Sentences with phrase «of creative purpose»

Along with the usual explications of style and theme, Cinéastes de notre temps delivered rousing statements of creative purpose and uncanny expressions of personality from moviemakers as different as John Cassavetes and Jean - Pierre Melville.

She neglects an important truth about love, that it must discover its own limitations, and undergo a transmutation for the sake of the creative purpose of God and his Kingdom.

Not exact matches

«General Mills» decision to draw attention to the issue of declining bee populations marks the continuation of its commitment to purpose - based marketing, which means brands will go beyond traditional statements such as product benefit in order to align with what's really important to consumers,» Cossette chief creative officer Peter Ignazi told AdWeek.

Sooner or later, every successful company confronts the dilemma of hiring an ad agency (for the purpose of this screed, we'll use that term to describe marketing services companies of all stripes, such as creative ad shops, digital agencies, PR firms — the whole hairball).

Websites serve different purposes for different companies, says Nicholas Chilenko, principal of web design and Internet marketing firm Nicholas Creative in East Lansing, Mich..

Kris Martinez, founder of Martinez Creative Group: «You have to learn to block out the negativity and focus on doing what you love, because it serves no purpose for you to play small.»

The doctrine of the philosophy of organism is that, however far the sphere of efficient causation be pushed in the determination of components of a concrescence — its data, its emotions, its appreciations, its purposes, its phases of subjective aim — beyond the determination of these components there always remains the final reaction of the self - creative unity of the universe.

Thus God's purpose in the creative advance is the evocation of intensities.

In a passage worth pondering, Whitehead explains that the self - creative contribution of the freedom of each actual entity consists precisely in the subjective emphasis it lays upon the factors which are given it, including its own purposes and subjective aim:

For them, the Incarnation was not an afterthought but is The Mystery at the heart of God's creative purpose hidden in the Father's heart from all eternity and revealed in Christ in the fullness of time.

Later the idea gained ground that we can not «speak of nature apart from human perception in the historical development of knowledge», that all knowledge is «a creative interaction between the known and the knower» and that therefore there is no System of scientific knowledge or of technology which does not have the subjective purposes and faith - presuppositions of humans built into it.

There is an active and creative appropriation of the past and of the immediate environment for the purpose of building the future.

Far from evolution being random and open ended, the cosmos is a vast, ordered equation which unfolds according to a specific purpose under the creative concursus of the Mind of God.

It would seem right to regard as truly «saved» anyone who has been given the grace of a high and noble purpose which draws him out of preoccupation with self into a full creative life which serves the development of community.

Finally, then, if the paper stimulates continuing wide - ranging, open discussion, full of creative insights and ideas, my purpose in writing it will have been amply satisfied.

The universal value for the world is found in God's aim for it, and God's purpose «in the creative advance is the evocation of intensities.»

I ask myself if it has not been this affirmation of personal destiny and purpose that has historically allowed native American spirituality to be so receptive to Christian religion in accommodating and creative ways.

In religious experience, interpreted within process thought, the physical emotions, purposes, desires, and volitions of individuals are fused with conceptual insights into the nature of things for the purpose of transforming the individual, of enlarging his or her experience, and of advancing the creative process whereby new values emerge.

In the churches we have almost palpably shied away from any such venture; indeed, we have offered the church as sanctuary from the cold winds of late 20th Century despair and the loss of purpose that informs nearly every creative work of art and parades itself visibly in the arena of politics.

Men and women are then seen to be «co-creators» with God, as Whitehead put it; and as such they are both the creatures of God's love and the sharers in God's ongoing purpose of good in the creative advance.

«The ultimate creative purpose» is «that each unification shall achieve some maximum depth of intensity of feeling, subject to the conditions of its concrescence» (Process and Reality, An Essay in Cosmology 381).

This fact tells us that whatever we may claim for Jesus Christ is not the denial of nor contradictory to the wider creative purpose and activity of deity.

The relation of God's purposings to the historical situation suggests his role as source of the power that makes for creative transcendence of the given.

In terms of God's relationship to us, this could even be understood as the ultimate aim in God's creative purpose.

Accordingly, while it may be true that humanity is, to date, the supreme work of God on this earth,» humanity can not be viewed within this school of process thought as the fulfillment of God's primary creative purpose.

But for Whiteheadian process theists, God's primary creative purpose has always been (and will always be) to bring about the «maximum attainment of intensity compatible with harmony that is possible under the circumstances of the actual situation» (PP 295).

The reason that such an admission is out of the question is that it would open the door to creationism, which in this context means not simply biblical fundamentalism, but any invocation of a creative intelligence or purpose outside the natural order.

However, most important for our immediate purposes, the view that there are limitations on both mechanistic and teleological causal explanations of creative events is expressed in Peirce's own writings.

The stature of the individual who can let another exist in his or her own creative freedom is larger than the size of the individual who insists that others must conform to his own purposes and understandings.

He has come to realize time as evolutionary, as creative of novelty, as opposed to the classic view of time as negative, as going on without purpose since the universe is finished.

If we think of incarnation primarily in terms of the actualization of the divine creative purpose creating that which takes us beyond man, we may be tempted to reply affirmatively.

We understand by the Logos or divine creative Word the sum totality of all God's specific creative purposes for all creatures.

That Man displays powers of invention in the creative use of his reflective faculties, that is to say, acts in accordance with an inner sense of purpose, is so apparent that no one has ever thought of denying it.

Although we would rather talk of the coherent unity of the causal complex, because, even when the development of a complex entity can be traced through contributary causes, the interlocking patterning of those causes through time and space and the higher meaningful unit of organisation which they produce still reveals order and purpose in the system which points to Transcendent Mind as First and Final creative cause.

Nevertheless, as we have seen, there is a small but growing number of scientists, both in physics and biology, who operate with a relational model, who see some correspondence between the constructs of the mind and reality itself, however inexact, and who also see the possibility of restoring the experience of meaning if the non-human natural world is perceived as dynamic, creative, full of life and purpose, whom process thinkers have engaged in conversation; together they have attempted to explore new visions of reality better suited for adaptation to the urgent needs of the contemporary world.

We define this christological aim — God's purpose in Christ — to be the creative emergence of a new organic unity incorporating man, and confess that this aim was realized in the life, death, and resurrection of Jesus of Nazareth.

That the community of men and women who share this faith and attempt to live this life Constitutes the unique medium in each age for the continued disclosure of God's creative and redemptive purposes.

By holding that the statute did not have an impermissible purpose, that its primary effect was not the advancement of religion, and that it did not require «excessive entanglement» between church and state, the Court sent a signal to the political branches that more creative uses of the structures of civil society (including churches) may now be permissible in the American welfare state.

«God's purpose in the creative advance is the evocation of intensities» (Process and Reality, An Essay in Cosmology 161), but these intensities must be balanced to overcome the mutual obstructiveness of things.

I recently attended a small conference in Washington, DC, co-sponsored by the New America Foundation (NAF), a think tank that describes itself as «dedicated to the renewal of American politics, prosperity, and purpose in the digital age, through big ideas, technological innovation, next generation politics, and creative engagement with broad audiences.»

History is the scene of Christ's conflict with everything that opposes or thwarts God's creative purpose.

The appraisal that God makes is worked out in what He does — or, in words that describe the creative advance as we know it, the appraisal is worked out in terms of what is taken into, and what is rejected from, the «consequent nature» of God, God as He is affected by what occurs in the world; and then, in what use is made of what has been thus taken or received in the furthering of the project or purpose of God, the implementation of good «in widest commonalty shared».

Twenty centuries witness to the effectiveness of such worship in changing men's lives for the better, in bringing release from guilt and freedom from fear, in giving direction and purpose to their striving, and in lifting them out of neurotic self - concern into healthful and creative relationships to their fellows.

(2) The Christian's experience of coalescence of purpose with God's purpose of «creative transformation,» is always a derived, or «meditated» experience, inheriting from its prior actualization in Christ.

«Instead of exploring creative ways sport might serve true religious purposes such as spiritual growth and enrichment, the Christian community has seized on sport as a tool of status enhancement, advertising, and evangelism,» he says.

However the post-modern model of nature is highly relevant to an understanding of both the role of purposes and the role of God in the creative process.

Ours is a universe where purpose can operate if the entities that are created in its evolution are themselves responsive and creative toward each new possibility of cosmic evolution.

God is also the all - inclusive reality who is initiative of creative advance and (for our present purpose this is equally significant) receptive of what that advance brings about.

The primary characteristics of any self - creative beings — and we must suppose that this holds pre-eminently for human beings — are freedom, transience, and novel purpose... The denial of rationality as the primary character of experience involves the denial of principles as external sources of order and thus entails the consequence that each aesthetic event will constitute its own source of order and novelty.

And it will be recalled that although «God's purpose in the creative advance is the evocation of intensities» (PR 161), men, as free, are alone able to create this advance.