Sentences with phrase «of bright yellow paint»

I started in with my sander and the latex black kept getting gooey and creating lovely pea green globs as I sanded into the under coat of bright yellow paint, circa 1974.
Sania built this dish rack and gave it a coat of bright yellow paint to make it pop against the rustic wooden walls.
I should really start steadily with the 160 and work myself up to the unhinged 620, but the lure of its bright yellow paint and invigorating performance is too much to resist.
You can go all - in with some amazing orange rooms, or choose a fabulous shade of bright yellow paint for a room (or accent wall) or you can tone it down a bit and choose paint that's a lighter yellow.

Not exact matches

According to island lore, local fisherman started painting their homes in bright colors — hues of orange, red, yellow, and purple — so they could see them while out fishing in the fog and could follow their colors back home.
Just 90 minutes from San Miguel and 20 minutes from the international airport in Silao, Guanajuato is a lively university town... and one of Mexico's most beautiful cities, with winding cobblestone streets and historic homes and buildings painted in bright hues of red, yellow, orange, and more...
One of my favorites is a bright yellow ceramic mustard pot shaped and painted like a tin of Colman's mustard.
I'm a big fan of grey paint at the moment, we've turned our old messy bright yellow playroom into a smart (but still full of toys) library and given Zak's room a more grown up vibe with grey instead of blue.
This sweet crib, lovingly painted a bright and cheery yellow by Caroline of Armelle, brings an explosion of color into a pastel nursery.
Everybody associates Giverny with the soft muted pastels of the Lily Pond paintings, but actually in the garden there are bright full on reds, oranges, pinks, greens, yellows and blues and I wanted to capture that in my yarns.»
Make several candy corn bags filled with candy for the kids in the neighborhood, by painting cotton bags with a bright yellow and orange stripe to make it look like a piece of candy corn.
The tension and adjustment screw is painted gold while the reverse side adds a pop of bright yellow to the sleek, shiny steel.
What I once considered an ugly collection of random paint splatters now spoke to me as a joyous celebration of movement and energy, the bright yellow and blue bringing to mind a carefree laugh.
The bright, haphazard yellow design of the top emulates the frenzied brush strokes of the painting, while the tailored black pants echo the prominent trees in the foreground of the painting.
I've mentioned before that yellow is my second favorite color, which explains why my house is painted bright yellow... and of course pink.
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The film features around 6,500 frames all hand - painted on canvas in the style of the iconic artist and Booth stars as Armand Roulin, who was famously painted by Van Gogh who wore a bright yellow jacket, as he attempts to deliver the artist's final letter to his brother following his suicide.
The metallic green Carabo absolutely steals the show, but 1969's Italdesign Iguana — painted in a metalflake finish that hot - rodders can only dream of (see page 77)-- and the bright yellow 33/2 Speciale from the same year look nearly as stunning with their glassy cabins and balloon - like tyres.
The exterior's overall styling isn't my cup of tea, nor is the bright yellow paint, but at least this car makes an effort to stand out from other Korean cars.
The pace car Corvette comes with a dark purple paint job, plenty of wild stripes and decals and a bright yellow leather interior.
Though the EcoBoost looks quite purposeful, hunkered down tight over black - painted wheels, the new Camaro's creases and angles look quite fetching, particularly in our tester's shade of bright yellow.
Of those, 3,389 were painted Bright Yellow.
Differentiating it from the standard car is the bright blue paint scheme, yellow headlights, and a selection of aerodynamic improvements such as a new front splitter, side skirts and a larger rear wing.
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But when his aunt gives him a box of paints, the book's color scheme shifts from dull blues and grays to bright reds and yellows.
«I had a limit of $ 10 for chairs, and then I painted them bright colours, like greens, blues, reds and yellows
To the rear of the eating area — so a decent distance from the road — you'll find a selection of 17 rooms in one and two - storey, bright yellow painted blocks.
To find him, I had to take a wrong turn, hop the median of the expressway leading out of this city, duck under the tree canopy shading crumbling homes, painted irregularly in the brightest of purples, yellows, blues.
The church of San Andres Xecul has an unusual dome painted in colorful stripes, but the highlight is the bright yellow facade, on which some 200 painted sculptures of human figures, angels, monkeys, fruit, corn and quetzal birds.
This eclectically styled unit is painted in bright, sunny shades of yellow.
Progression through the shifting, multi-stage arenas requires that you paint enclosing rows of tiles a bright yellow by running alongside them.
For his first ever public exhibition in NYC, Young will paint 288 panels of plywood in alternating colors of red, pink, orange and yellow fluorescent, finishing with an opaque coat of black paint to conceal the bright layers underneath.
The verticals there — first of bright white and then intense yellow, blue, and green — grow thinner and reach fully the height of the painting, as if under intense compression.
In this way his most relevant counterpart from the United States may be Robert Ryman, though while the American emphasized his paintings» unorthodox supports by purging color, Mr. Viallat soaks his tarps and parasols with brushy strokes in a bright, Matissean range of blues and yellows, pinks and whites.
Iglesias, F.Meisenberg, B.Ruais, K.Thorne, J.VanDyke / Abrons / 466 Grand / thru 12/20 Kaari Upson / Ramiken Crucible / 389 Grand / thru 12/14 Matt Connolly / Essex Flowers / 365 Grand / thru 1/4 Opening 11/21 Keumnin Lee / Shin / 322 Grand / thru 11/30 Ulf Puder; Bettina Blohm / Straus / 299 Grand / thru 12/12 Amy Lien & Enzo Camacho / 47 Canal / 291 Grand — floor 2 (new location) / thru 12/21 Bright Matter: LAb [au]; Numen / For Use; Joanie Lemercier; Nonotak; François Wunschel / Guepin / 83 Orchard / thru 1/11 Opening 11/21 Kiki Kogelnik / Subal / 131 Bowery / thru 12/19 Brad Troemel / Tomorrow / 106 Eldridge / thru 11/30 (extended) The Contract / Essex Street / 114 Eldridge / thru 1/11 Opening 11/21 Reception 11/22 Foster Mickley / Munch / 245 Broome / thru 12/21 Opening 11/21 Robin Kang; Duhirwe Rushemeza / Tabacaru / 250 Broome / thru 12/9 Michelle Lopez / Preston / 301 Broome / thru 12/21 Alexander Tovborg / Beauchene / 327 Broome / thru 12/21 Mary Ann Aitken; John Maggie; Jonathan Rajewski / Hanley / 327 Broome / thru 12/21 Guglielmo Achille Cavellini / Whitebox / 329 Broome / 11/1 thru 11/30 Yui Kugimiya / Marlborough / 331 Broome (third NYC location) / thru 12/21 Opening 11/20 Lily Ludlow / Canada / 333 Broome / thru 12/14 Ulrike Theusner; Paul Brainard / Lodge / 131 Chrystie / thru 12/14 Cristina Vergano / Woodward / 133 Eldridge / thru 12/21 Nayda Collazo - Llorens / LMAK / 139 Eldridge / thru 11/30 James Hoff / Callicoon / 49 Delancey / thru 12/21 Noam Rappaport / Fuentes / 55 Delancey / thru 12/21 XYZ collective / Brennan & Griffin / 55 Delancey / thru 12/21 Jana Winderen & Marc Fornes / Storefront for Art & Architecture / 97 Kenmare @ Centre / thru 11/21 Maya Bloch / Thierry Goldberg / 103 Norfolk / thru 12/21 Josh Faught / Cooley / 107 Norfolk / thru 12/21 Joseph Montgomery / Gitlen / 122 Norfolk / thru 12/21 My Big Fat Painting curated by Rick Briggs; Fred Gutzeit / Morris / 163 Chrystie / thru 11/23 (extended) Closing Reception 11/20 (7 - 9 PM) Mark Joshua Epstein / Morris project space / 163 Chrystie / thru 12/20 Opening 11/20 (7 - 9 PM) Addie Wagenknecht / Bitforms / 131 Allen (new location) / thru 12/7 David Mramor / James / 143b Orchard / thru 12/7 Angelo Volpe / Krause / 149 Orchard / thru 12/8 Beatrice Scaccia / Cuchifritos / 120 Essex (SE corner of market) / thru 11/30 Tommy Hartung / On Stellar Rays / 1 Rivington / thru 11/30 Valeska Soares / Eleven Rivington / 11 Rivington / thru 11/23 Bill Traylor / Cuningham / 15 Rivington (new location) / thru 12/6 Micki Pellerano / Envoy / 87 Rivington / thru 11/23 Do the Write Thing: Read Between the Lines / Berst / 95 Rivington / thru 12/20 Guglielmo Achille Cavellini / Lynch Tham / 175 Rivington / thru 12/21 Jessica Rankin / Salon 94 / 1 Freeman Alley / thru 12/21 Red, Yellow and Orange: Ford Crull; Debra Drexler; Peggy Cyphers / Van Der Plas / 156 Orchard / / thru 12/31 AS IF: Abigail Donovan; Troy Richards; Robert Straight; Peter Williams / Novella / 164 Orchard / thru 12/6 Raquel Rabinovich / Y / 165 Orchard / thru 12/23 Opening 11/21 Tai Ogawa / Matsumiya / 153 1/2 Stanton / thru 12/31 Magnolia Laurie / Frosch & Portmann / 53 Stanton / thru 11/23 Forces at Play: S.Crider; B.Gardner; M.Keller; J.Mellon; L.Rablin / Molly Krom / 53c Stanton / thru 11/30 Valeska Soares / Eleven Rivington / 195 Chrystie (second location) / thru 11/23 Sara Goldschmied; Eleonora Chiari / Lorello / 195 Chrystie — floor 6 / 11/19 thru 1/25 Reception 12/11 Kader Attia / Lehmann Maupin / 201 Chrystie / thru 12/13 George Horner thru 12/6, Henry Mandell thru 1/10 / Charles / 196 Bowery Lili Reynaud - Dewar thru 1/25; Chris Ofili thru 2/10; etc. / New Museum / 231 - 235 Bowery Takeshi Murata / Salon 94 / 243 Bowery / thru 12/21 Heinz Mack / Sperone Westwater / 257 Bowery / thru 12/13 Notes on Undoing / Garis & Hahn / 263 Bowery / thru 12/20 Opening 11/20 Charles Dunn / Rucker / 141 Attorney / thru 11/26 Serge Alain Nitegeka / Boesky East / 20 Clinton (new, third NYC location) / thru 12/21 Matthew Fischer / Junior Projects / 139 Norfolk / thru 12/21 Pierre St - Jacques / Station Independent / 164 Suffolk / thru 12/14 Aki Sasamoto / JTT / 170a Suffolk / thru 12/14 (Performances 12/12 @ 6 PM) Sara Greenberger Rafferty / Uffner / 170 Suffolk / thru 12/21 Matt Hoyt / Bureau / 178 Norfolk / thru 12/21 Stuart Shils / Harvey / 208 Forsyth / thru 12/21 Opening 11/19 Arianna Carossa / Rooster / 190 Orchard / thru 1/4 Opening 11/25 Greer Lankon / Participant / 253 E Houston / thru 12/21 Henry Flynt / Audio Visual Arts / 34 E 1st / thru 11/23 (extended) Joel Holmberg / American Contemporary / 4 E 2nd / thru 12/19 Early Man / The Hole / 312 Bowery / thru 12/28
New works include vibrantly colored paintings and the recently completed infinity room «All the Eternal Love I Have for the Pumpkins» (2016), featuring dozens of Kusama's signature bright - yellow, dotted pumpkin sculptures.
On view were two major Warhols: «Liz # 1 (Early Colored Liz),» a 1963 image of Elizabeth Taylor on a bright - yellow background that is estimated to sell for $ 20 million to $ 30 million, and «5 Deaths on Turquoise (Turquoise Disaster),» painted the same year and expected to bring $ 7 million to $ 10 million.
Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.
Similar to his previous «Lemon Flavored» series, the artist covers the majority of each canvas with bright yellow paint, prompting an instinctive acidic reaction within the viewer's mouth.
This bright and festive abstract painting features streamers and various sizes of bubbles in bold colors of red, orange, brown, yellow, aqua, green, purple, hot pink, and white on a white background.
Painted with acrylic and wax crayon in bright shades of yellow, pink, red, white and crimson, the central image (no. 88) calls to mind an abundance of different - colored blossoms.
In one of the galleries in the spacious new wing of the San Francisco Museum of Modern Art (SFMOMA), triangular and oval canvases painted in bright oranges, yellows and greens by Ellsworth Kelly swirl around the visitor.
A salon - style portrait gallery offers a range of depictions of relationships from close personal ties such as Man Ray's photograph of lover Nancy Cunard (1928); Rashid Johnson's painting of his father made with Afrocentric materials like black soap (2014); Alex Katz's painting of his wife and muse on a bright yellow background in Black Hat No. 3 (2010); Alice Neel's portrait of her son's seated colleague Stephen Herbert (1977) in a relaxed informal pose; to more distant connections.
In his landscapes, he employed a color palette similar to the one he used for still - life paintings such as frosty lemon yellows, powder blues, bright oranges — you will almost want to pick up a piece of the landscape and bite into it.
So we get this amazing, sharp shape of bright, bright yellow in the left - hand top corner, and we get this pink line that goes almost all the way around the painting but can't contain in that top corner of yellow, and the pink line curls in on itself around this beautiful, orange shape.
Vertical, gestural composition in ink and acrylic paint with large areas of turquoise and ochre and spontaneous calligraphic lines of red, indigo and bright yellow.
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