Is it a playful allusion to the impermanence
of Classical materials and the oft - idealized historical representations of the female body, or is it a bizarre new sales approach at the vase store?
The other pivotal figure was Louise Bourgeois, who had inspired Capote through her use
of classical materials like marble and bronze to express interior states of mind.
Not exact matches
In a word, the character
of our student clientele and the changes within scholarship alike make our adherence to the
classical paradigm
of the historical - critical method problematic, and invite us to think
of new ways in which to engage our students in critical reflection on
materials they may be meeting for the very first time.
Furthermore, the
classical physics
of Galileo, Descartes and Newton, basing itself on this common sense view
of matter, portrays nature as made up
of hard, impermeable
material particles or mechanisms obeying immutable physical laws.
The aim is, for the teacher, «covering the
material»; for the student, speed and accuracy in «information retrieval,» The rigid application
of this paradigm is well illustrated by the teaching
of classical languages in the nineteenth century.
Ordinarily one would not regard the great national epics as scriptures though, in the case
of the Iliad and the Odyssey, they come close to forming at least an equivalent
of scripture for the Greek people, and to students
of Greek religion they provide a rich mine
of material with reference to the gods
of classical Greek religion.
Unlike the pagan religions
of classical antiquity, e.g. ancient Egypt and the Far East, Christianity does not seek to explain the physical phenomena
of the
material world as a dramatic struggle between warring gods and goddesses, i.e. μυθος (myth).
Nevertheless, every thoroughgoing metaphysics must assume or assert some eternal reality or realities, whether it be God in
classical theism or the
material universe in Marxism or the God - inclusive -
of - the - world
of Hartshorne.
Further, in the
classical eighteenth century doctrine
of space, space was conceived as a container, in which the physical
material substances exist and move, itself, however, neither affecting the substances nor being affected by them.
In addition, when exposed to such hoary doctrines
of some
classical Eastern religions and philosophies as that
of the fundamental unreality or illusory character
of the entire
material world and that
of the all - encompassing reality
of God, the average Westerner can only respond with astonishment and incredulity.
The «
classical», idea
of effective interactions was that
of simple
material causality, with one or two causes producing one or two effects in a simple linear manner.
[4] Furnish showed that Paul was a critical and selective user
of contemporary
material, that his exhortations are significantly different from
classical paraenesis, and that his specific ethical teaching is inseparably linked to his theological teaching.
I also have forthcoming articles, which discuss the
classical debates around the role
of ideas in social change in the tradition
of the Left and sketch an alternative approach that is critical towards determinism — the idea that human agency can be predicted by external
material forces — but avoids falling into the common idealist trap when one tries to rehabilitate human agency.
As a foundational study, the research team investigated superionic ice treating the ions as if they were
classical particles, but in future studies they plan to take quantum effects into account to further understand the properties
of the
material.
«It is «plastic
material» in the
classical meaning
of the word,» Vezzosi says.
They suggested that three different stellar observations — bright
classical nova explosions, dwarf nova outbursts and an intermediate stage where a white dwarf is not stealing enough
material to erupt — are all different views
of the same system.
So far, the basic question — how do these
materials carry current without resistance at temperatures much too high to be accounted for by the
classical model
of superconductivity?
They do not compete nude like
classical Olympians: they wear running shoes, they box with gloves, they vault on poles
of space - age
materials.
All these
materials fall under the heading
of «quantum
materials,» ceramics, layered composites and other
materials whose electromagnetic behavior can not be explained by
classical physics.
«A
classical framework doesn't apply to this complex system,» said Sankaranarayanan, who helped to create complex models
of the perovskite's behavior at Argonne's Center for Nanoscale
Materials and Argonne Leadership Computing Facility, both DOE Office
of Science User Facilities.
The
material of their choice, the compound Ag2BiO3, is exceptional for two reasons; on the one hand it is composed
of the heavy element bismuth, which allows the spin
of the electron to interact with its own motion (spin - orbit coupling)-- a feature that has no analogy in
classical physics.
For example, the
classical equations used to predict the performance
of such
materials have indicated that the logarithm
of the reaction rate should vary linearly as voltage is increased — but experiments have shown a nonlinear response, with the uptake
of lithium flattening out at high voltage.
Ryu ponders
materials beyond the scope
of classical physics at the University
of Illinois at Urbana - Champaign.
A challenging topic
of research has been the application
of classical thermodynamics to out
of equilibrium systems, e.g., granular gas and
materials, the construction
of phase diagrams in hard sphere packing in 3D, and plasma.
At about 50 qubits, many say a quantum computer could achieve «quantum supremacy» and do something beyond the ken
of a
classical computer, such as simulating molecular structures in chemistry and
materials science, or solving problems in cryptography.
The
material is an amorphous steel alloy, a promising subclass
of steel alloys made
of arrangements
of atoms that deviate from steel's
classical crystal - like structure, where iron atoms occupy specific locations.
According to Alex Parker, one
of the people responsible for the discovery
of 2014 MU69, the object «belongs to the «Cold
Classical» Kuiper Belt, a population that appears to be a surviving remnant
of the disk
of material from which the planets formed.
Researchers are investigating whether these particles may have formed in
classical novae explosions, ejecting stellar
material in the form
of gas and dust into the space between stars in the galaxy, eventually to be recycled in the creation
of our solar system.
Recent analysis
of 2006 SQ372, Sedna, and related object 2000 OO67 — all three dynamically linked to the inner Oort Cloud — indicate that a surface composition enriched in organic
material (like the low - inclination,
classical Kuiper Belt objects) may be a general characteristics
of objects that stay far from the Sun (Scott S. Shepard, 2009).
There isn't a great deal
of original
material here — even when not quoting Mozart, Bernstein manages to build in an interpolation
of Elgar's «Pomp and Circumstance» and a couple
of other cod -
classical moments.
He has a knack for this kind
of fantastical
material, as it brings out his kindness toward his characters and gift for
classical storytelling.
There is a rising amount
of local and regional companies which provide products and
materials for online courses and exam preparations, the
classical fields
of mLearning.
Yes, arts learning may have social and moral and professional benefits, but if people don't value the
materials of the fields themselves — if they can't say that if High School X doesn't acquaint students with Renaissance painting,
classical music, and modern dance, its graduates will be undereducated — then arts educators lose in the competition for funds and hours in the day.
Most
of those were selective - enrollment schools in CPS, including Skinner North
Classical School, where, on a recent day this month, fifth - graders were working on sixth - grade
material in social studies, weaving in the literacy goals and nonfiction text
of the Common Core standards.
In
classical physics a constant measure expresses the property (magnitude)
of a quantity, such as the quantity
of matter, which may also be called quantity
of material substance and was called the mass
of the body.
Pet Supplies Digital kitchen scale (up to 10 lb capacity) Pet heating discs Kitten bottles Stretch and Scratch Cat scratchers for cat condos Kuranda Dog Beds Shelter Certified Pet Beds Kitty Cots Martingale collars with buckle (various sizes) Sense - ible harnesses (various sizes, but especially small, medium, and EXTRA large) Stuffed animals (8 ″ or less) Towels (bath sized or larger) Laundry detergent Liquid dish detergent Litter pans (small size) Large bird cage suitable for macaws Cat litter (non-clumping) Yesterday's News, Carefresh, Feline Pine or other pelleted litter Dog and cat nail clippers Silverware — for serving canned food Q - tips Rubbing Alcohol Blankets Bleach Havahart traps Skeins
of yarn to make cat blankets Blankets for cats: made
of yarn or fleece
material, 2 ft. x 2 ft., no fringe CDs
of classical music, light jazz or nature sounds Plastic storage bins Liquid cooking extracts (coconut, vanilla, lavender) Four - cup paper holders / trays (from fast food restaurants) to make puzzle toys for dogs Heavy duty utility carts (Click here to see on our Amazon Wish List) Pet Toys (must be non-toxic & easy to disinfect)
In contrast to the occasionally faux and low - budget neo-eclectic detached homesteads, the term New
Classical Architecture identifies contemporary buildings that stick to the basic ideals, proportions,
materials and craftsmanship
of traditional architecture.
This $ 60 million resort on Nassau's Cable Beach inspires with its
classical design and architecture, the quality
of the
materials, the lush setting and the lavish attention to detail.
Moving between a graphic sensibility, an interest in creation myths and the use
of found
materials and detritus, the artists reference various
classical tropes
of blackness as sites
of origin — fantastical and performed, important yet perhaps illusory.
Within two decades, she exchanged the language
of classical sculpture with an idiosyncratic lexicon
of new shapes, unusual
materials, processes and themes that held a dialogue with the contemporary art scene and her own biography.
Her work addresses how the historical can be used as a
material to address contemporary conditions such as loss, the swipe, the flatness and limitations
of an image, emotions in
classical sculpture, the use
of models, muscle aches from using a computer, color as a language, and the democracy
of materials such as clay.
Ephemera installed throughout the exhibition by Allison Rudnick, the department's assistant curator, supplied a sense
of material culture on the home front: a group
of nine chromolithographic postcards from several nations shows zeppelins looming cartoonishly over iconic landmarks, and two examples
of printed cotton toiles de guerre from 1916, combining French patriotic and military motifs with a
classical ornamental vocabulary.
A true product
of a multicultural society in Ptolemaic Egypt, this statuette combines a
classical image
of the Greek goddess Aphrodite appearing from the sea, just born, with the typically Egyptian
material, faience.
With the intention
of creating work that could assume a direct
material and physical «presence» without recourse to grand philosophical statements, he eschewed the
classical ideals
of representational sculpture to create a rigorous visual vocabulary that sought clear and definite objects as its primary mode
of articulation.
«East - West / West - East towers with the grandeur
of Stonehenge or the ruins
of a
classical city,» wrote Hyperallergic, «and more than any work
of Serra's I've ever encountered it establishes an organic relationship to its surroundings, the steel plates as much a reference to the earth's elemental forces and
materials as they are to human industry.»
TRIBECA & SOHO & NOHO & EAST VILLAGE & MURRAY HILL 100 Painters
of Tomorrow / 23 Warren / thru 12/6
Material Way curated by Kathleen Kucka / BMCC — CUNY / 81 Barclay / thru 12/1 Carey Denniston / Kansas / 59 Franklin / thru 12/20 Anton Perich / Postmasters / 54 Franklin (new location) / thru 11/22 Terry Winters / The National Exemplar / 381 Broadway @ White — suite 206 / thru 12/31 Bianculli's Personal Theory
of TV Evolution organized by David Bianculli / Apexart / 291 Church / thru 12/20 Seokmin Ko; Elena Berriolo / API / 434 Greenwich / thru 12/20 Basim Magdy; Daphne Fitzpatrick; Will Yackulic / Art in General / 79 Walker / thru 1/10 Mohammed Kazem / Grahne / 157 Hudson / thru 12/20 MFA Thesis Exhibition (Part I) / Hunter / 205 Hudson (on Canal) / thru 11/22 Ariel Orozco / Brownstone / 3 Wooster / thru 11/22 Design Series / Swiss Institute / 18 Wooster / thru 11/23
Classical Nudes / Leslie - Lohman Museum / 26 Wooster / thru 1/4 Roy Lichtenstein / Feldman / 31 Mercer / thru 12/20 Opening 11/22 Pedro Cabrita Reis / Freeman / 140 Grand / thru 12/20 Sam Samore / Team / 83 Grand / thru 12/21 Opening 11/23 Tim Noble & Sue Webster / Geiss / 76 Grand / thru 12/20 Chris Domenick / Recess Activities / 41 Grand / thru 12/20 Smoothie Social: 11/22 (3 - 6 PM) Performance: 12/18 (6 - 8 PM) Prime Matter / Senaspace / 229 Centre / thru 12/6 Thread Lines; Xanti Schawinsky / Drawing Center / 35 Wooster / thru 12/14 Open Sessions 2 / Drawing Center: The Lab / 35 Wooster / thru 12/14 Opening 11/21 Andreas Schulze / Team / 47 Wooster / thru 12/21 Opening 11/23 Phillip Chen, etc. / Museum
of Chinese in America / 215 Centre / thru 3/1 Nadja Frank; Jessica Segall / Denny / 261 Broome / thru 12/7 Paul Cowan / Clifton Benevento / 515 Broadway / thru 12/20 Mitsuko Miwa / Longhouse / 285 Spring / thru 12/6 Reuven Israel / Fridman / 287 Spring / thru 12/20 Plasmatik: K.K.Thoen, G.Kroenert, S.A.March, T.Francke, S.Tufnell; curated by N.Kates / Melissa / 102 Greene / Opening 11/20 (7 - 9 PM) Social Photography IV / Carriage Trade @ Harvey Foundation / 537 Broadway / Closing Reception 11/22 (6 - 9 PM) The Right Amount
of Wrong curated by Lovina Purple / ISE Foundation / 555 Broadway / thru 12/19 Ernesto Burgos / Werble / 83 Van Dam / thru 12/20 Suzatte Bross / Geary / 185 Varick / thru 12/6 Amy O'Neill / Karma / 39 Great Jones / thru 12/6 Alex Kwartler; LeRoy Stevens / Karg / 41 Great Jones / thru 11/26 Learn to Read Art: A Surviving History
of Printed Matter / 80WSE / NYU / 80 Washington Square East / thru 2/14 Opening 12/2 Reception 12/12 Ernest Cole / NYU Grey Art Gallery / 100 Wash..
«Invocations
of the Soul» will feature over twenty - five new works in marble and bronze, demonstrating Atchugarry's continued innovation in these
classical materials.
Attuned to the history
of his medium — and its resolute physicality — and inspired by
classical American landscape photographs, Brandt traverses the West, photographing and collecting
material samples from nature and cities.
Where there's little modeling in work by Leon Golub and George Cohen, Lerner's paintings and drawings have always had a sense
of volume, and his work since the 1970s has continued to tap similar mythic and metaphorical
material (mummies, hanged or tortured figures) but in a more
classical figurative style.
Indeed, the gorgeous «Edge
of Town» (1969) blends the absurdity
of Guston's newfound characters with
classical monumentality and the wet - into - wet cross-hatching
of his elegant abstractions, creating a sui generis amalgam
of image, mood, and
materials.