Re-Dact 1 by Peter Frank, Published by Willis Locker and Owens, ISBN 093027900X 1982 Ted Stamm, Art Economist, Volume II, No. 14, December 31, 1982, p. 5 1982 Drawing Invitational 1981 by Geynne Vernet, Arts Magazine, February 1982 1982 Two Unprovincial Shows at the Jersey City Museum by Vivien Raynor, The New York Times, New Jersey supplement, October 10, 1982, p. 28 1981 Ted Stamm by Valentine Tatransky, Arts Magazine, February 1981, pp. 35 - 36 1981 Surely Temple Black by William Zimmer, SoHo Weekly News, February 18, 1981, p. 49 1981 Abstraction with a Relaxed Air by David L. Shirey, The New York Times, March 1, 1981, p. 19 1981 Ted Stamm by Tiffany Bell, Arts Magazine, May 1981, p. 8 1981 From the General to the Particular: Some Thoughts on Abstract Painting by Tiffany Bell, Arts Magazine, June 1981, pp. 120-124 1980 Tre Amerikaner i Skaane by by Sune Nordgren, Dagens Nyheter (Stockholm), May 5, 1980 1980 Pool Documentation by Kay Larson, Village Voice, June 2, 1980, p. 85 1980 Jane Highstein and Sensibility Minimalism: A Tissue of Happenstance by Robert Pincus - Witten, Arts Magazine, October 1980 p. 140 1980 La Nouvelle Vogue New Yorkaise est Portee Para La Musie Rock by Daniel Cornu, Tribune De Geneve, December 1980 School's Out by William Zimmer, The SoHo Weekly News, June 11, 1980, p. 61 1980 Old Wine, New Bottles, Bad Year by John Perreault, The SoHo Weekly News, June 18, 1980 1979 Ted Stamm by December Kur, Handelsblatt (Dusseldorf), March 3,1979, p. 21 1979 Entries: Styles of Artists and Critics by Robert Pincus - Witten, Arts Magazine, November 1979, pp. 127 - 28 1979 Where is New York by Peter Frank, ARTnews, November 1979, pp. 59 - 65 1978 Ted Stamm by Tiffany Bell, Arts Magazine, February 1978, pp. 33 - 34 1978 Ted Stamm by Edit De Ak, Artforum, February 1978, pp. 63 - 64 1978 Artful Dodger by Gerald Marzorati, SoHo Weekly News, May 18, 1978, 10 1978 Pittori di New York by Riccardo Guarneri, Visual, April - May 1978, No. 2 - 3, pp. 40 - 43 1978 Ted Stamm at Hal Bromm Gallery by Peter Frank, Village Voice, December 19, 1977, pp. 93, 98 1977 Arts and Leisure Guide by Ann Barry, New York Times, November 27, 1977 1977 Voice Choices by Ali Anderson, Village Voice, December 12, 1977, p. 59 1977 New Museum at the New School by Peter Frank, Village Voice, December 19, 1977, p. 98 1976 Ted Stamm by Barbara Catoir, Das Kunstwerk, January 1976, p. 64 1976 Alternative Arts Spaces: One to one politics for the avant - garde by Stephen Reichard, New York Downtown Manhattan, Akademie Der Kunste - Berliner Festwochen, September 1976, p. 249 1975 Reviews by Susan Heineman, Artforum, March 1975, pp. 62 - 63 1975 Artists Space by Trudie Grace, Art Journal, Summer 1975, XXXIV / 4, pp. 323 - 326.

She has engaged in solo and collaborative projects with numerous Chicago creatives and institutions, including A+D Gallery at Columbia College Chicago, The Black Visual Archive, Chicago Artists» Coalition & Hatch Projects, the School of the Art Institute of Chicago, Hyde Park Art Center, Quite Strong and Swimming Pool Project Space, among others.

Tschabalala Self is a visual artist based in New York who builds a singular style from the syncretic use of both painting and printmaking to explore ideas about the black female body.

Co-organized by Valerie Cassel Oliver and Dr. Andrea Barnwell - Brownlee, director of the Spelman College Museum of Fine Art, the exhibition featured the contributions of black women artists to the cinematic and visual arts arenas.

Andrews seems to follow no canons of visual selection besides those that originate within his own experience — as an artist who reached maturity when Abstract Expressionism was in its heyday, as a black man in America, plus a good deal of native stubbornness about not just doing what's expected of him.

From the influences of African art on the Modernist forms of artists like Picasso, to the work of contemporary artists such as Kara Walker, Ellen Gallagher and Chris Ofili, the exhibition will map out visual and cultural hybridity in modern and contemporary art that has arisen from the journeys made by people of Black African descent.

Continuing our year long focus on Black Speculative Art, the Creative Currents Artist Collaborative Summer Artist Residency allows literary, visual, performance, dance and music artists 2 weeks in conversation with their creative muse and each other as we explore the Black Speculative Arts amongst the backdrop of historic Portobelo, Panama - a place full of the magical realism that is our shared Afro - Diasporic history.

Provide [s] an overview of the artist's four - decade career with selections from his Black Flag flyers, Xeroxed zines, high - contrast drawings and other paper - based works... A marriage of rough visuals and text.

What / Why: «Exploring experiential and performative works with an intention of fostering intimate interactions between participating artists and viewers, BCA Fall 2016 Visual Artist Resident Nabeela Vega and Chloe Wong present Noise / Touch, a two night performance event in the BCA's Black Box Theatre.

Yiadom - Boakye's mysteriously handsome figures exist in an allegorically retroactive space — a present where works like these, and those of other leading black artists, can aspire to self - invent a visual canon.

Cutting a swathe through 500 years of history, and tracing not only the movement of artists but also the circulation of visual languages and ideas, this exhibition will include works by artists from Lely, Kneller, Kauffman to Sargent, Epstein, Mondrian, Bomberg, Bowling and the Black Audio Film Collective as well as recent work by contemporary artists.

Material alignment, a new body of black - and - white grid paintings, can likewise be seen to present a visual analogy of the artist's working methods with their oscillation between labor - intensive production and spontaneous improvisation.

This exhibition of paintings featuring the color black — all of relatively small size to enhance visual coherence — was curated by the German artist Ivo Ringe and the American artist, Joe Barnes.

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

Aaron Douglas is regarded as the leading visual artist of the Harlem Renaissance as well as the first black artist to create a distinctive modernist style that connected contemporary African Americans with their African heritage.

Zanele Muholi is an award winning artist and activist who utilizes the medium of photography to re-write the narrative of black queer and trans visual history in South Africa.

Nearly 30 years later, black American conceptual artist Glenn Ligon has been inspired, partly by Kennedy, to create a visual compendium of his own influences.

In honor of Black History month, VMFA will showcase both visual and performing African American artists.

Claudia Gibson - Hunter to give a presentation LET THE CIRCLE BE UNBROKEN, BADC, an alternative network based on collaboration that prepares Black artists in many aspects of the business of art with a focus that leads to institutionalizing Black visual arts» Black Arts United States: Institutions and Interventions The Black Arts Initiative Northwestern University 2nd Biennial Conference Northwestern University June4 - June6, 2015

The result of a collaboration with an international group of artists, it will include a cooking show by Will Benedict, a nature show by Korakrit Arunanondchai, a video by Mckenzie Wark, a visual essay by Aria Dean, a talk show by Hannah Black, a docu - short on «seasteading» in Tahiti by Daniel Keller, a report on «reparation hardware» by Ilana Harris Babou, a cartoon by Amalia Ulman, a docu - short on «economic utopias» by Christopher Kulendran Thomas, a Nollywood fictional drama exploring the influence of technology and digital culture in South Africa by the artist collective CUSS Group, and a contribution by the Women's History Museum.

This was the birthplace of AfriCOBRA, the black artist collective that defined the visual aesthetic of the Black Arts Moveblack artist collective that defined the visual aesthetic of the Black Arts MoveBlack Arts Movement.

The visual approach to the creation of this trilogy has been consistent, with each video being shot in black and white, and the artist using simple camera devices to produce surrealistic and dreamy visual effects.

Depending on when one visits Recapturing Memories of the Black Ark, the current exhibition by the visual artist Gary Simmons at Southern Exposure, one will experience two very different, equally worthwhile shows.

Extensive installation views capture the dynamic combination of visual imagery and text that has come to characterize Pettibon's practice, and a selection of gritty black - and - white photographs by Andreas Laszlo Konrath offers an intimate glimpse into the artist's working process.

So the artist began to mix the three influences — the attitude of musicians like Simone and Davis, the iconic style of old world European painting, and the everyday black folks he knew from the neighborhood or saw strutting through the streets — in a distinct visual style that has been referred to as «cool realism.»

The Joyner Giuffrida Collection of Abstract Art is widely recognized as one of the most significant collections of modern and contemporary work by African and African Diasporan artists, and Four Generations draws upon the collection's unparalleled holdings to explore the critical contributions made by black artists to the evolution of visual art in the 20th and 21st centuries.

tête - à - tête poses a series of back - and - forth conversations across the photographic and video works of fourteen artists that address social, political and personal mythologies of the black body as constructed and represented in visual media.

The Blues Data Crop: The Gains and Losses of Black Farmers in America Sunroom Project Space September 13 — October 23, 2016 Van Lier Visual Artist Fellow

The exhibition will focus on the summer of 1946, when Lawrence (1917 - 2000) was invited to teach painting at Black Mountain College by visual artist and educator Josef Albers (1888 - 1976).

Among the artists represented is Chicago - based McArthur Binion (b. 1946) whose triangular shaped, duo - chromatic black and white Differness: Three (2012) fuses African American autobiographical experiences with the visual tropes of predominantly white American modernism.

The mosaic - tile painting is part of Whitten's series of Black Monolith works paying tribute to African American visionaries — intellectuals, jazz musicians, and visual artists.

Radical Presence provides a critical framework to discuss the history of black performance traditions within the visual arts beginning with the «happenings» of the early 1960s, throughout the 1980s, and into the contemporary practices of a new generation of artists.

While black performance has been largely contextualized as an extension of theater, visual artists have integrated performance into their work for over five decades, generating a repository of performance work that has gone largely unrecognized until now.

Internationally celebrated, Israel - born artist Izhar Patkin has lived in the United States since 1977, first coming to prominence in the mid-1980s with his iconic Black Paintings, an inventive visual adaptation of Jean Genet's play The Blacks: A Clown Show.

The scholarship seems to be more solidly about black performance coming specifically out of theater, so while there have been some publications that have addressed it piecemeal or one artist out of a plenitude, this show creates a real examination of those artists working primarily in the visual arena who are doing performance work.

FIGURING HISTORY: ROBERT COLESCOTT, KERRY JAMES MARSHALL, MICKALENE THOMAS Three otherwise dissimilar African - American artists have all used their painting to monumentally reconceive visual depiction of the black body.

On view in ICA Miami's second floor galleries through January 16, 2016, the exhibition includes the first comprehensive presentation of photographs from the artist's ongoing series Black Box Collision A, which since 2012 has seen the artist isolating and documenting the letter «A» from the vestiges of sign, advertisement, message, and other modes of visual communication.

Her experience with transnational and intergenerational artists» projects with Simone Leigh and Black Women Artists for Black Lives Matter, Naeem Mohaiemen, and Wael Shawky demonstrate an early commitment that mirrors ICA's: critical dialogue, research, and spotlighting artists» imbrication of visual pleasure, social movements, and expanding cultural hisartists» projects with Simone Leigh and Black Women Artists for Black Lives Matter, Naeem Mohaiemen, and Wael Shawky demonstrate an early commitment that mirrors ICA's: critical dialogue, research, and spotlighting artists» imbrication of visual pleasure, social movements, and expanding cultural hisArtists for Black Lives Matter, Naeem Mohaiemen, and Wael Shawky demonstrate an early commitment that mirrors ICA's: critical dialogue, research, and spotlighting artists» imbrication of visual pleasure, social movements, and expanding cultural hisartists» imbrication of visual pleasure, social movements, and expanding cultural histories.

Architect and historian Mabel O. Wilson joins New Museum artists - in - residence the Black School and Kameelah Janan Rasheed for a panel discussion considering the role of visual culture, art, and architecture...

As part of the larger project started in the early 80's with shows such as the Thin Black Line (1986) and Black Woman Time Now (1983) devised to highlight the contribution black artists have made to visual art in Britain, she has with Susan Walsh in collaboration with the Interpretation and Education Team at Tate Liverpool, produced and distributed Open Sesame (2005) and The Point of Collection (2007) These are two DVD / text research documents which examine and reveal the contribution made to the exhibition education and collecting strategies at Tate in recent decades by artists of African, African / American, Asian and Caribbean desBlack Line (1986) and Black Woman Time Now (1983) devised to highlight the contribution black artists have made to visual art in Britain, she has with Susan Walsh in collaboration with the Interpretation and Education Team at Tate Liverpool, produced and distributed Open Sesame (2005) and The Point of Collection (2007) These are two DVD / text research documents which examine and reveal the contribution made to the exhibition education and collecting strategies at Tate in recent decades by artists of African, African / American, Asian and Caribbean desBlack Woman Time Now (1983) devised to highlight the contribution black artists have made to visual art in Britain, she has with Susan Walsh in collaboration with the Interpretation and Education Team at Tate Liverpool, produced and distributed Open Sesame (2005) and The Point of Collection (2007) These are two DVD / text research documents which examine and reveal the contribution made to the exhibition education and collecting strategies at Tate in recent decades by artists of African, African / American, Asian and Caribbean desblack artists have made to visual art in Britain, she has with Susan Walsh in collaboration with the Interpretation and Education Team at Tate Liverpool, produced and distributed Open Sesame (2005) and The Point of Collection (2007) These are two DVD / text research documents which examine and reveal the contribution made to the exhibition education and collecting strategies at Tate in recent decades by artists of African, African / American, Asian and Caribbean descent.