Sentences with phrase «of cinema icons»

Indeed, the inaugural program provides a wealth of options, from chronicles of cinema icons Charlotte Rampling and Tony Curtis in The Look and Drive to Stardom respectively, to filmmaker portraits On Borrowed Time and Arirang.

Not exact matches

Today's #GoogleDoodle marks the 104th birthday of Mexican actress Maria Félix, whose impact on film, art, music and fashion established her as an icon of international cinema → https://t.co/ILDpw7IELh pic.twitter.com / jyEcICaahi
He gives a stunning, perfect performance of this icon of cinema.
«Facing Windows» stars the late Massimo Girotti, an icon of the Italian cinema who starred in films by Visconti, Rossellini, De Sica and Bertolucci, as the old man whose presence compels characters — played by luminous Giovanna Mezzogiorno («The Last Kiss») and Raoul Bova («Under the Tuscan Sun»)-- into peering into the facing windows that symbolize unfulfilled longing.
Joining two icons of French cinema, filmmaker Claire Denis and actor Juliette Binoche, Let the Sunshine In is far from your everyday romantic comedy.
I can't help but feel that the classically - trained horror icon has never truly gotten the respect he deserves for creating one of the most iconic movie monsters in the history of cinema.
Think of them as cinemas golden boys, the best directing duo out there, and indie icons for the break out films at festivals and how they told stories on a limited canvas.
With his penetrating gaze, quiet strength, and unshakeable everyman persona, Jean Gabin was the most popular French matinee idol of the prewar period, and remains one of the great icons of cinema.
Kristen Stewart is fast becoming an icon of modern cinema, and her latest performance in Personal Shopper confirms her as one of most interesting and daring actors out there.
Two women on a journey — a middle - aged actress, established icon of European cinema and stage, and her young assistant — engage in a riveting pas de deux in Olivier Assayas's Clouds of Sils Maria (2014).
Why you shouldn't miss it: An unabashed love letter to trash cinema, Best Worst Movie reveals the improbable heartfelt story of an Alabama dentist - turned - cult - movie icon and an Italian filmmaker as they come to terms with their internationally revered cinematic failure.
The film, which stars Mel Gibson in the lead role will arrive in cinemas later this year courtesy of Icon Films, and it looks really rather good.
Chow's Mark was the iconic figure of Hong Kong cinema in the late 80s, an icon so widespread you see its influence still in Jia Zhangke's Still Life 20 years later.
It will focus on the work of contemporary actors like Samuel L Jackson, David Oyelowo, Lupita Nyong» o, Chiwetel Ejiofor, Sophie Okonedo and Denzel Washington, as well as cinema's first black stars, Josephine Baker, Lena Horne and Dorothy Dandridge, and enduring icons like Sidney Poitier, Whoopi Goldberg, Paul Robeson and Angela Bassett.
Rather than the usual elegant black and white photo of a screen icon from some golden age, Cannes 2016 celebrates cinema itself with a golden shot of a man ascending the staircase - wall of Casa Malaparte on the Isle of Capri, thus providing a film geek's field day of interpretation and reference.
Thinking of your place as an icon of Hong Kong cinema, I also think of stars like Andy Lau, Tony Leung, Maggie Cheung, Jackie Chan.
Amazon's rights for its acquisitions so far have been limited to US theatrical distribution, with no sign yet of Chi - Raq in either UK cinemas or Amazon's British streaming line - up (The Neon Demon is being released in the UK by Icon this summer).
It's the classic hardboiled private - eye movie; the nervy maiden offering of its celebrated director, John Huston; the first glamorous star vehicle for Humphrey Bogart, an icon of American cinema and the 20th century's definition of existential cool; and still the most triumphantly well - cast movie from Hollywood's golden age (rivaled only by Casablanca).
In remembrance of the late, great David Bowie, Sight & Sound examines the icon's connection to cinema.
What seemed like a novel idea, pairing two of French cinema's contemporary icons from opposing schools...
James Faust, Artistic Director of the Dallas Film Society, said, «Our two Dallas Star Award honorees hail back to something this festival has done from its inception — honor cinema legends, icons, and the film artists that made a difference in our film viewing lives.
A family icon for all human kind to see, and a gem that permanently marked not only the Hollywood cinema of the 80's, but the hearts of millions as well.
The filmmaking icon sat down with Empire ahead of the launch of Ready Player One to deliver an issue celebrating his entire cinema - defining career — from Jaws and Jurassic Park, to E.T. and Saving Private Ryan — as well as his game - changing new virtual reality epic.
Iris, his profile of fashion icon Iris Apfel (and a film seemingly akin to his iconic Grey Gardens), has recently been released in cinemas in the United States, whilst his final film, In Transit, has gone the festival route, premiering at Tribeca, where it received a Special Jury Mention in the World Documentary section of the festival's program.
This is an excellent read about an icon of cinema.
A contemporary shopper's paradise, housing a complete range of products from jewellery to homeware, along with the famous Museum of Style Icons — one of the most unique collections of fashion and cinema memorabilia in the world.
Each room features 1950s film icons with black and white art deco interiors and soft teal, grey and beige furnishings, to create a quiet haven in the buzz of London's cinema district.
Others resurrect icons of alternative cinema, if perhaps ones more pertinent or familiar on the West Coast than in New York.
Drawing inspiration from popular icons of cinema and theatre, Ourhouse hybridises aspects of British sitcoms, absurdist theatre and science fiction, while making pointed observations about language, cultural appropriation and power structures.
Born to a poor but close - knit Byzantine Catholic family, young Andy Warhol absorbed images of both the saintly icons on the altar of his local church and the glamorous stars he saw in the movies at his neighborhood cinema.
Renée Green's (b. 1959) exhibition Within Living Memory is a meditation spurred by inhabiting an architectural icon — Le Corbusier's Carpenter Center — while exploring the historical and institutional legacies of modernism's other forms, including cinema, visual art, poetry, music, and literature.
He has explored that theme in a series of paintings based on John Singer Sargent's «The Daughters of Edward Darley Boit» and in another cycle of canvases drawing on imagery and icons of the Italian cinema of the 1960s.
Babette Mangolte is an icon of international experimental cinema.
Poor Poor Jerry investigates our collective awareness, overlapping the deeds of an icon of an American animated series and desert landscapes of Lanzarote with pop cinema soundtracks and dialogues.»
Since his Times Square Show debut, his pictorial universe has been incredibly consistent and meticulously staged: a cinematic landscape often flattened into eerie planes and characterized by classic foreign sports cars, French pop singers, camouflaged Spitfires and troop ships, icons of European cinema and snowy Alpine peaks — a series of very particular, rhapsodic infatuations, through which he has conjured a fully - realized, unironic, modern - day narrative mythology.
Making films continuously since the late 1940s, Kenneth Anger is considered one of the most original filmmakers of American cinema and a countercultural icon.
The portraits were presented alongside four images of the empty cinemas which the actors will eventually fill with their screen presence, and are intended to question whether it is possible to distinguish between the person and the icon.
Guests also previewed the work of Kenneth Anger, also in attendance that night, in the exhibition Kenneth Anger: ICONS, which showcases the films, books, and artwork of one of the most original filmmakers of American cinema.
Sarah Contos» second solo exhibition with Roslyn Oxley9 Gallery «Daughter Universe» considers ideas of transmogrification — drawing parallels between stage magic, cinema icons and theories of the multiverse.
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