Sentences with phrase «of boss fights where»

Probably the most enjoyable mini-games come in the form of boss fights where you try to damage the bosses more than the other players.

Not exact matches

A lot of confidence comes from how you feel and the freedom you have as a player — throwing him into a team where 4 players fight to be top boss would equal a problem, imo.

we can now let go of the big players we have like Sanchez, Ozil and maybe the boss then the likes of Ramsey, Walcott and the rest of them can play in the league where they truly belong, fighting for the Europa league and truly fighting against the likes of Everton, Southampton e.t.c..

For the most part the game runs great, however in a few boss fights where there are a lot of bullets on screen, I will get some slowdowns.

This pack adds a Boss Challenge mode, where you can fight a series of bosses to earn new costumes.

There's also the matter of the Demon Hand being able to permanently destroy these phantom replacements, so there are now new phases where Oni have to deal with their bits going missing — seeing them dragging themselves along with one arm and such is pretty neat, and the fact that most bosses naturally have smaller health pools than the first game makes extended fight sequences less of a drag.

Using a similar engine to Dynasty Warriors, Tecmo Koei are developing a Zelda title where Link fends off dozens of enemies at a time, with previous bosses from the series fighting alongside smaller foes.

Where Souls boss fights are occasional skill checks and progression gateways, the entire point of Monster Hunter is tracking and fighting bosses.

At first glance, Crawl looks like your average dungeon crawler where a single player must fight their way through a series of rooms, defeating a horde of enemies on their way to a final boss.

I'll admit, when I first heard the concept of a game where you fight a boss with a trillion hit points, I expected a fun tactical game with cutesy anime girls.

Most of her scenes in The Break - Up pit her against Vince Vaughn so they can fight about lemons (even though it was never about the lemons), and Charlie Day serves as her target in the Horrible Bosses movies, where she continually gave such a wonderfully raunchy and intimidating performance.

Hard mode carried me a few more hours and then I finally landed on Normal where the enemy encounters would rarely get beyond my first round of attacks but the boss fights were still extremely challenging.

After that, you'll be able to access a new town where you'll be given a couple side - quests (one of which will add a new member to your party) and a new main quest which requires you to explore a new dungeon and fight more bosses.

Adonia wants to be a professional chef to exclusive clients and she's willing to do anything to get ahead in the tough industry, relationships be damned.When a crazy pop - rock star hires her company to cater the rest of her flagging tour, she joins a crew where each budding chef competes against each other for a spot on her cut - throat boss's exclusive first line.Adonia deals with everything from breakneck deadlines to a forced spa weekend while still cooking up to professional standards, keeping her temper in check, and fighting the building tension between her and her cute co-worker, Leah.Losing means being blacklisted from the industry, but winning could cost her something a lot more important - her self - respect.

Sadly this lack of any intelligence shows up in the boss battles too; epic fights against Wolverine or Gambit should be a deadly dance of death, but in reality both characters have just a few simple moves at their disposal and have a rather peculiar tendency to attack absolutely nothing, leaving the locked in an attack animation where you can happily batter them black and blue.

Not only that, a new Endgame activity called Escalation Protocol has been added, which is a player triggered event where players fight escalating waves of enemies and slay challenging bosses right alongside their friends.

My main issue with the game was it was pretty difficult at first, but then seemed to get easier the longer it went on, mainly because you earn a bunch of extra lives and then when you die, your sub-ammo (missiles and crap) gets refilled so I'd use that to my advantage and cheese my way through some of the boss fights, where I'd spam my missiles and then die on purpose to refill them and then spam some more.

What this fun setup boils down to in terms of mechanics is a pretty standard to - down shooter / brawler where you blast and punch your way through the supremely boring environments of Hell at the behest of Beezle, fighting hordes of regular ghouls and creeps, as well as plenty of bosses that need a solid kicking.

You are dumped into an open world where you ride your horse to different dungeons, there is «Z targeting» in the combat, «bottles» that hold health, a hookshot - like gadget, a boomerang type gadget, big boss keys to take you to a big red skull room on the map, boss fights that require the use of equipment gained in their respective dungeon, heart containers at the end of dungeons, you need to collect several pieces of a world saving item, you even fight a shadow version of yourself.

However, these diversions are most interesting when they take on the form of plentiful boss fights — well - designed battles that test your brain much more than they do your brawn, like one battle in limbo where you play a game of Simon Says with a ghost king to deal damage to him.

- as Captain Olimar is making his way home, an asteroid onslaught forces him to land on a nearby planet - Sparklium is the fuel for Olimar's Dolphin III ship - with the ship's fuel depleted, you have to find items on this planet which can be turned into fuel - collect everything from seeds to large scale treasures - you need 30,000 Sparklium to make your way home - you are eventually required to find a lost ship part at the end of the game - levels are more linear and puzzle based, and include specific goals / goodies to collect - move Captain Olimar with the Circle Pad, while all other interactions use the touchscreen - blow your whistle, throw Pikmin and also touch certain objects - worlds are called Sectors, with six areas altogether - find all the treasure and look for new passageways to complete a sector 100 % - passageways can grant you access to secret spots or additional levels highlighted with the letter X - the first world is called Brilliant Garden, which has lush forest environments - Yellow Pikmin can easily reach the upper screen, where you can sometimes collect goodies and pull down vines - there's a level where you use yellow Pikmin as a source to connect two wires - connecting the wires lets you see enemies and platforms that were hidden in the shadows - Winged Pikmin can be flung at high speeds, and they can pick up Olimar and help him descend down into new areas - in a later level, you need to use red Pikmin to stomp out fire and clear the way for you - Rock Pikmin are the strongest ones of the bunch and can break crystals - blue Pikmin can swim and fight well underwater - the maximum amount of Pikmin you can have in a stage is 20 - blow your whistle to call over the correct Pikmin for a task or puzzle - Ravaged Rustworks offers a unique industrial environment where you climb on pipes - Loney Tower has you climbing to the top of a tower without any help of Pikmin, and instead use pipes and Olimar's jetpack - Valley of the Breeze, found in the Leafswirl Lagoon sector, relies complete on Winged Pikmin - Barriers of Flame is in the Sweltering Parchlands sector - here you «lll be forced to improvise with Yellow and Rock Pikmin to get around fire - every world ends with a boss stage - one boss fight puts you up against a Fiery Blowhog, where you use Red Pikmin to pick up / feed bombs to the boss - beating bosses gives you treasures worth 1,000 Sparklium each - supports amiibo in the Splatoon, Super Mario and Animal Crossing lines - amiibo can be scanned in to grant you access to secret spots - these are one room puzzle challenges where you collect a statue - these bonus rooms will also get you 200 Sparklium every time - you are limited by how many amiibo you can summon to each secret spot - one of the treasures you will find is an NES cartridge for Ice Climbers, which carries the name «Revenge Fantasy».

5 PLAYABLE SHIPS: each with its own special ability and playstyle MIGHTY ARSENAL: 42 weapons and 30 upgrades with tons of customisation options BOSS RUSH: fight a weekly selection of epic bosses and work your way up the leaderboard DAILY RUN: Try to get to number one in a special daily leaderboard where all players share the same run, guns and bosses.

The game picks up where Duke Nukem 3D left off with a classic boss fight; fifteen years ago we left Duke triumphant, having saved the world and all of its hot chicks from the alien leviathan that was the Cyloid boss.

Of course the first thing most people are going to do is jump straight into the Arcade mode which is where you'll fight through 6 waves and then face off against a boss.

Oh yeah, and look at that, the final boss fight against Kefka is called Dancing Mad, a fight where Kefka has changed into a nearly naked angelic figure of doom.

It would have been disappointing if that was the only gameplay, but not only are new characters unlocked for every difficulty beaten, but there are a decent amount of other modes such as the Endless mode with randomly generated levels and a «not to be taken seriously» mode where players fight up to three bosses simultaneously.

This is done completely from within the game and allows players to tackle multiplayer content in the shape of group battles against bosses; where the teammates who are not actively fighting act like a sort of sidekicks that can provide the active player with health and such.

It's not to the point where the game can play itself, but you can easily go into a boss fight with King Dedede and watch as your Legion of Killer Waddle Doos lay waste to the first stage of the fight in the time it takes you to walk over to where they are.

The latter was very obvious during the Shockwave boss fight, where you had to effectively do a form of robot parkour to get to each area that the boss had relocated to.

Her campaign is a lot like RE4's Separate Ways mini-campaign where Ada fought a mixture of Leon's enemies along with her own exclusive bosses.

The demo ended with a boss fight against an enormous Hellbrute, and this is where I got to see one of the game's more unconventional systems in action.

There are also other game modes to play, like «Boss - Rush», where you fight all 7 bosses one after the other; a dodgeball game; a free - for - all arena battle and also a zombie mode if you do your research, something which people can't seem to get enough of these days.

Instead of starting at the beginning of our hero's journey, we are instead thrown directly into the final boss fight, where our hero, Flash Back, has come down with instant onset amnesia.

Throughout the Metal Gear series (except Metal Gear Solid 3, Portable Ops and Metal Gear Solid V, where the player plays as Snake's «father,» Big Boss), Snake frequently has to battle one of his «family members» as a boss fight, and most of the plot involves the evil deeds of one of his «family members» (particularly Liquid).

She'll be respawned right before the battle, although I had a bug where I had the fight the same boss several times in one part of the game.

Some of the levels feature boss fights where you meet bosses like Sarlacc Pit Monster, Lava Beast Jawenko, Mutant Womprat, and more.

Other than the waiting part, it was very similar to the old battle system though, i.e. random battles that load in an entirely different screen, unlike XII where you can see the enemies in front of you and just avoid them, if you so choose (barring boss fights of course).

You'll always end up in some form of the 3D battling for each level, whether that's a boss fight, a one on one or tag team brawl, or in an instance where you're mowing down enemy minions.

Ooh, what if you made this 2D, Mega Man - inspired action - platformer where you're this mysterious, bad - ass she - warrior who wakes up with a missing arm, fights all of these monsters and bosses and uses their severed limbs to attach to your body, gaining new powers and leveling up your warrior in the process, set to this thumping tribal soundtrack with these dark, Guacamelee!

They liked the sound overall, where as I felt that having Boss Music (capitalized because it is for Bosses) would have sent the whole feel home, and that the games lack of boss music made fighting bosses feel eh and less significant than perhaps they shouBosses) would have sent the whole feel home, and that the games lack of boss music made fighting bosses feel eh and less significant than perhaps they shoubosses feel eh and less significant than perhaps they should be.

The one unfortunate area where this was felt is in the fairly repetitive and uninspiring boss fights at the middle and end points of each world.

Features • Sci - Fi action / adventure combines aerial and on - foot combat for a totally unique third - person shooter experience • Will's jetpack delives total freedom of movement allowing players to race against UFOs in high - speed chases and rain death from above onto unsuspecting otherworldly foes • Speed and scale unmatched by any other action title: send Will zipping through tight corridors and then out into immense canyons and futuristic geoscapes • Gravity - defying vertical combat system, where moving up is the only way to bring your enemies down • Seemless transition between jetpack flight, ship - to - ship dog fighting and third - person shoot - «em - up action all exists within the same level — not broken up into different «areas» • Unique grip system that allows the players to scale walls by jumping from surface to surface and hijack UFO's while in mid-air • Huge bosses that require fast reflexes and aerial barnstorming manoeuvres to defeat • Developed by Airtight Studios, a new group featuring team members from the Crimson Skies series of video games

This means that you can go through an entire major boss fight, where an Astral's help in whittling down a health bar would have been heartily welcomed, without ever having the option of calling upon them, but then later they'll make an appearance during some small - fry skirmish with a handful of imperial soldiers out on the open - world map.

There is one earlier boss fight with one of the Koopalings that adds a layer of depth unseen in other battles where the player must hop between multiple levels of platforms to reach the boss.

This is especially noticeable towards the end of the game, where the last couple of boss battles involve you fighting off a couple of Titan enhanced goons, and all could be beaten in the same way.

Each of the six levels ends with a boss fight, where you need to not only manage the chain, but get in shots at the boss.

I also found some of the missions repetitive as they followed similar patterns where Spidey would have infiltrate an area, take down enemies in room after room, then finish off with the inevitable boss fight or a room inundated with even more enemies Sure it is enjoyable, and a challenge at times, but I often found the experience seemed to drag out.

It starts by raising a pillar to draw Hive towards it, where you then fight against seven waves of enemies each with a boss fight and finishing with a final fight that cycles through five different bosses each week.

And there are places where it can be helpful to have a Player Two around, specifically during boss fights, where having two attackers participating can make fights easier than they'd be otherwise, provided that both of you are good at dodging attacks, that is.

There's also a brief moment before the fight begins so you can see where the bosses will spawn, instead of just being haphazardly dropped in with them.