Sentences with phrase «of cinephilia»

The journal's particular brand of cinephilia is obsessive but inclusive; it does not contain citations like fellow film journals Rouge or La Furia Umana, and words like «intertextuality» and «heteroglossia» are not thrown around.

In a review of a book on the history of cinephilia, Mas Generis writes: Cinephilia, is the condition of a sexual attraction to movies.

Peppered with remarks from Disney artists of old, it's an extremely amiable slice of cinephilia and really the sum total of the remaining extras.

The glory of Cannes — and of cinephilia in general, for that matter — is that you never know for sure from which direction the long - awaited lightning bolt will strike.

Either way, from then on, I was hooked on and doomed to a life of cinephilia.

BRUCE GOLDSTEIN By Kent Jones The repertory programmer of New York's Film Forum talks about life in the trenches of cinephilia

Host Eric Hynes talks to French auteur Olivier Assayas (Carlos, Summer Hours) about visual style, the paradox of cinephilia, and the connections between cinema and real life.

2016 definitely wasn't my first year of cinephilia, but it feels in many ways like the first concrete step towards it becoming my all - consuming passion.

That great wave of cinephilia from the sixties and seventies got less intense, so a lot of the older shows were forgotten.

Jonathan Rosenbaum In the late Nineties and early Aughts, the Chicago Reader film section was a major hub of cinephilia's online landscape.

Kehr observes that the culture of cinephilia «used to be about, for instance, hanging out in the lobby of the Museum of Modern Art and starting a discussion or argument.»

This conflict of motives tended to be allegorized in the privileged objects of cinephilia.

The promise of cinephilia is found in the potential of images to have an effect that does not conform to our preconceived ideas or expectations.

Pearl Vision (2012), a video that Leckey produced during a residency at the Hammer Museum, exhibits a similar kind of cinephilia, but in Leckey's case the desire isn't so much for film itself but for digital video's capacity for analysis and capture.

In fact, Naremore's work involves unifying this brand of cinephilia — what Jonathan Rosenbaum once referred to as «maniacal, unreasoning» cinephilia — with the critical theories and cultural studies that have dominated academic film discourse.