Model, create, and describe contextual division situations in which a
set of concrete objects is separated into equivalent sets.
Although mainly conceptually informed, Daniel Steegmann Mangrané's work displays a strong concern with the existence and
features of concrete objects, often employing dematerialized constructions — sculptures that exist neither here nor there — as a way to address issues concerning «objectness.»
Analytic Cubism reduced the object to its geometric forms, with these forms rearranged so that the work could more fully explore the multifaceted
character of the concrete object.
The whole
universe of concrete objects, as we know them, swims, not only for such a transcendentalist writer, but for all of us, in a wider and higher universe of abstract ideas, that lend it its significance.
Diagrams and schematics reduce the assembly, operation, and
repair of concrete objects into simple illustrations free of unnecessary detail.
Justifications will include the
use of concrete objects; pictorial representations; and the properties of real numbers, equality, and inequality.
Referencing a disassembled box, the piece specifically addresses the differentiation between
recognition of a concrete object and its seemingly meaningless components.
Although mainly conceptually informed, his installations engage the imagination of the spectator and display a strong concern with the existence and
features of concrete objects.