The first time I saw Sergio Leone's Once Upon a Time In The West, I almost fell out
of my cinema seat when I saw the story credit:
Not exact matches
The Gucci space spans an exhibition area, boutique selling items exclusive to the location, 30 -
seat cinema, and,
of course, the restaurant.
Let's look again into that greying, worn, troubled face in Jerusalem and, as in a
cinema flashback, see the hair regain its colour and the features set once more into the smile that shattered a host
of Tory safe
seats.
Five long rows
of traditional
cinema seating offer plenty
of room for the entire family, plus a large group
of friends, too.
The soft leather chairs recline at the touch
of a button, and there is double the leg - room
of usual
cinema seats.
Mister
cinema cleaner, don't bother wiping down the back
of this
seat — my spine never touched it once.
Not only does it get bums on
seats but it encourages the kind
of shared enjoyment that suggests the
cinema still has something unique to offer.
Gripping and intelligent, Eye in the Sky is edge
of your
seat cinema that also sheds light on a difficult and complex subject.
Quality jokes are hard to put together; even harder to follow through with and harder still to get the butts in the
seats during the summer with the onslaught
of «mindless»
cinema being released.
The Alamo Drafthouse was named the best
cinema in America by Entertainment Weekly and features food and drink served to your
seat without any disruption
of the movie experience.
While 2013 may have seen foreign language films take a back
seat to the large number
of truly great English - language features and documentaries, Romanian
cinema and its current king, Cristian Mungiu, hit 2013 with one
of its truly great pictures.
All around the
cinema, I'm aware
of the viewers passing out in their
seats and then snoring like buzzsaws.
Also noteworthy, in the category
of cinema ruled by cultural concerns and actual political events, was Carlos (d. Olivier Assayas), which kept a packed auditorium of critics in their seats for over five hours with a glossy, but intelligent action film version of the 1970s exploits of a terrorist born Illich Ramirez Sanchez, but known internationally as the Jackal, also by the code name Carlos; and Des Hommes et des dieux (Of Gods and Men, Xavier Beauvois), a film, elegantly minimalist in design, based on a real - life encounter between Algerian fundamentalist Islamic terrorists and a community of ascetic Christian monk
of cinema ruled by cultural concerns and actual political events, was Carlos (d. Olivier Assayas), which kept a packed auditorium
of critics in their seats for over five hours with a glossy, but intelligent action film version of the 1970s exploits of a terrorist born Illich Ramirez Sanchez, but known internationally as the Jackal, also by the code name Carlos; and Des Hommes et des dieux (Of Gods and Men, Xavier Beauvois), a film, elegantly minimalist in design, based on a real - life encounter between Algerian fundamentalist Islamic terrorists and a community of ascetic Christian monk
of critics in their
seats for over five hours with a glossy, but intelligent action film version
of the 1970s exploits of a terrorist born Illich Ramirez Sanchez, but known internationally as the Jackal, also by the code name Carlos; and Des Hommes et des dieux (Of Gods and Men, Xavier Beauvois), a film, elegantly minimalist in design, based on a real - life encounter between Algerian fundamentalist Islamic terrorists and a community of ascetic Christian monk
of the 1970s exploits
of a terrorist born Illich Ramirez Sanchez, but known internationally as the Jackal, also by the code name Carlos; and Des Hommes et des dieux (Of Gods and Men, Xavier Beauvois), a film, elegantly minimalist in design, based on a real - life encounter between Algerian fundamentalist Islamic terrorists and a community of ascetic Christian monk
of a terrorist born Illich Ramirez Sanchez, but known internationally as the Jackal, also by the code name Carlos; and Des Hommes et des dieux (
Of Gods and Men, Xavier Beauvois), a film, elegantly minimalist in design, based on a real - life encounter between Algerian fundamentalist Islamic terrorists and a community of ascetic Christian monk
Of Gods and Men, Xavier Beauvois), a film, elegantly minimalist in design, based on a real - life encounter between Algerian fundamentalist Islamic terrorists and a community
of ascetic Christian monk
of ascetic Christian monks.
The halo - effect
of Infinity War is in full effect touching all parts
of the
cinema biz: All motion -
seat 4DX locations are sold out for the weekend at its two New York and two Los Angeles theatres.
It's not often you hear an audience
of movie critics gasp out loud at something on - screen, but Toni Erdmann, the new comedy
of forced familial closeness from German director Maren Ade, has a comic moment so perfectly timed that it got the civilized
cinema - set
of New York City to jump out
of their
seats like this was an Evil Dead movie in 3D.
It's not the greatest film in the world however, the film is action packed, leaving you at the edge
of you
seat at times, and I left the
cinema feeling pretty satisfied and looking forward to watching the sequel.
Turkish horror Baskin, which Ryland calls a midnight movie «through and through» in his review, is accompanied by I Am Not a Serial Killer (Peter's review here), The Love Witch (above); an ultra vibrant trip into sexy exploitation
cinema, Train to Busan, the Cannes hit that's just opened to record
seats in South Korea, and a film Pierce called in his review «a tense and inventive mix
of genre thrills and social anxiety.»
The downstairs level
of The Ray will be home to part
of the festival's New Frontier lineup
of virtual reality, augmented reality, mixed reality and artificial intelligence exhibits.The Ray's New Frontier space will also feature The Box, a 40 -
seat mobile VR
cinema that will showcase four mobile programs.
The fact that such a message is being conveyed by a no - budget Hungarian independent film rather than by more widely accessible fare is an indictment on the state
of the popular
cinema — but hopefully there are enough moviegoers willing to pass up the occasional blockbuster in favor
of something less frivolous, that the moral
of 1945 won't fall on deaf ears and empty
seats.
For a film that has literally exploded into
cinemas from absolutely nowhere, and with very little publicity, even through communications with critics and throughout the film community, this «spiritual sequel» to the Matt Reeves directed 2008 monster flick, which arrived in similar fashion, could just topple it in terms
of its the edge -
of - the -
seat - ness.
And there was always the
cinema's resident cat to scare you out
of your
seat by slinking along the back
of it.
Everyman is now a chain that pushes the luxury
cinema experience — plump
seats, olives and nuts, the clink
of ice in your whisky glass — but offers a soulless programme (the latest Hobbit or Hunger Games).
the immensity
of pondering close - ups on both women, the shots behind all types
of blurry glass, the observational camera, the silences... and that last scene, those last shots... i stayed on my
seat until the very end
of the credits and on my way out two women were kissing long and hard in the
cinema and they couldn't care less if the usher had put the lights up and wanted to clean the place.
You don't have to see a lot
of movies to recognize that women take a back
seat at the
cinema — and I'm not talking about the audience.
This is «on edge
of your
seat»
cinema right here and the faint hearted might wan na check out Deadpool or Triple 9 instead.
Think about the themes in your book and where else it might sell; in local cafes, gift shops, farmers markets, local B&B's... Since
Cinema Lumière is set partly in a one -
seated cinema, I blagged wall space in three
of the (vaguely local) picturehouses to put up posters.
In addition to digital projection in all screening rooms, Reading's new multiplex in Newcastle features the company's 2nd jumbo - sized Titan XC theater, (this has been a huge success in Hawaii), and two
of Reading's Gold Lounge
cinemas with big recliners, tables and alcohol beverage service and reserved
seating, features that come at premium price that Aussies have come to really like.
As a result, the U.S. theater industry will have to rely on increasing the premium nature
of the
cinema experience, such as with luxury
seating and more premium food options, in order to continue growing its cash flow.
It features a state -
of - the - art AV system, a 13 x 11.5 - foot
cinema screen wall, a wet bar, and a luxurious
seating area where your guests can sit while you wow them, as well as a huge and comfortable bedroom with a king - sized bed where you can collapse when you're finished.
* Luxury fully self - contained, ground floor two bedroom apartment with absolute beach frontage situated on Rosebud foreshore * Solar heated in - ground fully - tiled pool * Suitable for couples and families * Quiet position * Fully equipped kitchen including pantry supplies * Patio, sun lounges and barbecue facilities * Kitchen / Lounge / Dining area overlooks pool * Television, DVD, video, CD player with selection
of DVD's, CD's and videos * Laundry with washing machine, dryer and iron * Split system Airconditioning / heating and fans * Beach and pool equipment (Including beach towels) * All linen supplied * Magnificent garden surroundings * Heart
of the Mornington Peninsula, centrally located with walking distance to beach, shops, restaurants, hotel and
cinema * Short drive to regional tourist attractions — Wineries, Golf Courses, Arthurs
Seat Chairlift, National Parks, Art, Craft attractions, Sorrento village * Direct access from back gate to safe swimming beach & walking track.
A handsome 8 -
seater dining table crafted out
of recycled wood stands on one side
of the living room, an open kitchen sits in the back and a lounge / TV corner furnished with circular rattan chairs and a huge flat - screen cable TV is found on the other side
of the room but there is still more Up on the first floor, youll discover an entertainment area where you can play billiard or get comfy on one
of the sofas to watch a movie or two in the evening on the home
cinema set.
There's no better place to catch up on the latest movies than Bayu Gita's state -
of - the - art 10 -
seat cinema.
A handsome 8 -
seater dining table crafted out
of recycled wood stands on one side
of the living room, an open kitchen sits in the back and a lounge / TV corner furnished with circular rattan chairs and a huge flat - screen cable TV is found on the other side
of the room but there is still more... Up on the first floor, you'll discover an entertainment area where you can play billiard or get comfy on one
of the sofas to watch a movie or two in the evening on the home
cinema set.
Those who prefer less strenuous vacation fun can also enjoy a game
of billiards or mahjong in the clubhouse, then head down to the private, twelve -
seat cinema for a movie marathon complete with popcorn and ice cream.
Maximum capacity
of the conference hall is 40 - 45
seats at a round table and 100 - 120
seats cinema hall type.
When the kids get tired
of swimming, then parents will be happy to know that adjacent to the living area is a fully air - conditioned
cinema room equipped with Sony movie projector and ample
seating for all the family.
Guests may also enjoy a cocktail in the bar lounge adjacent to the «Gold Class» style 15 -
seat cinema with starlit ceiling and a wide range
of movies to choose from.
There are total
of eleven two and three bedroom luxury villas that are staggered rather like
seating arrangements in a
cinema.
To the other side
of the entrance is a games room with pool table, bar and entertainment unit adjacent to the sumptuous home
cinema, fitted with projector screen and soft
seats designed for an authentic cinematic experience.
A state -
of - the - art media room boasts an advanced home - theater system and
cinema seating.
This hotel, on the edge
of Bristol has one indoor and two outdoor pools, a sauna and a steam room, five tennis courts, seven squash courts and even a 130
seat cinema.
The villa is furnished and decorated to the highest standards, and equipped with useful extras such as the large games / TV room, great for a game
of pool or a movie, complete with
cinema - style
seating.
There is also a house manager / butler's apartment, high - tech 10 -
seater cinema, gymnasium, storerooms, a multi-media and electronics control room and top class finishes including state -
of - the - art underfloor temperature control (heating and cooling) throughout.
Large groups will enjoy luxuriating in the open - air 7 -
seater hot tub with a bottle
of wine (or three) while looking out onto stunning views
of Loch Lomond, or make merry in the games room or
cinema room.
The Electric is the oldest working
cinema in the country and screens a mixture
of arthouse flicks and carefully chosen blockbusters inside its luxurious art deco surrounds, with sofa
seats and waiter service available from the Parisian - style absinthe bar.
As with the two rows
of movie
seats facing each other in Tom Burr's An Orange Echo, 2012, the mirror
of cinema inverts, fragments, and upends our memory through impossible repetitions, forever altering the imprint
of the constructed, painted encounter along the way.
If the
cinema of the 1950s and 60s sublimated the fear
of atomic catastrophe or communist attack into interplanetary drama, the more recent work collected here uses elements
of that retro sci - fi world as powerful metaphors for our deep -
seated fears
of the Other, the foreigner — the increasingly frequently decried «invasion»
of immigrants, or just the presence
of people
of different skin colors and beliefs.
According to Axel Peemoeller, who worked with Greek designer Dimitris Papazoglou on the project, the identity draws on «key characteristics related to
cinema: the projection screen, the repetition
of film frames, the sense
of movement and time, and
cinema theatre
seating.»
The Centre comprises the 1,949
seat Barbican Hall, the 1,166 -
seat Barbican Theatre, the 200 -
seat Pit theatre, 3
cinemas, the 1,393 m2 Barbican Art Gallery, a 2nd gallery; The Curve, 4,645 m2
of foyers and public spaces, the Lakeside Terrace, a roof - top tropical conservatory, 7 conference suites, 2 trade exhibition halls, private function rooms and the 3 restaurants; Searcy's, Waterside Café and Balcony Bistro.
The extraordinary floating structure will navigate the waterways
of the Olympic boroughs during the summer 2011, and accommodate intimate on - board screenings and events inside a bespoke twelve
seat cinema auditorium as well as function as a «projection house» for both mobile and static outdoor film screenings.