On the video side, where everything is presented in HD regardless of source limitations, we start with «Martin Scorsese and Kent Jones» (17:34), a brand new conversation between the legendary director and a film critic that celebrates On the Waterfront as
part of cinema history and Scorsese's upbringing.
If you only know the film from a few melodic snippets and one Austrian helicopter shot, clear an evening and sit down with one of the seminal
works of cinema history.
Surrealist master Luis Bunuel is a towering figure in the
world of cinema history, directing such groundbreaking works as Un Chien Andalou, Exterminating Angels, and That Obscure Object of Desire, yet his personal life was clouded in myth and paradox.
Director Gabe Klinger is a
scholar of cinema history, and he was keen to invoke the textures and traditions of older films and filmmakers for this project.
People were talking about all these cult classic films or
staples of cinema history, and I was lying through my teeth that I'd seen all of them, because for all my life I'd grown up with «The Sound of Music» and «The Lizzie McGuire Movie.»»
Throughout
much of cinema history, and especially in recent decades, drug pushers of all walks have graced the screen, providing brief escapes for lost souls and party people.
The academy's honor roll, to say
nothing of cinema history, would be significantly poorer if Robert De Niro hadn't bulked up to play Jake LaMotta, or if Natalie Portman had never strapped on a pair of toe shoes.
It won't change the
face of cinema history, and it won't win any awards (it's too downright dirty for that), but it's furiously entertaining, and a very strong piece of drama from a director who hasn't much luck in the last thirty - odd years.
Sure, some of the story beats and characters are familiar in the super-rigid superior district attorney (played by Alfred Molina), and the play - by - his - own - rules detective, but they've been proven to work over the
course of cinema history.
While both films are marked by ambivalent female protagonists who dare us to be o ended by their social transgressions, they are also marked just as plainly by their nostalgic
reimagining of cinema history.
The occasional game - inspired flick might has its fair share of entertaining moments, but not a single one (or at least those recognized by Wikipedia) could be classified as a worthwhile
piece of cinema history.
In this way Anthony McCall's light - beams, outlined against mist, expanding upon the specifically plastic properties of film, cross the
frontiers of cinema history to join the minimalist propositions of 1970s sculpture and rank alongside the geometric structures of Robert Morris, Sol LeWitt or Carl Andre, Dan Flavin's fields of color, or Fred Sandback's spans of colored yarn.»
In Patrick Hough's proposal, on the other hand, forgotten artefacts from the Hollywood Dream Factory — props and décor from abandoned film sets — take on a new life as precious
mementoes of cinema history: replicas and fakes that have acquired a strange kind of authenticity.
I've said many times, and I hold it to be absolute truth, that the Charleses are the best example of a married couple in
all of cinema history.