Not exact matches
Monday, however, Jay Busbee provided
cinematic «
perspective» on the latest
of Tiger's dropsy issues from filmmaker John Ziegler (any relationship to Abraham Zapruder is strictly coincidental).
Imagine a
cinematic equivalent
of a Picasso cubist portrait, but instead
of showing multiple
perspectives of an object in an image, it presents experiences from different periods in a life in a single narrative.
The Five Year Engagement — which was written, it must be noted, by Segal and director Nicholas Stoller (Get Him to the Greek, Forgetting Sarah Marshall), so it's very much from a male
perspective — is a
cinematic squeal
of «But what about teh menz!
Sebold's novel was unique in
perspective and execution despite its well - trodden subject matter, but Jackson fails to find a similar
cinematic distinctiveness in his presentation
of the material.
This is due in equal parts to Shinya Tsukamoto's mercilessly confrontational
cinematic approach and Cocco's lead performance as a mentally unbalanced single mother into whose skewed
perspective the viewer is locked for the entirety
of the film — a true twin tour - de-force.
That Johnny Boy is comparatively peripheral in Mean Streets may suggest the uniqueness
of Scorsese's film in its relationship to movies in which the alienated hood stands in a position to manipulate
perspective by ensconcing himself at the metaphysical core
of his
cinematic universe, but Johnny Boy's gangland genealogy traces back in a psychologically straight line to Hawks» Tony Camonte, and there is little doubt that Corman, Carver, and screenwriter Browne at least had Scarface in mind during the making
of Capone.
From a purely
cinematic perspective, he's also one
of the primary reasons why a movie like this would most likely fail even if it has a legitimate story to tell.
In Jose Villalobos Romero's remarkable
cinematic debut, he utilises vivid tableaus and stylised
perspective to paint a beautifully unique and emotional portrait
of a man divided.
From a
cinematic perspective, this is the type
of movie that may be a rousing success in the eyes
of many critics while not exactly being able to please the average member
of the general public.
With its dead ends and changes in
perspectives, Louder Than Bombs is the kind
of multi-faceted, ambitious, incompletely resolved American drama that American filmmakers never seem to get around to making: novelistic in subject and structure, but completely
cinematic in the way it expresses itself, even if Trier's camera style never rises to the sophistication
of his influences.
By focusing on fighting from a 2D
perspective Namco and ArcSys allow the hallmarks
of the series to shine, with flashy special moves and
cinematic camera angles all designed to wring every last drop
of nostalgia from Dragon Ball fans — with those same scenes so well crafted that they might even imprint on first - timers in the same way the original show did.
These superficial descriptors
of perceived quality evince an all - too - common
perspective from younger filmmakers on a form
of hard - edged cinema that values narrative jolts above the meaningful creation
of a
cinematic world.
The abrupt shift in tone and
perspective cause a sort
of cinematic whiplash.
Fincher moved into knottier territory, as you've noted, with The Game and Fight Club — both have a
cinematic perspective that mimics the protagonist's understanding
of reality, which is revealed to be dangerously incomplete.
You look on at an overheard grid and move units about the map, and the camera swoops onto the battlefield to give you a
cinematic 3D
perspective of the unfolding battle.
Although Jennifer Tilly is trapped in the middle
of the plot as our delusional Norma Desmond, it's Mancini himself who plays that part: a
cinematic Luddite, he's latching on to long - obsolete concepts with all his might, minus any
perspective on the reality
of the situation.
Malcolm X (Spike Lee, 1992) and Lumumba (Raoul Peck, 2000) are discussed from the important
perspective of whether they represent racial - colonialist «appropriationist» or «assimilationist» narratives, and Bingham uses specific textual details (including
cinematic techniques), extensive background production research, and his own logical argumentation to substantiate his opinions on these significant issues.
Clear as that moral
perspective is, Lynch is not who one tends to think
of when it comes to
cinematic moralists — at least not to the degree
of, say, Robert Bresson (the patron saint
of Catholic transcendence) or The Coen Brothers (the demiurges
of Old Testament wrath).
Everything we have seen is about this game are
cinematic clips (cut - scenes for the game) have been
of Arbiter and Locke, little to zero focus on seeing things through the
perspective of Master Chief other than the reveal almost 2 years ago.
In terms
of in - game storytelling, the game has been crafted well, often flowing straight between gameplay and
cinematic, sometimes taking you into a first - person view in certain situations, which gives you a more personal
perspective in certain events.
and the new epic action - adventure from Universal Pictures, we felt it was important to capture some
of the
cinematic drama while allowing players to experience the action from a unique
perspective,» said David Oxford, Activision Publishing.
Each designer (Kojima, Nakamura, and Tajiri) was at full - stride in their careers, so it's interesting to hear their different
perspectives: the emphasis on
cinematic devices and themes from Kojima (who was working on Metal Gear Solid at the time) contrasts sharply with Tajiri and Nakamura's more «traditional» conception
of design as rules and gameplay.
It gives a lot
of different
perspectives and how you're able to switch between the two and play while there's beautiful
cinematics going on the TV screen.»
Despite improvements, the graphics are still that
of an RTS and don't look particularly great up close, making the decision to include in - engine
cinematics from the top - down
perspective feel a bit odd.
EM:
Perspective wise, we watch the game from above the characters, and I notice in some
of the early gameplay that cameras would shift quite a bit while moving between areas, so what do you see as the key to smooth transitions in
cinematic play?
It looks to me like Chris evaluates videos and animations
of «gameplay» and directs people to fix things based on
cinematic happenstance instead
of mechanical and programmatic functionality from a gameplay
perspective.
They explored fiction, the
cinematic gaze, pleasure, and power from the
perspective of gender difference in society, anticipating some
of the most interesting art
of today.
Thick layers
of paint and loose washes illustrate skewed
perspectives and irreconcilable space, inspired by the
cinematic imagery
of Dick Bengtsson.
These imagined derelict buildings — once so full
of life — are hauntingly depicted through the use
of light, a subtle colour palette and a
cinematic perspective.
Blending 19th century Italian Realism with contemporary photorealism and Renaissance art techniques, Matteo's
cinematic perspectives and eerie light effects suggest the presence
of previous inhabitants and their former lives.
/ performances 2017 Audible Edge Festival, Tone List and Tura New Music, Perth 2016 Everyday Machines, curated by Tom Smith, Alaska Projects, Sydney 2016 NOW now series, 107 Projects, Sydney 2016 Pretty Gritty series, 107 Projects, Sydney 2016 Electrofringe: New Terrains, Top Floor at Wellington, Sydney 2014
perspectives [temporal], solo audio - visual concert, Perth Institute
of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival
of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute
of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014
Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute
of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Perth