Sentences with phrase «of classical painting with»

The exhibition is centered around the idea of renewing figurative painting by implementing traditional methodologies of classical painting with digital CGI software.

Rashid Rana from Pakistan, represented by Leila Heller Gallery, showed large C - prints of classical paintings with oriental subject matter and opulent still - lives that have been rephotographed, overlaid by a digitally produced grid and partially obscured.

Not exact matches

Cincinnati, Ohio About Blog Easy - to - follow, step - by - step tutorials on how to paint with with oil, covering a variety of topics including classical underpaintings, glazing, surface treatments and building up the paint for texture from Artist's Network.

Chilean - born Ruiz is a director whose love of storytelling and narrative play is often more engaging than the films themselves but with Mysteries of Lisbon, an epic based on a classic Portuguese novel (one yet untranslated into English), his engagement with the characters and their defining stories guides his direction, and his graceful camerawork and unerring eye for images both classical (like paintings in a cinematic frame) and fluid (his camera moves with purpose and grace) are in the service of the trajectories of the characters.

Yes, arts learning may have social and moral and professional benefits, but if people don't value the materials of the fields themselves — if they can't say that if High School X doesn't acquaint students with Renaissance painting, classical music, and modern dance, its graduates will be undereducated — then arts educators lose in the competition for funds and hours in the day.

Cincinnati, Ohio About Blog Easy - to - follow, step - by - step tutorials on how to paint with with oil, covering a variety of topics including classical underpaintings, glazing, surface treatments and building up the paint for texture from Artist's Network.

The area produces traditional musical instrument, silver, clothes, and also well known with the classical wayang painting of Kamasan which has rich full meaning of religion art.

Cincinnati, Ohio About Blog Easy - to - follow, step - by - step tutorials on how to paint with with oil, covering a variety of topics including classical underpaintings, glazing, surface treatments and building up the paint for texture from Artist's Network.

Painted under strongly directed artificial light using everyday synthetic objects — such as plastic fruit, paint brushes, and jugs — these observational works explore the qualities of balance, stillness, and structure that we associate with the classical composition.

They are a synthesis of Indian miniatures painted with precision and delicacy and Western classical architecture inspired by Carlo Crivelli's The Annunciation in the National Gallery, London.

Of course, in classical painting, the artists are also often closely observing a scene in front of them, but with observational painting, the act of looking is given primacOf course, in classical painting, the artists are also often closely observing a scene in front of them, but with observational painting, the act of looking is given primacof them, but with observational painting, the act of looking is given primacof looking is given primacy.

While classical painting tends to be more associated with the atelier movement, observational painting has a strong foothold in various «studio schools» as well larger and older art institutions such as the Pennsylvania Academy of the Fine Arts and the Maryland Institute College of Art.

These works take the classical mediums of painting and dance and present them with the inner emotion and knowledge of a dancer as well as a fresh contemporary eye of an artist.

Sikander's pioneering practice takes classical Indo - Persian miniature painting as its point of departure and challenges the strict formal tropes of the genre by experimenting with scale and various forms of new media.

Hartung's dark room installation includes two elements — a lighted fish tank sitting on top of a metal cabinet with a paper image of two classical portrait paintings, and a fifteen - minute video projection titled The Ascent of Man.

With astute technical resolution, Gutierrez is easily able to address a golden age of classical painting while dealing with story lines of Evolutionary PsycholWith astute technical resolution, Gutierrez is easily able to address a golden age of classical painting while dealing with story lines of Evolutionary Psycholwith story lines of Evolutionary Psychology.

Eisenman's work is variable, ranging from colored abstract compositions to realist works created in the classical style, and she has consequently proven herself compotent in and comfortable with all facets and styles of painting.

From «Mother» (2017 — 2018), three new large - scale oil paintings, which borrow their imagery from Disney films, are shown in conjunction with a painted steel sculpture of a female nude in a classical twisted pose.

HH: My worst nightmare is a Will Cotton painting showing femininity in some way, but I think somehow John Currin plays with these classical female forms and I'm attracted to those paintings, so I feel like, how do I react to the representation of that?

For the exhibition Portrait Gallery in Genova, the artist will show a new series of works; the installation situates the paintings, with their brooding and centripetal masses, in dialogue with the rooms of the villa responding to its monumentality and mimicking the classical display of a picture gallery.

Forgive Me Father, For I Have Painted (2011) is a series of paintbrushes and tubes of acrylic enclosed in clear resin, which responds to contemporary art's fascination with new media, often at the expense of classical painting techniques.

Additionally, the complex network of lines in a Pollock or a de Kooning, however chaotic they may seem at first glance, form a perfectly enclosed system, one that is not inconsistent with the compositional history of classical European painting.

Her works are often constructed on a grand scale; with narratives of destruction and hope, they are in dialogue with classical history paintings.

Although her work results from deep observations of the history of painting — from Velasquez, Rembrandt, Caravaggio and Cezanne among others — her personal vision transcends classical notions of genre and narrative as she invites viewers into a delicious domain of confident brush strokes with a new aesthetic.

In this class students will be painting the model from life using a blend of classical and contemporary techniques with an emphasis on drawing elements and color mixing.

Those images combine the commercial and classical as icons of art history are juxtaposed with contemporary painting, commercial illustration, photojournalism, and three - dimensional household items.

Nature was one of the central issues, approaching, with his paintings, to the classical teachers of naturalism and romanticism of the nineteenth century.

With a remarkable technique, John Currin depicts women that often look like the subjects of classical paintings, yet have odd proportions, perhaps like caricatures, that take you by surprise yet make you not be able to look away.

Formerly in the collection of Jacques Doucet, it is one of a series of paintings Picabia made between 1921 and 1923 in which the ancient ideal of classical beauty is combined with geometric abstraction, and it is housed within its original Pierre Legrain frame.

A new series of paintings feature classical iconography entwined with intersecting lines and geometric shapes rendered in gold.

Rousseau, Victor, (France, 1865 - 1954), Patinated Bronze Depiction of Two Classical Maidens, modeled seated with an infant to one side, inscribed signature and painted foundry mark, J. Petermann, More...

With the aim of drawing attention to the lack of racial diversity through the history of painting, Awol Erizku creates photographs, paintings, sculpture, and video installations that evoke classical artworks whose subjects are replaced with models of coWith the aim of drawing attention to the lack of racial diversity through the history of painting, Awol Erizku creates photographs, paintings, sculpture, and video installations that evoke classical artworks whose subjects are replaced with models of cowith models of color.

While teaching at the Bauhaus school in Germany during the 1920s, Paul Klee, a trained violinist, often composed paintings with the organization of classical music in mind.

Rooted in classical Indo - Persian miniature portraiture painting, Shahzia Sikander's artistic practice expands the strict formal tropes of the genre through experimenting with scale and new media.

«When you see photos of his apartment, you see that his furniture is quite classic and not particularly harmonious,» recounts Flavie, with a smile: «It's great because the paintings are super contemporary but in Louis XVI frames among very classical furniture... It showed potential clients with classical tastes that they could still buy contemporary works.»

Filomeno's practice combines classical painting with the traditional craft of embroidery; the results defy and transcend both.

At the Carnegie, there were paintings around a balcony and her sculptures were one top of a sort of balustrade where they blended in with other classical sculptures.

The work is as calm and classical as his many of his early paintings were stormy and scatological: a listing of Hellenic sculptors against a deep blue background with planet - like discs.

In Pace Hong Kong's inaugural exhibition, the artist used the formality of oil painting on paper, integrating the Western notion of Surrealism with the Eastern conception of classical art.

David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezePaintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings reimagine the still life as a chance freeze - frame.

Bowdoin received her BA from Brandeis University (Waltham, MA) in visual arts and classical studies and her MFA from the Tyler School of Art (Philadelphia, PA) with a concentration in painting.

Multilayered yet possessing a classical order, the resulting paintings marry the immediacy of collage with Romantic grandeur.

The work shown in Merge Visible opens a new discourse for Loesch with a series of large and small - scale paintings which explore the interplay between digital imagery and classical painting technique.

Combining classical influences with Neo-Expressionist features and processing themes such as sexuality, obsession, suffering, death and belief, Schnabel plays with both abstraction and figuration with the use of found materials, fragments of language, paint, and digital reproduction.

Maggi Hambling grapples with war, Jo Baer's dream - like paintings and a rethinking of classical art

The lyricism and careful composition of her work has been compared to the classical Indian Ragas, but with their high keyed color and keen energy the new paintings could as easily have spilled from a steamy «Bollywood» romance.

Artist Eisen Bernardo combines well - known classical paintings with album covers for his collection of «mashups».

Dunne notes that Miller, «a professional mathemetician... very quickly... came to look on [painting] as a distinct language in itself, a language that is coherent, self - consistent, formally rich and infinitely flexible, and he applied his mind to its problems... As with Corot, he looks not to classical narratives but to the immediate fact of the landscape.

Rooted in the craft of sculpture and paint, it rises from intertwining everyday objects in all possible and surprising ways, but still with a formal reference to the history and tradition of classical art.

Paul Delvaux: Inspired by the works of Giorgio de Chirico, Belgian artist Paul Delvaux (1897 - 1994) became associated with Surrealism when he painted illusionary scenes of semi-nude women sleep - walking through classical ruins.