Not exact matches
Moreover
classical mythology inspired then his
sculpture art, like in the famous Greece
classical figure
of Orpheus; he
made several
sculptures of Orpheus.
The
Sculpture program at PAFA embraces contemporary and classical approaches across a broad range of art making — from traditional figurative sculpture to video and installa
Sculpture program at PAFA embraces contemporary and
classical approaches across a broad range
of art
making — from traditional figurative
sculpture to video and installa
sculpture to video and installation art.
Rather than being drawn to a specific style
of the past (he has utilized reproductions
of paintings by Lorenzo Lotto, Nicolas Poussin as well as
Classical sculpture), Paolini is «attracted to the myth
of the why, why one
makes art.»
His use
of classical figurative techniques with a honed attention to aesthetics
of form and surface — such as in the velvety finished concrete or waxed iron patina surfaces
of his
sculptures — reflect an embrace
of the
making of objects that seems refreshingly out
of step with the digital era.
These
sculptures build on my longstanding interest in refracting the language
of classical art to
make it relevant to contemporary culture.
Quinn's series
of new works
make direct reference to
classical sculpture and the disembodied body parts appear to be ambiguously loving, fighting, holding or supporting.
The show comprised five
sculptures each
of which was
made using a similar process to his earlier works: images
of classical and Modernist art objects found on the Internet were rendered, via a computer, as basic three - dimensional models.
Thanks to support from the Art Fund, three
of the works are now
making their UK debut at Sir John Soane's Museum, as part
of the exhibition Power in Woman, which draws parallels between Sir John Soane's
classical plaster casts and Lucas's
sculptures.
Yves Klein (1928 - 1962) loves deep blue and Lot 241, «Venus Bleue,» shows what happens when you take a
Classical sculpture of a woman's torso and
make a very fine plastic
sculpture of such a form and cover it with dry blue pigment in synthetic resin instead
of lustrous white marble.
Lick and Lather by Janine Antoni (1993) consists
of 14 busts
of the artist — seven
made from chocolate and seven
made from soap — and questions the idealising tradition
of classical sculpture.
Made of polycarbonate, the
sculptures are coated with graphite, giving them the look
of classical works — which
makes them all the more disturbing, due to the contrast between the technical beauty
of the pieces and the ugliness or weakness that they so often depict.
In the days when the notion
of sculpture has been extended with ready -
made objects, installations or virtual
sculptures, Tony Cragg consistently promotes its
classical understanding.
Second, he set his sights on generating a new set
of aesthetics: dissatisfied with intellectual, high - brow fine art (the sort represented by abstract expressionism and
classical sculpture), he wanted to promote more accessible types
of art,
made from everyday objects, which ordinary people could relate to without difficulty.
David Choi's Jumbo, a giant flowered piranha is a tour de force
of epoxy and man -
made materials, the
classical sculptures carved out
of Polystyrene insulation by Morgan Herrin put sensation sculptor Marc Quinn's 2005 exhibition The complete Marbles at Mary Boone to shame, (not that this is overly difficult, but Quinn did receive a baffling number
of positive reviews for a very easy show) and Brian Basnett's tiny soft
sculptures made from found plastics are whimsical, but not at the expense
of being personal and warm.
Weightless looking, but quite solid, the
sculptures» illusion
of buoyancy mimics the dynamism
of classical sculpture that somehow
makes marble look like striving human bodies, and perhaps deflates that idea.
Best known for his monumental black - painted steel
sculptures composed
of complex arrangements and combinations
of classical geometric forms, Tony Smith would often
make smaller bronze versions
of his large - scale outdoor
sculptures.
Greeting the viewer at the door, Jon Pylypchuk's
sculpture «allright I guess I can't be sincere to you anymore» is simply the sum
of its parts: a figure on a pedestal
made with tennis rackets and lightbulbs for eyes; Keith Edmier's «Medea» is cast from pink dental stone and rises from the exploded kiln
of the late artist Lowell Grant; Sean Landers» casts a beautifully menacing god Pan; Heimo Zobernig «s take on the
classical contrapposto is a 3D composition
of three
sculptures; bulky, elegant and graceful, Georg Herold's «Brown Betelgeuze is a beautifully imagined bronze
of the second - brightest star
of Orion.
She is known for photographing
sculptures and three - dimensional still - life assemblages
of her own
making, [2] some
of which she destroys after the photos have been taken, as well as for creating images
of classical figures and architectural details and their relationship to space.