Sentences with phrase «of creative economies»

The topics included how art functions as public practice, the globalization of creative economies, the dominance of restrictive notions of beauty, and the war culture in which we live today.

And he added: «All sides of the House are united in their desire to maximise the strength of our creative economy... When it comes to delivery of that content, we are lagging behind.»

For instance, the emphasis on EBacc — an attainment measure which marginalises creative subjects — is at odds with a recognition of the value of the creative economy.

In the words of Hasan Bakhshi, executive director of creative economy and data analytics within the leading think tank NESTA (National Endowment for Science, Technology and the Arts), «this makes it all the more important that we set learning priorities for young people today that are grounded in a rigorous assessment of what skills will be required of them when they enter the workforce».

Director of the Creative Economy Initiative at San Diego State University, in Remembering High School

Mark McGuinness is a business coach, trainer and consultant working with creative professionals, innovative companies and other trendsetters at the forefront of the Creative Economy.

Today, it's fair to say that a frequently discussed concept is the development of the Creative Economy.

The first theme in our Summer Session series is labor, and today we're revisiting Anuradha Vikram's essay on the so - called creative economy and its effects: «The mythology of the creative economy explains much of why San Franciscans who have pioneered this approach to work are under - invested in the arts despite some apparent affinities.

As members of the Creative Economy, Otis Alumni are prepared to enter a variety of fields where art and design backgrounds are critical.

Johnson will share his perspective on the changing needs of the creative economy and the movement toward design thinking.

As paradigms of creative economy seem increasingly at odds with interests of art workers, queer labor proposes alternate conceptions of work.

Melbourne, Australia About Blog Exclusive entrepreneurial insight & inspiration, fuelling the #nextwave of the creative economy.

Not exact matches

Well, at least according to a 2009 report on the creative economy by Otis College of Art and Design, which found that one out of every six people in the region is employed in a creative field.

Other metropolises, faced with the collapse, or near - collapse, of the industries that once made them wealthy — Hamilton, for example, Windsor, Buffalo and Cleveland — have similarly tried, to various degrees and with varying degrees of success, to diversify their economies through entrepreneurial innovation, tourism, and a wide variety of quasi-bohemian creative enterprises.

This episode of Chris Farrell's «Conversations on the Creative Economy» series comes from that craft district, featuring three people who founded small businesses in Duluth.

For a good brief sense of Florida's views on Ontario's creative class service economy, see Ontario in the Creative Age (Martin Prosperity Institute, 2009), the report that he and Roger Marticreative class service economy, see Ontario in the Creative Age (Martin Prosperity Institute, 2009), the report that he and Roger MartiCreative Age (Martin Prosperity Institute, 2009), the report that he and Roger Martin wrote.

In addition, the Federal Reserve used its lender of last resort authorities in new and creative ways to restore financial stability to the U.S. economy.

The creative class is transforming our economy, and we, in turn, must transform our cities into centres of creativity.

Back in 2005 in my book Flight of the Creative Class, I warned that there were only two things that could derail America's high - powered innovative economy.

South Korea is in the process of transforming its education system to better prepare the next generation for an emerging creative economy — one that will depend on individuals who can spot...

«Creative destruction» was how the great Austrian - American economist Joseph Schumpeter described the workings of a healthy economy.

The turbulent economy has created a mass of skilled, creative, displaced workers who are looking for new financing opportunities.

Evaluating the Risks and Rewards of Venture Capitalism The turbulent economy has created a mass of skilled, creative, displaced workers who are looking for new financing opportunities.

They regularly organize presentations, discussions, pub nights, parties, and other creative outings to foster a community of people and businesses interested in learning about and creating a new economy.

It's been called the Gig Economy, Freelance Nation, the Rise of the Creative Class, and the e-conomy, with the «e» standing for electronic, entrepreneurial, or perhaps eclectic.

And yet, in the face of the aforementioned rampant unemployment and depressed economy, Americans are increasingly opting out of traditional career tracks at every major juncture, choosing self - employment and creative work over «corporate» America.

Whether in evangelical, practical, or intellectual terms, the combination of the three systems in one — the democratic republic, a creative and dynamic economy, and an open, free, and pluralistic culture — has a proven modern record, surpassed by none, of raising up the poor.

The argument is really about what precisely is the «intelligence» we find in Nature, and how it organises matter into a creative economy of inter-related entities.

Those very features that have made us different from other advanced welfare states, that have even made us seem «backward» at times — the variety of our racial and ethnic groups, the opportunities for creative innovation and experimentation inherent in our sort of federalism, our tradition of voluntarism, and even, within bounds, our attachment to a gambling, risk - taking, profit - making economy — may turn out to be conducive to the implementation of an ecological approach to social policy.

The economy has a double goal: satisfying the demands of the people and unfolding the creative power of individuals and the community.

(4) To reflect, represent and serve the diverse communities of all of the United Kingdom's nations and regions and, in doing so, support the creative economy across the United Kingdom:

In the current economy, she is sensitive and creative, knowing that people are determined to be prudent, yet continue to celebrate all of life's great moments.

The North East's creative industries form a significant part of the region's economy.

Mohammed said that as one of the key areas for diversification of the economy, the creative industry would be private sector - driven, while government would create the enabling environment for its growth.

She noted that the realignment has expanded the Ministry's mandate to provide a firm and stable policy environment for the effective mainstreaming of the Ghanaian culture into all aspects of national rife and to ensure the emergence of a vibrant and creative economy to improve and advance the tourism industry.

Music as part of the creative industries is growing faster than the rest of the economy.

So we will identify the sectors of the economy — financial services, yes, but life sciences, tech, aerospace, car manufacturing, the creative industries and many others — that are of strategic importance to our economy, and do everything we can to encourage, develop and support them.

«As we work to find creative ideas to grow our economy in New York State, empowering MWBEs is an important part of this effort,» Senate Democratic Minority Leader Andrea Stewart - Cousins said.

Mr Cable concluded by calling on politicians to «put the whingeing of the City to one side», instead concentrating on rebalancing the UK economy towards higher education, creative industries, advanced manufacturing and professional services.

Building such efforts into our tourism economy, I have assisted in the introduction and expansion of creative, low - impact forms of development, such as support for film production and agricultural tourism and the construction of the Maurice D. Hinchey Catskill Interpretive Center.

«Conference, the BBC is the cornerstone of the creative industries in this country — a massive part of our economy.

The Minister of Tourism, Culture and Creative Arts, Mrs Elizabeth Ofosu - Agyare, says the contribution of tourism to Ghana's economy keeps growing yearly.

The new initiative is consistent with several of the recommendations from Creative New York, the Center for an Urban Future's recent report on the city's arts economy.

we sit down with Maureen Sager, Project Director of Upstate Alliance for the Creative Economy (ACE), a not - for - profit organization dedicated to promoting and growing the Creative Industries in the 8 - county Capital Region.

The presentation will be followed by a panel discussion with Elizabeth Sobol, president of SPAC, Teddy Foster campaign director for Universal Preservation Hall, Maureen Sager, project director for the Upstate Alliance for the creative economy, and Joel Reed, executive director of the Saratoga Arts Council.

For decades, one of the defining features of the American economy has been the innovative and creative spirit of American entrepreneurs and researchers.

The authors propose that governments and politicians should allow creative consumers» derivative innovations for the «good of society» and for the benefit of their economies.

The bipartisan passage of the America COMPETES Act represents a major milestone on this Nation's path to building an innovation economy for the 21st century — an economy that harnesses the scientific and technological ingenuity that has long been at the core of America's prosperity and applies that creative force to some of the biggest challenges we face today.

Seeking a creative fusion between computer science, management and design, it aims to produce a new breed of innovative people who understand and are able to advance the state of the art in technical, design and business innovation: innovative people prepared to work in challenging roles in organisations and ready to drive radical change in the digital economy.

The twenty studentships are funded by the Arts and Humanities Research Council via The Creative Exchange, one of four Knowledge Exchange (KE) Hubs for the Creative Economy established in January 2012 by the AHRC.