We have warehouse - style shelves filled with our collection
of cinematic books, a whiteboard wall which we use to coordinate our upcoming projects, as well as a large flat - screen television for our client viewing area.
Not exact matches
To me, Nolan's final bow is the
cinematic equivalent
of a writer - artist team ending a «run» on a particular comic
book.
Directed by Robert Kenner, «Food Inc.» is a
cinematic mash - up
of the best - selling investigative journalism
books «Fast Food Nation» by Eric Schlosser and «The Omnivore's Dilemma: A Natural History
of Four Meals» by Michael Pollan.
In their
book Rabid: A Cultural History
of the World's Most Diabolical Virus, Monica Murphy and Bill Wasik write: «In their maddened lunges and infectious bites, our
cinematic zombies... are nothing less than projections
of our timeless fear
of rabies.»
Recalled in Laura Hillenbrand's 2010
book and here made grandly episodic in the manner
of cinematic versions
of the Bible and The Hobbit, Louie's story is ideal for such epic scale, yet it's also too complicated to be reduced to such notorious generic confines.
It's not the most original brawler out there, but the tasty graphics and
cinematic comic -
book style action help make up for some
of the games imperfections.
While the
book was a character sketch overlaid with a cheeky anti-ranching analogy / critique (related to what happens to the men Isserley catches), the movie is overtly
cinematic, using the
book's rough outline for a series
of setpieces: some bizarrely visionary, some creepily mundane.
It's an unapologetically over-the-top premise that, although employed to exceedingly entertaining effect within the
book, inevitably results in a middling
cinematic endeavor, as Howard - working from a script by David Koepp and Akiva Goldsman - emphasizes a consistent tone
of reverence that proves an incongruous match with the comparatively light - hearted nature
of Brown's eponymous bestseller.
Bonus: • Audio Commentary with Director Tim Burton • «On the Set with Bob Kane» Featurette • «Legends
of the Dark Knight: The History
of Batman» Documentary • «Shadows
of the Bat: The
Cinematic Saga
of the Dark Knight» Parts 1 - 3 • «Beyond Batman» Documentary Gallery • Prince Music Videos • Profile Galleries • Storyboard Sequence • Trailer • Digital Copy • Hardcover
Book
It has always been one
of the hallmarks
of this series that even when the plotting, especially for those unversed in the
books, resembled a brambly thicket, and the
cinematic magicmaking was more overloaded than inspired, the acting served up by this ongoing parade
of hall
of fame hams carried the day.
But that could have also meant that we'd get a slapdash and rushed adaptation
of Sestero's
book, one
of the most fascinating tales
of unbridled
cinematic creativity ever put on paper.
The Mummy was written and directed by Stephen Sommers, whose previous
cinematic journeys into the past include The Jungle
Book and The Adventures
Of Huck Finn.
Nathan Fillion in Guardians
of the Galaxy, Battlestar Galactica Film, Comic
Book Cinematic Universes, Lars and Real Girl Reviewed
Most
of the time people will rather the original
book to the
cinematic adaptation.
Continue reading Nathan Fillion in Guardians
of the Galaxy, Battlestar Galactica Film, Comic
Book Cinematic Universes, Lars and Real Girl Reviewed →
The Avengers films were the two highest grossing films in the Marvel
Cinematic Universe, but Black Panther roared past them and is setting standards previously unheard
of for a solo comic
book hero not named Batman or Iron Man.
To hear these two talk so candidly and in such detail about their craft is as big a thrill on - screen as it is on paper, and as a
cinematic extension
of the
book, Hitchcock / Truffaut lives up to its name.
Not content with voicing one
of the most beloved characters in the Marvel
Cinematic Universe with Guardians
of the Galaxy «s Groot, according to The Wrap, Vin Diesel is in talks to sign onto Sony's five - film Valiant comic
book shared universe by headlining Bloodshot.
Though this all - killer - all - filler action flick from Russian director Timur Bekmambetov (Day Watch) is based on a comic
book and replicates the next - level momentum
of a video game, it's more like the
cinematic equivalent
of an energy drink.
It's the 19th entry in the Marvel
Cinematic Universe, but it's the first to push to the wall, to the max, to the ultron the notion that the MCU really is a universe: a vast intermeshed thicket
of comic -
book icons, destined to be an army that's greater (in theory, at least) than the sum
of its parts.
More
of a
cinematic joke
book than a real movie, Spy Hard hits you with gags faster than Henny Youngman on speed.
It's taken a decade and 18 films, but the Marvel
Cinematic Universe has finally produced a superhero movie that feels like it was ripped from the pages
of a comic
book.
On face - value, another
cinematic version
of The Beguiled, based on the
book A Painted Devil by Thomas P. Cullinan, wasn't needed.
Marvel's latest adventure takes their
cinematic universe into the realm
of the supernatural, Doctor Strange a trippy, freewheeling jaunt into the comic
book multiverse where time is fluid and death is only a doorway to a brand new adventure.
One wonders why Garland — who read the
book once, wrote the script based on his «dream memory»
of it, and completely ignored its sequels (both
of which were published in the same year as Annihilation)-- felt the need to give Lena some
of the most prosaic motivation you can give to a
cinematic character, but its very irrelevance forgives it.
Using traditional research methods (reading old
books) and non-traditional film processes (boiling old
books) Gatten's films trace the contours
of private lives and public histories, combining philosophy, biography, and poetry with experiments in
cinematic forms and narrative structures.
The director
of the Captain Marvel movie has a big responsibility: they have to introduce a character who isn't particularly well known outside
of comic
book shops to a wide audience while also shouldering the burden
of making the first solo female superhero movie set in the Marvel
Cinematic Universe.
Set on the world
of Sakaar — known dearly to comic
book fans as the world the Hulk gets whisked off to in the now classic story arc «Planet Hulk» — Thor: Ragnarok and its location open up unlimited potential for the Marvel
Cinematic Universe; it is also the planet where the Hulk had his son, Skaar, after all.
Three years ago, The Guardians
of the Galaxy was considered the first big risk
of the Marvel
Cinematic Universe, completely removed from the rest
of the Avengers on other planets with characters even avid comic
book readers weren't overly familiar with, all led by an actor who was primarily known as the chubby goofball on an NBC workplace sitcom.
The current bombardment
of comic
book movies has turned the world into nothing short
of a
cinematic nerd - topia.
Back when Iron Man was first released in 2008, the idea
of building a shared
cinematic universe based on characters largely unknown outside
of comic
book circles was the definition
of risky.
Though critics and most movie going audiences didn't think Batman v Superman: Dawn
of Justice lived up to the hype, the Zack Snyder film that launched the DC
Cinematic Universe has nonetheless become the seventh highest - grossing comic
book movie worldwide.
JG: Did watching the final chapter in the
cinematic series inspire you to watch the earlier movies or read any
of J.K. Rowling's
books?
Most
of the major players are not part
of the Marvel
Cinematic Universe, like Adam Warlock and the Silver Surfer, and while Doctor Strange has a major part to play after Thanos makes his big move in the
book, he's among the dead at the end
of «Infinity War.»
Depending on how you look at it, the Marvel
Cinematic Universe took upwards
of 45 years to piece together (counting the company's comic
book origins), but according to the filmmakers entrusted with the next stages
of the story, its deconstruction has already begun.
And as comic
book films become more prevalent, perhaps this trend
of world mashups will go beyond just shared
cinematic universes and into this weird wave
of smashing together disparate properties.
Not that the imagination on display here is up to the level
of the J.K. Rowling
books (which remain more vividly
cinematic than all but Alfonso Cuaron's «Prisoner
of Azkaban»).
If you've been perusing the shelves
of your local comic
book store, newsagent or supermarket over the past year or so, you may have noticed Eaglemoss» Marvel Movie Collection, which presents a series
of metallic resin figurines featuring the heroes and villains
of the Marvel
Cinematic Universe.
Acclaimed filmmaker Steven Spielberg is all set to helm his first superhero movie and it is going to be none other than DC's
cinematic adaptation
of the comic -
book character Blackhawk.
There's a lot
of character model and animation asset reuse from MVC3, which I'm fine with, but some
of it doesn't seem to transition over well from the more comic -
book art style to this game's more
cinematic universe look.
His work was hailed as
cinematic experiences transcending the label
of merely being a «comic
book movie.»
If The Avengers brought a lighter tone to the
cinematic comic
book genre, dosage Thor 2: The Dark World is a simple byproduct
of that.
With so many Marvel films in the pipeline (2017 will see three Marvel films: Guardians
of the Galaxy 2, Spider - Man: Homecoming, and Thor: Ragnarok), the comic
book company will no doubt be working harder than ever to meet ever - expanding goals when it comes to their wildly successful
cinematic universe.
Zack Snyder's stylishly violent swords and sandals epic, 300, was a surprise box office smash (taking in $ 456 million worldwide in the spring
of 2007), but no one kids themselves into believing that his
cinematic vision was not responsible for that chest - beating comic
book adaptation being so enjoyable to watch.
The intentional changing or at least ignoring
of it in casting the role
of MCU lynchpin Nick Fury and producing a Black Panther film for 2018 and a Luke Cage television series for later this year doesn't bestow upon them immunity by any stretch
of the imagination, but the Marvel
Cinematic Universe seems relatively inclusive if at the same time mostly faithful to the mostly mid-20th Century created comic
book origins - depictions
of their headline characters.
The Perks
of Being a Wallflower is the
cinematic debut
of Stephen Chbosky, the author who wrote the
book.
Extras: «Road to Justice» journeys alongside DC comic creators as they explore over 50 years
of the Justice League, from comic
books to animated adventures to their
cinematic debut; «Heart
of Justice» in which the cast and filmmakers share their admiration for DC's iconic Trinity: Superman, Wonder Woman and Batman; «Technology
of the Justice League»: From Batman's arsenal to Cyborg's alien tech, interface with the Justice League database to learn their most advanced secrets; «Justice League: The New Heroes»; «Steppenwolf the Conqueror»; «Scene Studies: Revisiting the Amazons»; «Scene Studies: Wonder Woman's Rescue»; «Scene Studies: Heroes Park»; «Scene Studies: The Tunnel Battle»; «Suit Up: The Look
of the League.»
It may be a problem winning back the comic -
book fans, but after that extended cameo in Captain America: Civil War and this new solo outing, you finally feel that your friendly neighborhood web - slinger deserves to be a part
of the Marvel
Cinematic Universe.
Out
of that, I developed a theory
of a certain
cinematic style, a Transcendental Style, and published a
book to that effect in 1972.
The spirit
of the Harry Potter
cinematic universe is alive and well at Warner Bros., with the studio going full speed ahead on the first
of a planned trilogy based on J.K. Rowling's
book Fantastic Beasts And Where To Find Them.