Sentences with phrase «of contemporary visual»

Sarah Munro, Director of Tramway said: «With the Turner Prize coming to Scotland for the first time, we have a fantastic opportunity to share the diversity, the inspiration and the excitement of contemporary visual art to people throughout Glasgow and across the country.

Modern Art Oxford is currently marking 50 years as an internationally acclaimed powerhouse of contemporary visual culture.

Victoria Pomery, Acting Chair of Contemporary Visual Arts Network (CVAN) South East and Director, Turner Contemporary said:

For details of London's top museum of contemporary visual art, see: Saatchi Gallery.

Initially, the main focus of the movement was literature but this rapidly broadened to encompass painting, sculpture and other forms of contemporary visual art.

Mostre Personali 2018 «Alterity Line», Metro Pictures, New York 2017 «David Malikovic», Dvir Gallery, Tel Aviv 2016 «Vignettes», Annet Gelink Gallery, Amsterdam 2016 «Again and Again», Museum of Contemporary Art Metelkova, Lubiana 2016 «AAASSEMBLAGE», Dvir Gallery, Bruxelles 2016 «All Day All Year», T293, Roma 2016 «The Exhibition is Becoming», VOX Centre de l'image contemporaine, Montreal 2015 «A Retrospective by Appointment», Gallery Nova, David Maljković's studio, Gallery of Croatian Designers» Association, Cinema Tuškanac e Croatian Film Association, Zagabria 2015 «With the gallery», Galleria Massimo Minini, Brescia 2015 «David Maljković», Metro Pictures, New York 2015 «David Maljković», Sprüth Magers, Londra 2015 «New Collection», Blondeau & CIE, Ginevra 2015 «Negatives», with Konstantin Grcic, Centre d'édition contemporaine, Ginevra 2014 «In Low Resolution», Palais de Tokyo, Parigi 2014 «David Maljković», Georg Kargl Fine Arts, Vienna 2014 «David Maljković», Leal Rios Foundation, Lisbona 2014 «David Maljković», Kunstmuseum St.Gallen 2013 «Afterform», Annet Gelink Gallery, Amsterdam 2013 «New Reproductions», CAC Contemporary Art Centre, Vilnius 2013 «Sources in the Air», GAMeC, Bergamo 2013 Metro Pictures, New York 2013 «Sources in the Air», BALTIC Centre for Contemporary Art, Gateshead 2012 «Sources in the Air», Van Abbemuseum, Eindhoven 2012 «A Long Day for the Form», T293, Roma 2012 «A Long Day for the Form», Sprueth Magers, Berlino 2012 «Morgenlied» (con Latifa Echakhch), Kunsthalle Basilea 2012 «Scene, Hold, Ballast» (con Lucy Skaer), Sculpture Center, New York 2011 «Recalling Frames», Metro Pictures, New York 2011 «La Casa Mila» (con Rosa Barba), Loop Festival, Barcellona 2011 «Temporary Projections», Georg Kargl Fine Arts, Vienna 2011 «Images with their own shadows», Vjenceslav Richter Collection, Museum of Contemporary Art, Zagabria 2011 «Exhibitions for Secession», Wiener Secession, Vienna 2010 «Images with Their Own Shadows», Moderna Galerija, Lubiana 2010 «Images with Their Own Shadows», International Festival of Contemporary Visual Art, Glasgow 2010 «Out of Projection», Art Unlimited, Art 41 Basel, Basilea 2010 «Lost Cabinet», Nogueras Blanchard, Barcellona 2010 «Missing Colours», Annet Gelink, Amsterdam 2010 «Recalling Frames», Sprueth Magers, Londra 2010 «Retired Forms», Massimo Minini, Brescia 2009 «Retired Compositions», Metro Pictures, New York 2009 «Nothing Disappears without a Trace», ARCO, Madrid 2009 «After the Fair», Georg Kargl BOX, Vienna 2009 «David Maljković», Museo Nacional Centro de Arte Reina Sofia, Madrid 2009 «David Maljković», Fondazione Morra Greco, Napoli 2009 «David Maljković», Sprueth Magers, Berlino 2008 «Handed Over» (con Rosa Barba), Project Art Centre, Dublino 2008 «Lost Memories from These Days», Annet Gelink Gallery, Amsterdam 2008 «Lost Review», Le Plateau, Parigi 2008 «David Maljković», Kunstverein Nurnberg, Nurnberg 2008 «Parallel Compositions», Bergen Kunsthall, Bergen 2008 «Shadow Should Not Exceed» (con Jan St Werner), Pinksummer Contemporary Art, Genova 2007 «These Days», Present Future, Artissima 14, Torino 2007 «Almost Here», Kunstverein Hamburg, Amburgo 2007 «Scene for New Heritage III», Art Unlimited, Art 38 Basel, Basilea 2007 «David Maljković», P.S. 1 Contemporary Art Center, New York 2007 «Scene for New Heritage Trilogy», Whitechapel Art Gallery, Londra 2007 «Days Below Memory», CAPC, Musee d'Art Contemporain, Bordeaux 2007 «Scene for New Heritage Trilogy», The Physics Room, Christchurch 2006 «David Maljković», Salon of Museum of Contemporary Art, Belgrado 2006 «David Maljković», Museum of Modern and Contemporary Art, Rijeka 2006 «These Days» (con Yael Bartana), Gallery Nova, Zagabria 2006 «It's gonna happen» (con Rosa Barba), Croy Nielsen, Berlino 2006 «Scene for New Heritage II», Centre de Creation Contemporaine, Tours 2005 «Waiting Tomorrow», Annet Gelink Gallery, Amsterdam 2005 «90s without 90s», MMC Palach, Rijeka 2005 «Scene for New Heritage», Van Abbemuseum, Eindhoven

The festival, now in its sixth edition, is themed COMMUNITIES, COLLECTIVES & COLLABORATION and is produced by Photoworks, an organisation dedicated to enabling participation in photography, the most democratic medium of contemporary visual culture.

Frame and Reference is an initiative of the Contemporary Visual Arts Network (CVAN) South East http://www.cvan.org.uk, one of 7 regional networks established by the Arts Council, England to strengthen the visual arts sector.

Patterned after the National Performance Network, VAN provides opportunities and subsidy support for under - recognized visual artists, nurtures the creation of experimental artwork and supports the touring of contemporary visual artists and their work.

Curator himself / herself will determine the content of cooperation — the invitation is open, it is possible to test formats of presentation, exhibition, as well as other experimental projects in the field of contemporary visual art.

It comes out of a premise that future experts need and should be taught the skills and methods, along with gaining knowledge and insight into the critical and theoretical apparatus as all this should eventually help them when tackling the complex matter of contemporary visual arts.

This important moment in the history of the museum marked a defining shift towards a view of contemporary art that locates it within the broader landscape of contemporary visual culture — a direct reflection of the growing importance, from the early 1990s onwards, of film and cinema in contemporary art production, as well as the convergence of film and visual art as once - distinct media.

It was developed out of a need for theoretical and practical education in the field of contemporary visual art and which no university program in Slovenia offers.

Fondazione Sandretto Re Rebaudengo provides the young curators with a historical exhibition space located in the township of Guarene d'Alba, near Turin (a major cultural center in northern Italy), for the production of exhibitions, performances, and presentation of contemporary visual arts through a series of publications and events — a valuable instrument for the development of their professional careers.

Established in 1999, the Liverpool Biennial is the UK's largest festival of contemporary visual art.

Since 1975, de Appel has functioned as a site for the research and presentation of contemporary visual art through exhibitions, publications and discursive events.

Huntington Beach Art Center, Huntington Beach May 5 — July 14, 2018 Color Vision «Color Vision» brings together scientifically and culturally engaging facts about how humans perceive and utilize color, featuring a group of contemporary visual artists that use color not only as a medium but as an element of their message.

The University Art Museum provides a forum for the investigation of contemporary visual culture and seeks to transform the traditional art museum experience, from the ordinary to the extraordinary and personal.

In 2011, we implemented two year school program, which was designed on the basis of several years» research on various curatorial programs, analysis of curatorial practices, consultations with relevant national and international experts, and an evaluation of the past program and consideration of effective models of education in the field of contemporary visual arts and theories.

Inspired by the cross-fertilisation and rich cultural diversity of the Emirates, the Foundation provides both national and international leadership in the production and presentation of contemporary visual arts.

In addition to such formalist aspects, Hoelscher explores the recombinant aspects of contemporary visual culture, where once - specialized forms like painting become acclimated to everyday viewers trained on the quick - read of corporate iconography and TV fast - edits, while advertising firms create campaigns designed by fine artists.

The residency initiative emerges out of the Zabludowicz family's ownership of real estate in Downtown Vegas, and their longstanding interest in exploring how different aspects of contemporary visual culture might coexist in the city.

The citywide celebration of contemporary visual and performance art will feature 42 artists, both emerging and renowned figures with local, national, and international profiles, including Alexandre Arrechea, Sanford Biggers, Nick Cave, Nikita Gale, Rashawn Griffin, Ebony G. Patterson, Joyce J. Scott, Sike Style Industries, Shinique Smith, and Nari Ward.

Other artists confront the perpetual emotion machine of contemporary visual culture by proposing historical counter-narratives and providing perspectives unrepresented in the media.

The project brings together artists and professionals to share and discuss what a contract means to them, their experiences of relationships governed or suggested by contracts and what might be anticipated or expected in the context of contemporary visual arts and current world events, including the UK Brexit decision.

In 2016, Modern Art Oxford marks 50 years as an internationally acclaimed powerhouse of contemporary visual culture.

Taken together, these images constitute an encyclopedic compendium of contemporary visual culture that also engages the history of landscape painting.

It is vital that IMMA is in a position to collect the work that is happening now, defining our present and reflecting the extraordinary depth of contemporary visual art currently being produced in Ireland.

Describing how he weaves together the work of contemporary visual artists with themes in literature, Carl told us about his use of the Matthew Ritchie segment in particular:

Since the Fall of 2015, STUK is presenting solo exhibitions of contemporary visual artists with a particular affinity for the moving image.

Supported by the Arts Council of Ireland, West Cork Arts Centre combines with local, national and international artists, and arts organisations to foster a program that offers an in - depth experience of contemporary visual arts, including drawing, painting, sculpture, printmaking, performance, installation and lens - based art.

The Contemporary Visual Arts Network (formerly Turning Point Network) is a consortium of 11 coordinated regional groups of contemporary visual arts professionals across the 9 English regions.

MOSTYN is a Registered Charity and its principal activity is the provision of contemporary visual arts in Llandudno and North Wales.

Celebrate Boston Center for the Arts and the vibrant culture - makers it supports; proceeds from the BCA Ball 2018 directly fund BCA's vision to unite communities and spark dialogue with the transformational power of contemporary visual and performing arts.

The Art: 21 series was recognized for providing «a unique forum for the display, analysis and appreciation of myriad forms of contemporary visual art» by the University of Georgia's Henry W. Grady College of Journalism and Mass Communication, which has administered the Peabody Award program since its inception in 1940.

First, he (or she) is likely to be working in one of the contemporary visual arts, such as: installation, assemblage, conceptual art, video, animation, film, glass - making, performance, happenings, graffiti, body art, land art, and so on.

By giving emphasis on the human figure and costume develops innovative projects of contemporary visual culture, collaborates with designers and artists, organises performances, events etc..

Solo exhibitions 2018 «Alterity Line», Metro Pictures, New York 2017 «David Malikovic», Dvir Gallery, Tel Aviv 2016 «Vignettes», Annet Gelink Gallery, Amsterdam 2016 «Again and Again», Museum of Contemporary Art Metelkova, Ljubljana 2016 «AAASSEMBLAGE», Dvir Gallery, Brussels 2016 «All Day All Year», T293, Rome 2016 «The Exhibition is Becoming», VOX Centre de l'image contemporaine, Montreal 2015 «A Retrospective by Appointment», Gallery Nova, David Maljković's studio, Gallery of Croatian Designers» Association, Cinema Tuškanac and Croatian Film Association, Zagreb 2015 «With the gallery», Galleria Massimo Minini, Brescia 2015 «David Maljković», Metro Pictures, New York 2015 «David Maljković», Sprüth Magers, London 2015 «New Collection», Blondeau & CIE, Geneve 2015 «Negatives, with Konstantin Grcic, Centre d'édition contemporaine, Geneve 2014 «In Low Resolution», Palais de Tokyo, Paris 2014 «David Maljković», Georg Kargl Fine Arts, Vienna 2014 «David Maljković», Leal Rios Foundation, Lisbon 2014 «David Maljković», Kunstmuseum St.Gallen 2013 «Afterform», Annet Gelink Gallery, Amsterdam 2013 «New Reproductions», CAC Contemporary Art Centre, Vilnius 2013 «Sources in the Air», GAMeC, Bergamo 2013 Metro Pictures, New York 2013 «Sources in the Air», BALTIC Centre for Contemporary Art, Gateshead 2012 «Sources in the Air», Van Abbemuseum, Eindhoven 2012 «A Long Day for the Form», T293, Rome 2012 «A Long Day for the Form», Sprueth Magers, Berlin 2012 «Morgenlied» (w / Latifa Echakhch), Kunsthalle Basel 2012 «Scene, Hold, Ballast» (w / Lucy Skaer), Sculpture Center, New York 2011 «Recalling Frames», Metro Pictures, New York 2011 «La Casa Mila» (w / Rosa Barba), Loop Festival, Barcelona 2011 «Temporary Projections», Georg Kargl Fine Arts, Vienna 2011 «Images with their own shadows», Vjenceslav Richter Collection, Museum of Contemporary Art, Zagreb 2011 «Exhibitions for Secession», Wiener Secession, Vienna 2010 «Images with Their Own Shadows», Moderna Galerija, Ljubljana 2010 «Images with Their Own Shadows», International Festival of Contemporary Visual Art, Glasgow 2010 «Out of Projection», Art Unlimited, Art 41 Basel, Basel 2010 «Lost Cabinet», Nogueras Blanchard, Barcelona 2010 «Missing Colours», Annet Gelink, Amsterdam 2010 «Recalling Frames», Sprueth Magers, London 2010 «Retired Forms», Massimo Minini, Brescia 2009 «Retired Compositions», Metro Pictures, New York 2009 «Nothing Disappears without a Trace», ARCO, Madrid 2009 «After the Fair», Georg Kargl BOX, Vienna 2009 «David Maljković», Museo Nacional Centro de Arte Reina Sofia, Madrid 2009 «David Maljković», Fondazione Morra Greco, Naples 2009 «David Maljković», Sprueth Magers, Berlin 2008 «Handed Over» (w / Rosa Barba), Project Art Centre, Dublin 2008 «Lost Memories from These Days», Annet Gelink Gallery, Amsterdam 2008 «Lost Review», Le Plateau, Paris 2008 «David Maljković», Kunstverein Nurnberg, Nurnberg 2008 «Parallel Compositions», Bergen Kunsthall, Bergen 2008 «Shadow Should Not Exceed» (w / Jan St Werner), Pinksummer Contemporary Art, Genova 2007 «These Days», Present Future, Artissima 14, Turin 2007 «Almost Here», Kunstverein Hamburg, Hamburg 2007 «Scene for New Heritage III», Art Unlimited, Art 38 Basel, Basel 2007 «David Maljković», P.S. 1 Contemporary Art Center, New York 2007 «Scene for New Heritage Trilogy», Whitechapel Art Gallery, London 2007 «Days Below Memory», CAPC, Musee d'Art Contemporain, Bordeaux 2007 «Scene for New Heritage Trilogy», The Physics Room, Christchurch 2006 «David Maljković», Salon of Museum of Contemporary Art, Belgrade 2006 «David Maljković», Museum of Modern and Contemporary Art, Rijeka 2006 «These Days» (w / Yael Bartana), Gallery Nova, Zagreb 2006 «It's gonna happen» (w / Rosa Barba), Croy Nielsen, Berlin 2006 «Scene for New Heritage II», Centre de Creation Contemporaine, Tours 2005 «Waiting Tomorrow», Annet Gelink Gallery, Amsterdam 2005 «90s without 90s», MMC Palach, Rijeka 2005 «Scene for New Heritage», Van Abbemuseum, Eindhoven

Gallery Specifications Site has two gallery spaces which are used for changing exhibitions of contemporary visual art.

A «critically engaged» artist is an artist whose practice is relevant to the current discussion and forms of contemporary visual culture as defined by a wide network of art world professionals.

The Grayson Perry show that just opened at the Serpentine Gallery offers both a very new version of now - obligatory populism in the promotion of contemporary visual art and at the same time, a sly critique of it.

Veil spans the spectrum of contemporary visual arts practices, with an emphasis on lens - based work; on one level, the project is an exploration of the roles of photography, film and video as contemporary tools for addressing notions of the veil.

Tessa Jackson was co-author of the Review of the Presentation of the Contemporary Visual Arts which led to Arts Council England's 10 - year strategy Turning Point (2006).

Sarah Perks Artistic Director, (Visual Art & Film), Cornerhouse & HOME (Manchester) Sarah Perks is an international curator, film programmer and producer with significant experience of contemporary visual art, independent film and engagement.

The highly stylized face evokes both the primitive scribbles of a child and the elaborate iconography of ancient African reliquary masks, both important influences on the young Basquiat who, like his hero Picasso, interrogated long - forgotten artistic traditions in his interpretations of contemporary visual culture.

Michael Ptootch leads a casual meander around highlights of the contemporary visual arts scene in and around Kentish Town.

Curated by Jananne Al - Ani, David A. Bailey, Zineb Sedira and Gilane Tawadros, this is the first project to address the question of the veil from the vantage point of contemporary visual art practice.

by Alex Vitlin Since 1973 the Biennale of Sydney has presented an exciting three - month program of contemporary visual arts throughout the city.

His dynamic oeuvre has certainly contributed to the «evolution of the contemporary visual arts» — the criteria upon which the Hugo Boss Prize has been awarded since its inception in 1996.

«The Centre has a long tradition of being at the leading edge of contemporary visual art in Canada and internationally, and I see Jen's appointment building on that tradition and leading us in bold new directions.»