Sentences with phrase «of commercial cinema»

We like to imagine Hollywood as a precision machine, with every million - dollar decision motivated by an enlightened blend of business savvy and artistic intent, while auteurs and producers battle it out in the honest assumption that their conflicts will create masterpieces of commercial cinema.

At a time when consumers of commercial cinema are offered romcoms that look like all the other romcoms, thrillers that look like all the other thrillers, classy period dramas that look like all the other classy period dramas, Slumdog Millionaire really did deliver the shock of the new.

If your date is an avid film fan, steer clear of commercial cinema and head to see an arthouse, independent or foreign film at Cinema Paradiso in Northbridge.

The Dragons and Tigers lineup is valuable as both an introduction to new films from young filmmakers and a snapshot of commercial cinemas of Asia, from South Korea and Japan to China and the Philippines.

The Dragons and Tigers line - up is valuable as both an introduction to new films from young filmmakers and a snapshot of commercial cinemas of the Asia, from South Korea and Japan to China and the Philippines.

Not exact matches

Much the technology is a preview of how virtual reality can support cinema through things like commercials and storytelling.

Wunder became «hooked» on the cinema in 1950 when his father took him to the premiere of George Pal's «DESTINATION MOON» Seminal films during Wunder's formative years as a critic were: The HORROR movies of the 1950's THE KILLING (1956) Dir: Kubrick VERTIGO (1958) Dir: Hitchcock ON THE BEACH (1959) Dir: Kramer MANCHURIAN CANDIDATE (1962) Dir: Frankenheimer 2001 (1968) Dir: Kubrick Wunder graduated from college in 1963 as an Electrical Engineer and immediately got a union job as an associate film editor for MPO, then, the largest producer of commercial and industrial films in the US.

Working about as far as possible from the commercial mainstream of the movie business, Costa has again made a singular docu - fiction hybrid that defies classification as readily as it reimagines the possibilities of cinema for the post-spectacle, post-theatrical era.

After a stellar career in student drama at Oxford, he had joined the BBC, but he was soon also writing film criticism and, in 1956, was one of the founders, along with Karel Reisz and Lindsay Anderson, of the Free Cinema movement, espousing a cinema free of commercial and political constraints and using a personal style to capture working - class life and popular culture, which had been ignored by traditional British cinema.

He accused critics, lost between the savage tastes of the public and their own self importance, of employing a cynical triple standard, giving a free pass to virtually all the Hollywood blockbusters, championing marginalised filmmakers from around the world, while ignoring or dismissing French commercial cinema.

For Martin, situated as it still is in the world of narrative - based commercial genre cinema, Passion forces us to ask challenge questions underscoring much of his book's subsequent argument and proposals:

Scholar Jeff Smith dives into this critically acclaimed gem in the latest episode of Observations on Film Art, exploring its playful experimentation with genre conventions and what it reveals about Altman's love - hate relationship with commercial cinema.

Irma Vep was made not long after Luc Besson's La Femme Nikita opened up new doors for a newly created brand of slick, Hollywood - inspired commercial French cinema.

One of American cinema's finest character actors, Dern, whose career took off in the Seventies, proved too eccentric, too unconventional to work as a mainstream leading man in commercial fare, but here he's wonderfully worthy of this auspicious lineage.

We tend to think of the French New Wave and its contemporary derivatives as low - budget black - and - white cinema, but in fact the French New Wave also included many bigger - budget films intended to make incursions into the commercial mainstream — movies like Godard's Contempt, Rivette's The Nun, Truffaut's Fahrenheit 451, Chabrol's A double tour (also known as Leda and Web of Passion), and Skolimowski's The Adventures of Gerard.

His ability to imagine and create the impossible in ways truly shocking, without compromise — a remarkable feat, given the commercial demands informing so much of cinema — is what binds the Cronenberg-esque to the Burroughsian.

Of my year's best, I only saw four in commercial cinemas — and then on limited art house seasons.

In Commercial Cinemas Réparer les vivants (Heal the Living, Katell Quillévéré, 2016) Perhaps my top film of the year — poetic, humane, intelligently structured (even improving on its source novel), and philosophically and morally thought provoking.

Focusing on his underseen films from the middle of his career, as Zhang transitioned from an enemy of the state towards state endorsed commercial cinema, MUBI pays tribute to... Read More

As commercial cinema goes, animation and live action are seen as divergent modes of filmmaking sharing the mutual goal of aesthetic cohesiveness; they only achieve it by different means.

Somehow, despite its focus on commercial cinema, a couple of outstanding art movies make it into FEFF every year.

Director Ryan Coogler's blockbuster will become the first film screened in Saudi Arabia theaters following the end of a 35 - year ban on commercial cinemas.

Yet even that project has more integrity than Haneke's: Van Sant managed to create something daring, a double - headed coin that functioned as both a crude commercial gambit and an experimental assessment of Hitchcock's cinema.

But it is salutary to note that only three of these films have had a commercial cinema release in Melbourne.

The majority of the following excitements in the cinema have been at official international film festivals, sometimes in the many national film events showing in commercial cinemas or occasionally a regular day to day release at more neighbourhood venues.

I did one of America's first cinema commercials (you have me to blame) and was interviewed about it on CNBC.

It is conveniently located in the heart of Miraflores, the most modern and commercial district of Lima.Close to cinemas, theaters, banks, churches, restaurants, cafes, supermarkets, shopping malls, travel agencies and other tourist attractions of the place.

The Hotel enjoys an excellent location in the commercial and cultural area of the central district of Miraflores Surrounded by green areas, modern shopping malls, cinemas, theaters and restaurants.

Recently built, located in the commercial and residential area of Miraflores, the most modern, cosmopolitan and cheerful of Lima, surrounded by the most famous cafes, restaurants, cinemas, theaters and entertainment centers in...

If Kinect isn't the «revolution» we were promised, however, its early success and just as sudden decline have been thrilling to behold: a tale of commercial and creative ambition scuttled by inattention to practicalities, of hubris and inertia elevated to a kind of apocalyptic cinema by the PR misfires of an industry juggernaut.

But the New Realism movement has often been compared to the pop art movement in New York for their use and critique of mass - produced commercial objects (Villeglé's ripped cinema posters, Arman's collections of detritus and trash), although Nouveau Réalisme maintained closer ties with Dada than with pop art.

The subversions of commercial imagery in Hank Willis Thomas's Unbranded series serve as a launching pad for this cinema series featuring films that explore and dismantle socially - imposed images and identities of race, class, gender and sexuality.

The subversive appropriations of commercial imagery in Hank Willis Thomas's Unbranded series, on view in the Block's main gallery, serve as a launching pad for this series, which looks at the ways filmmakers have used cinema to explore — and to dismantle — socially - imposed images and identities of race, class, gender, and sexuality.

The Cold War era, the rise of commercial advertising as a dominant force in American life, and the popularity of Hollywood and American cinema provided the backdrop against which both artists developed their highly original and multi-media iconography.

It is in reality an experimental space at the margins of a much bigger culture of the moving image — a place for talented film - makers to mess around with a freedom they could never enjoy in commercial cinema or mainstream television, but which the true artists among them hunger to apply in those bigger, more important arenas.

Broad experience of new markets tax credit transactions for charter schools, restaurants, theaters, residential town homes, retail centers, cinemas and a wide variety of commercial and mixed used buildings.

In case you missed it (and a lot of folks did), Samsung introduced a massive 34 - foot cinema display a few months ago intended to replace projectors and screens in commercial theaters.

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The term commercial property refers to properties that are used by firms to do business, such as office buildings, factories, hotels, warehouses, distribution centers, logistics centers, stores, shopping centers, restaurants, food outlets, cinemas, bowling alleys and other types of entertainment facilities, research and development (R&D) facilities, etc..