Sentences with phrase «of color lithograph»

23 color monotype with collage of color lithograph on Arches paper, ed.

A unique example of a section of color lithograph including hand editions by the artist, collaged on a support board.

In 1913 Kandinsky produced a series of color lithographs and prose poems Klänge (Sounds) and took part in the first Herbstsalon (Autumn Exhibition).

To commemorate the two consecutive exhibitions, David Zwirner Books is publishing a fully illustrated catalogue called Josef Albers: Midnight and Noon — a title that nods to Albers» 1964 series of color lithographs, which brought together two opposing colour sets (blacks and greys and an array of yellows) in a single portfolio.

Not exact matches

This unique Hellcat will feature one - off Stryker Red paint (a color previously reserved for the iconic Viper), exclusive Hellcat badging, a video documentary, an electronic vehicle build book, still shots of the manufacturing process, a Hellcat embossed Laguna leather iPad sleeve, a signed Hellcat lithograph, and a specially designed «birth - certificate.»

They were hung adjacent to a Kelly lithograph, establishing a connection between music packaging and geometric abstraction, and providing an example of the kind of single color shape that Jones used throughout her exhibition.

Academy Records, Skip Softly My Moonbeams, 2015, 4 - color lithograph, 30 x 22 inches, Courtesy of Academy Records

The lithographs are constructed of fragmented and juxtaposed images depicting various brightly colored icons, including tire tracks, stairs, nails, stars, orbits, and the American flag.

Edgar Degas's iconic aristocrats and dancers appear reproduced and drained of color in Sherrie Levine's suite of lithographs After Degas.

Other noteworthy inclusions were Frédérique Loutz's exquisite artist's books made from a single folded sheet of paper; a giant display of lithographs dwelling on contemplation, traces and loss, from conceptual artist Marie - Ange Guilleminot's ensemble Nuancier (Color Chart); Mélanie Delattre - Vogt's fine lithographic drawings, based on culinary images from a 1970s freezer manual where disembodied hands cut up squid, duck, pig and bunches of rhubarb.

The Hole in the Center of the Clock, 2007 8 - color lithograph 42 1/2 x 27 inches Edition of 60 Signed, numbered, dated and titled in pencil ROSE013

Theodore Roszak, Dream of Fair Women (1973), lithograph in black, hand - colored with colored pencil, image 19 x 25 inches.

The three color lithograph was hand drawn and proofed by the artist with the assistance of Paul DeRuvo last summer.

Mel Ramos Senorita Rio, 1964 (from One Cent Life) Lithograph in colors on thick wove paper 16 x 22.75 inches (40.64 x 57.79 cm) Edition of 2000 Unsigned Center fold - line as issued.

Offset lithograph with collage of colored leather samples.

Raymond Pettibon Plots on Loan I, 2000 Suite of ten color lithographs 19 5/8 x 13 1/2 in.

Once Webster approved the lithograph impression, a variety of color combinations were developed until the final selection of 10 colors was reached to completely fill in the composition, requiring three carborundum aquatint plates.

Lithograph, linocut, and screenprint in colors with hand - coloring and collage, on wove paper, 1984, signed and dated in pencil, from the numbered edition of 60 (there were also 10 ar...

This Suite of Twenty - Seven Color Lithographs, charged with remembered Provençal light, relies on an iconography derived from signage in a palette of primaries, offset by some of the most idiosyncratic tertiary colors of his career.

Some of his lithographs build upon on no less than ten different color plates.

One of 38 original lithographs (23 in color) illu...

Be sure not to miss an intricate and fantastical woodblock and lithograph edition entitled Monkey Biz by Duke Riley at Graphicstuide / USF; seminal prints by prominent American Pop artists Roy Lichtenstein and Andy Warhol at Gregg Shienbaum Fine Art; a visually hypnotic nine - color screen print by Jason Middlebrook at Flying Horse Editions; an impressive suite of etchings entitled The Caprichos by Emily Lombardo at Childs Gallery; striking figurative lithographs by American artist Robert Longo at Hamilton - Selway Fine Art; a bold woodcut by Royal Academy artist Eileen Copper at Rabley Contemporary Gallery UK; three - dimensional print sculptures by Lesley Dill and mixed media prints by Cuban artist Sandra Ramos at Tandem Press; a series of haunting portraits by the American artist Monica Lundy at Stoney Road Press / Ireland; colorful mixed media work by Stanley William Hayder at Susan Teller Gallery; subtle and contemplative photolithographic prints by Linda Schwarz at Wildwood Press LLC; and bold and colorful works by Alexander Calder and Chuck Close at Thomas French Fine Art.

At the time that he executed this first series of plant lithographs, for example, he was working on his first series of abstract prints, employing the vibrant colors and geometric shapes that would eventually define his career.

Ellsworth Kelly's striking work in lithography from the mid-1960s, Suite of Twenty - Seven Color Lithographs and Suite of Plant Lithographs, are presented along with two monumental paintings from the Museum's collection.

Image: Frances Flora Palmer, A Midnight Race on the Mississippi (detail), 1860, color lithograph with hand - coloring on wove paper, National Gallery of Art, Washington, Donald and Nancy de Laski Fund, 2012

Alexander Calder: An Outburst of Color will feature approximately 20 lithographs from the Museum's collection, many of which have never been exhibited to the general public.

The Hockney will be followed by three Alex Katz prints: two lithographs: Ann I (Est. $ 1,000 / $ 1,500) and Caroline ($ 700 / $ 1,000), as well as an unusual color spit bite and aquatint titled Beach Sandals, 1987 ($ 2,000 / $ 3,000) from an edition of 60.

Edvard Munch, Madonna, 1895, color lithograph, National Gallery of Art, Washington, Gift of The Epstein Family Collection, 2015.5.1

The design similar to this work, she has developed a site - specific spatial installation for the Kunsthalle Nuremberg, using wallpaper and brightly colored lithographs, which is entirely in the context of their claim, «to find a way to deal with painting different than previously dealt with it was».

Roger Shimomura (American, b. 1939) American Buddhahead, 2012 from the series American Knockoff color lithograph on white Arches cover paper 29 x 10 inches Collection of the Kemper Museum of Contemporary Art, Kansas City, Missouri Gift of the Lawrence Lithography Workshop in honor of the 20th Anniversary of the Kemper Museum of Contemporary Art, 2014.9 © Roger Shimomura, courtesy of the Lawrence Lithography Workshop.

Vuillard's interest in patterned surfaces and domestic intimacy led him to produce many of his most compelling works around 1900 in two radically different formats: on the one hand, large - scale paintings, conceived as decorative ensembles and commissioned for private, domestic spaces; and, on the other, intimate color lithographs, produced in series and destined for broader circulation.

Southwest Pieta, 1983 Color lithograph; 38 × 51 inches Collection of SMoCA, Segura Publishing Company Archive, Museum Purchase 1997.009.101 © Estate of Luis Jimenez Photo: Tim Lanterman

Frank Stella Ahab, 1985 — 88, from the series The Waves screen print, lithograph, linocut with hand - coloring, marbeling, collage on T. H. Saunders wove paper 73 5/8 x 54 5/8 inches Gift of J. Peter and Barbara J. Gattermeir, 2002.32.1 © Frank Stella / Artists Rights Society (ARS), New York

The pairing of two palettes — black, white, and grey and an array of yellows — stems in part from Albers's 1964 series of lithographs, Midnight and Noon, which brought together these two opposing color sets in a single portfolio.

ED RUSCHA Cold Beer Beautiful Girls, 2009 Three color lithograph 40 1/2 x 30 1/2 inches 102.9 x 77.5 cm Edition of 60 © Ed Ruscha.

Suite of four abstract leaves lithographs by Josef Albers, from folder XXV - 1, interaction of color.

Abstract leaves color lithographs, by Joseph Albers from the «Interaction of Color» portfolio, folder XXV - 6, circa 1color lithographs, by Joseph Albers from the «Interaction of Color» portfolio, folder XXV - 6, circa 1Color» portfolio, folder XXV - 6, circa 1960s.

First, thanks to a series of colorful lithographs of the shadows of palm trees called «A Place in the Sun (Shadows)» (all works 2009), marble surfboards (Mollusk [Portoro] and Mollusk [Rosa Portogallo]-RRB- installed on the balcony, and brightly colored yoga mats on the floor, the exhibition felt tropical — but for no apparent reason: This being Brussels, the effect was incongruous, or merely weird.

These striking lithographs feature images of maritime landscapes interspersed with more abstract brightly colored spiral shapes, investigating the formal and theoretical kinship between two great artists of our time.

This lithograph is an exuberant example of his later work, marrying a dynamic splatter of color — as much a hallmark of Gutai as of Jackson Pollock — to a geometric core.

It's characterized by a stylistic evolution that leads from the black of his early charcoal drawings and lithographs to the explosion of color in his later pastels and oil paintings.

La Alameda de Mexico — The Public Park of Mexico, 1848, hand - colored lithograph, 10 x 14 in.

A list of some of the processes, materials, and cameras used in A Fine Experiment reads like a grand catalogue of photography's means: offset lithograph, dye transfer print, Polaroid print, gelatin silver print, Cibachrome print, color - in - color print, photogram, photo collage, double exposure, cliché verre, contact print, large format, panoramic, 35 mm camera.

Robert Rauschenberg's large - scale color lithographs also take imagery and photos from everyday experience, but Rauschenberg combines the disparate imagery to reflect the commonplace of the world around us.

That said, though the Purple series are one - color lithographs, Double Grey Scramble was the result of 150 separate screen printings (Ken Tyler again, who would be Stella's partner in print until his recent retirement), an indulgence only viable for a blue chip artist for whom there was a ready market.

TOP IMAGE: CHARLES WHITE, «Sound of Silence,» 1978 (color lithograph on paper, 25 1/8 × 35 5/16 inches), Printed by David Panosh, Published by Hand Graphics, Ltd. The Art Institute of Chicago.

In the 12 color lithograph, Born, 2002, Smith revisits the theme of Ms. Red Riding Hood and the wolf.

In Violent, Violet, Vent, rhyming word patterns in Finish and English, bounce off language like the colors of the lithograph — its pale, purple flowers with the middle yellow tones in the background.

4 - color lithograph on Rives BFK paper 21 1/2 x 17 inches Edition of 62 signed and dated in pencil, numbered from the edition of 62 Literature Edward Foster, Robert Rauschenberg: Prints 1948/1970, Minneapolis Institute of Arts, Catalogue Number 52.

Color Grano lithograph on paper 36 x 28 inches Edition of 99 Signed and dated «99» by Jeff Koons in pencil lower right recto Numbered by the artist lower left recto Pristine condition, Unframed