Another cultural contribution
of blaxploitation movies was its music - a brand of funk, jazz and soul that provided much of the backbone for the narratives and became the genre's calling card.
One
of the blaxploitation movies» most sexy sirens, Pam Grier, starred in the genre's classics, Foxy Brown and Coffy.
«Black Dynamite,» which stars Michael Jai White in the titular role, is a send - up
of Blaxploitation movies that, unlike the parodies from schlock masters Aaron Seltzer and Jason Friedberg (the guys behind «Meet The Spartans,» «Disaster Movie,» et al), actually reveres its source material.
With the brief and fascinating exception
of the blaxploitation movies and a few other works of radical or renegade art, vengeance in the American imagination has been the virtually exclusive prerogative of white men.
«Django Unchained» could also be called a revival
of the Blaxploitation movie, a genre that became popular in the 1970s featuring mostly black casts, soundtracks with soul and funky music such as wah - wah guitars, with African - Americans taking revenge on «crackers.»
Not exact matches
Pam Grier is at her best recapturing the type
of role that made her a bonafide star in»70s
blaxploitation movies like Foxy Brown...
Action, Adventure, Alain Guiraudie, Alberto Cavalcanti, Amen Island, Animation, Anthony Russo, Assassin, Avengers: Infinity War, B -
movie, Babak Nafari, Bank robbery, Barbara Britton, Billy Brown,
Blaxploitation, Blue Sky, Brad Peyton, Bullfighting, Burglars, Carlos Saldanha, Children
of the Corn: Runaway, Children's Film Foundation, Chris Evans, Christina De Vallee, Comedy, Crime, Danny Glover, David Paisley, Drama, Eugeniusz Chylek, Ferdinand, France, Genetic experiment, Hafsia Herzi, Horror, Jake Ryan Scott, Jeffrey Dean Morgan, Joe Russo, John Cena, John Gulager, Johnny on the Run, Kate McKinnon, Le roi de l'évasion, Lewis Gilbert, Literary adaptation, Ludovic Berthillot, Maggie Grace, Marci Miller, Mark Harriott, Marvel, Marvel Cinematic Universe, Mike Matthews, Naomie Harris, Pine - Thomas, Proud Mary, Rampage, Reviews, Rival gangs, Rob Cohen, Robert Downey Jr, Robert Lowery, Romance, Ryan Kwanten, Sequel, Sydney Tafler, Taraji P. Henson, Thanos, The Hurricane Heist, The Monster
of Highgate Ponds, They Made Me a Killer, Thriller, Toby Kebbell, Unhappy Birthday, Video game, William C. Thomas
Everyone saw this
movie, leading to a series
of rip - offs like the Italian - produced Beyond The Door and Abby, a
blaxploitation version
of the story co-starring Blacula himself, William Marshall.
The grittiness
of the crime drama and action, along with the overriding sense
of slick style, feels very much like the John Singleton
movie, Four Brothers, which also features a menacing villain and retribution storyline lifted right out
of 1970s
blaxploitation films.
Tim Story
of the original Fantastic Four (2005) is directing the
movie, which is seen as a continuation
of the story
of the private detective that first appeared in the 1970s
blaxploitation action
movie that became a pop culture phenomenon.
Directed by legendary director Director X, the
movie is a remake
of the world - famous
blaxploitation movie that helped define a genre in its characters, sound, and feel.
Mainly only
of interest for
blaxploitation fans and lovers
of bad
movies, but there's something kind
of endearing about a film that tries so hard to entertain despite there being not an ounce
of talent among any
of the participants.
* This release is limited to 1000 copies only * Road to Perdition, B -
Movie Style: An extensive interview with «Hellgate» director William A. Levey (HD, 35 mins) * Alien Invasion,
Blaxploitation and Ghost - Busting Mayhem: Scholar, Filmmaker and fan Howard S. Berger reflects on the intriguing film career
of William A. Levey (HD, 12 mins) * Video Nasty: Kenneth Hall, writer
of the Puppet Master series, speaks about the direct - to - video horror boom that allowed «Hellgate» to become a classic
of the cassette rental era (HD, 8 mins) * Reversible sleeve featuring original and newly commissioned artwork by Graham Humphreys * Collector's booklet featuring writing on the film by Lee Gambin, illustrated with original artwork and stills * A DVD
of the film is also included alongside the Blu - ray disc
After the
blaxploitation movies ran out
of steam, she moved back to Denver to be near her family, but continued to work in two or three pictures a year - some
of them good roles like the cop - killer in «Fort Apache, the Bronx» (1981), some
of them throwaways like «Mars Attacks!»
A film that already starts out oddly enough — as a kind
of subversive biopic about a low point in Miles Davis» life — gets even stranger as it morphs into an ode to «70s
blaxploitation movies, before a third act in which it completely disables the brakes.
Most were created during an earlier time
of African - American empowerment: the black power movement and the
blaxploitation movie genre
of the 1960s and 70s.
While this story might seem simple enough, Chabon sprinkles it with doses
of trivia from the 70s:
blaxploitation movies (see Beyond the Book), and jazz, soul and funk music; as well as cult
movie classics - a noticeable nod to Quentin Tarantino is included.
Even though the term appears to be a loaded word,
blaxploitation movies were actually powerful vehicles
of self - identification for many blacks.
Inspired by
blaxploitation movies while he was filming his recent acclaimed documentary Baadasssss Cinema, Julien appropriates the styles, gestures, language and iconography
of the genre to create a work that defies easy categorization.
The painting depicted a Black Madonna surrounded by images from
blaxploitation movies and close - ups
of female genitalia cut from pornographic magazines, and elephant dung.
Her scantily clad black heroines are quasi-self-portraits inspired by pop culture (1960s girl wrestlers, 1970s
blaxploitation movies featuring Pam Grier, disco - era album covers, and Jet magazine «Beauties
of the Week») and framed by high - culture references to nudes by Matisse, Picabia, and Balthus.
His is a seductive art
of braided connections that draws on a wide range
of sources — including jazz and hip hop music,
Blaxploitation movies, the Bible, and the works
of artist and poet William Blake.
In the early 70's bullet belts were a fashion statement, I think inspired by the
blaxploitation movies of the time.
His cartoon superhero, Captain Shit, painted in parody
of 1970s «
blaxploitation»
movies, and
of the sharply dressed gangsta heroes
of rap music, actually glows in the dark.