Sentences with phrase «of body image head»

Not exact matches

Cherubim, perhaps of Mesopotamian origin, were images with winged animal bodies and human heads.

Despite being an iconic image — a fossil with a striped body, large tail, a pair of stalks terminating in dark, oval - shaped «blobs» and a large elephant trunk - like proboscis at the head end which has a pincer - like claw filled with teeth — it is a complete mystery as to what kind of extinct animal it was.

In the latest experiment, a camera filming each subject's back produced an image that was projected through a head - mounted display to generate a virtual body 2 metres in front of them.

The area of each of the safe sites (areas with residual pollen) on the animals» body as well as the area of the whole insect body (exoskeleton including projecting bristles of caput = head, thorax and abdomen) was measured from the photos with the image processing software Fiji [44], calculating from the scale paper.

«The images faintly remind me of a rubber ducky with a body and a head.»

Their unique body plan — long neck and tail, bulky body and proportionately tiny head — is perhaps the most famous image of «a dinosaur» and the group includes household names such as Brontosaurus, Diplodocus and Brachiosaurus.

Magnetic resonance imaging (MRI) is a technique that uses a magnetic field and radio waves to create cross-sectional images of your child's head and body.

Rejecting the idea of a one - size - fits - all body type helped Rousey find self - acceptance: «The image in my head was the Maxim cover girl,» she said.

Playing the mirror image of his breakthrough role as the soulful ex-con in Body Heat, Rourke is tightly wound as the violence - prone Michael Bosworth, who escapes custody during his high - profile trial with the aid of his attorney (Kelly Lynch), who's head over heels in love and in over her head with him, his brother (Elias Koteas), who's loyal to a fault, and his brother's partner (David Morse), a loose cannon who's more of a liability than an asset.

As for the violence, there are images of a severed head and a half - eaten body, but none which are graphic enough to bother anyone out of elementary school.

The boar demon, with wormlike appendages in perpetual slither over its body, is a menacing and truly unsettling image; on the opposite end of the spectrum is the beauty and grace of the deerlike Forest Spirit and the charming simplicity of the little twitchy - headed tree spirits.

Hardly are those words out When a vast image out of Spiritus Technocracy Troubles my sight: a waste of administrative bloat; A shape with lion body and the head of Bill Gates, A gaze blank and pitiless as the sun, Is moving its slow thighs, while all about it Wind shadows of the indignant teacher unions.

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Hardly are those words out When a vast image out of Spiritus Mundi Troubles my sight: somewhere in sands of the desert A shape with lion body and the head of a man, A gaze blank and pitiless as the sun, Is moving its slow thighs, while all about it Reel shadows of the indignant desert birds.

Some of these include whether or not a cat's photo shows only their head or their entire body, whether the image was taken from the front or the side, the size of the cat's pupils, or the position of their ears.

The vestibular system has two main functions: 1) To maintain the visual image by stabilizing the eyes in space during head movement, and 2) To stabilize the position of the head in space — thus ensuring that the position of the body is stable.

This certainly seems to be borne out by the leaked image, which appears to map individual fingers on each hand even when held in front of the head or body.

British artist Linder is possibly best known for a record sleeve she designed for the Buzzcock's single Orgasm Addict in 1977 - an iconic image, of a naked woman with an iron for a head and grinning mouths instead of nipples, has become a symbol, not only of a defining era of punk culture and feminism, but also a microcosm for her expansive body of work, which operates on a deeply contextual level with issues of gender, feminism, stereotyping and sexualisation, echoing the work of Hannah Hoch, the German Dadaist for whom this edition was created in homage.

He approaches this topic in a different way in Woman, 1981, and his Brushstroke Head sculptures from 1987 by treating the shape of a brushstroke as an abstract image in its own right, which he then uses to compose the face and body of a woman.

In one notable image, Ceylan reframes the neoclassical master as an art - historical cross-dresser, transposing the image of his head from his self - portrait as a young artist onto the satin - swathed body of the Princesse de Broglie, the subject of Ingres's 1851 — 53 portrait of the same name.

In it, an expanse of floor taking up more than half the image is topped by two thin, striped mattresses on which Rauschenberg lies in dark clothing, his head on an equally dark pillow, body tightly squeezed into the upper portions of the frame.

«Martin Kippenberger was a fan; Paul McCarthy collects her paintings and has contributed an essay to the catalogue for this show, a text purposely disjointed and ripe with images of amputations, bodies turned inside out and impossible actions: «The finger goes in the mouth up through the nostril cavity and out the eye - socket... your arm is over here, your head is on the shelf, and your torso is on the chair.»»

It was included in «From Head to Toe: Concepts of the Body in 20th Century Art», «Made in California: Art, Image, and Identity», both at the Los Angeles County Museum of Art, and in «Fiction@Love» at MOCA, Shanghai in 2006.

The drawings were juxtaposed with a sculpture that seemed more lasting: Light Days, 2012, a deformed head perched on an elongated, upside - down U. Painted the color of desiccated skin and embedded with actual bone, this monstrous bipedal body is part primitivist fantasy, part monument at the end of the world «and paired nicely with Mummy, 2012, a painting it faced, which displays the image of a head wrapped in gauze.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Her performance Mountain Woman — Tunes to FaceTime occurred on Day 14 of the Project Space Festival as a part of DISTRICT's presentation THE MANY HEADED HYDRA at the Grenzwachturm in Treptow, which also included Ato Malinda's work On Fait Ensemble and the publication Sea Body Infrastructure Image, with contributions from Anna Hallin & Olga Bergmann, Bryndís Björnsdóttir, Hannah Black, Natasha Ginwala, Tinna Grétarsdóttir, Emma Haugh, Suza Husse, the Occupational Hazard Project, Tejal Shah, Elsa Westreicher, Nine Eglatine Yamamoto - Masson and participants of the workshops «Speaking As Fishes» in Leipzig and Reykjavik.

While earlier works embraced the production of fetish objects made from pages torn directly from porn magazines, in Head Shots the artist sought to engage with images of sexualized bodies in ways both more personal and less prescribed.

From these mind maps, it is often the image of a flower that emerges, the scrollwork, fluid lines suggesting a head mounted on a graceful body.

It was great to see again Tim Rollins and K.O.S 1992 collaborative painted work Animal Farm referencing Orwells book with images of political heads of state as «heads» on the bodies of animals [K.O.S being a group of deprived kids from the Bronx — Kids of survival]

Originally part of an installation, the piece features a plush red barber chair silk - screened with the image of a body whose head is a monitor playing videos of crying men.

Scott lifts textures and sensations directly from the daily flow of images that surround us, addressing head - on our complex contemporary experience of the body.

The lighting alterations, adding things like contoured lighting to your visage, don't really add a huge amount, and some of the «stage lighting» pictures that cut you out of the image don't always trace the edges of your head and body perfectly.