Sentences with phrase «of creative self»

It's the lack of my creative self that feels like some things are not easy enough for me but this is!!
Artists often test the limits of this back and forth, stretching the boundaries of the creative self like a rubber band.
Like much of Stark's work, the story of these virtual encounters self - reflexively addresses the conditions of creative self - doubt, sources of insight and inspiration within the context of the everyday and the problem of production through the often - difficult process of artistic labour.
A renaissance of creative self consciousness and the individuals alter ego.
You're looking for people you can share a piece of your creative self with, for people you want to spend time on, for people who can help you become a stronger writer — a tribe or community.
Fiverr's global community of creative self - starters monetize their talents and market to people in 190 countries.
Fashion like music and art is a form of creative self - expression, a vehicle to experiment with shapes,...
Practicing Motion Theater since 2006 has strengthened her belief in the value and necessity of creative self expression.
The second chakra is the level of consciousness of the creative self; our ability to access the inner creative waters.
This twice daily practice melts away those barriers to a complete expression of Creative Self.
We support the use of puppetry for entertainment, in education, and as a means of creative self - expression.
He has lost his earth, the sense of his creative self, and his aboriginal innocence.
Our «highest spiritual ideals and aspirations also threaten to lay the most crushing burdens on humankind,» and Taylor therefore finds it quite understandable that the modern self might turn from such lofty aspirations to the goods of ordinary life and the satisfactions of creative self - fulfillment.

Not exact matches

A self - professed «jack - of - many - trades and master of none,» Candace had always been a creative soul, from singing and helping with production at her church to a short - lived foray into amateur stand - up.
As it becomes easier — or at least more common — for members of the workforce to be self - employed or start their own businesses, you as a corporate manager have to come up with creative ways to keep your employees on payroll and be engaged.
However, I would like him to hold some of the characteristics that an entrepreneur would need for success as he grows up: self - starter, problem solver, leader, passionate, and creative to name a few
According to research by leading positive psychologist Barbara Fredrickson with the University of North Carolina, a positive outlook generates creative thinking, builds self - confidence and promotes overall resilience — all qualities necessary for lasting lifestyle changes.
This fear of exposing yourself and your work holds many of us back from being our most creative selves — and that goes for hugely successful artists as well as you and me.
They share details of how they've built and grown brands, developed creative means of self - expression, found and followed their passions and cared for themselves in the process.
Paying attention to the competition only slows you down because you're taking precious energy away from your thing and throwing it elsewhere along with decreasing your chances of truly operating as your most creative self because you're letting industry norms influence you.
A non-negotiable pact with yourself that you'll safeguard your most creative times of the day and bring your best self to work.
As a poet, Ted Hughes had an acute sensitivity to the way in which constraints on self - expression, like the disciplines of meter and rhyme, spur creative thought.
We're so busy avoiding self - induced fears of not being [fill in the blank] enough — smart enough, creative enough, pretty enough — that we rarely stop and ask, «Am I happy and fulfilled?
After all, to actually quit your job and pursue a life as an artist, a photographer, a freelancer, or another sort of self - employed creative entrepreneur isn't always the most responsible choice.
Rather, self - starters have gained resilience as a result possibly of struggle and are stepping forward with a certain mind - set: with higher levels of confidence relating to their leadership, creative thinking and communication skills.
And yet, in the face of the aforementioned rampant unemployment and depressed economy, Americans are increasingly opting out of traditional career tracks at every major juncture, choosing self - employment and creative work over «corporate» America.
Sikhism believes in One Universal Creator God, The Name Is Truth, Creative Being Personified, No Fear, No Hatred, Image Of The Timeless One, Beyond Birth, Self Existent, By Guru's Grace.
The principle of conformation expresses «the stubborn fact that whatever is settled and actual must in due measure be conformed to by the self - creative activity» (S 36), and also assumes that «universality of truth arises from the universality of relativity, whereby every particular actual thing lays upon the universe the obligation of conforming to it» (S 39).
But what if the object of the creative process is a Self?
I take it that the «self - creative unity of the universe» refers to the actual entity insofar as it is a particular instance of creativity.
Second, it identifies God's self - creative subjectivity solely with the constitution of his primordial nature, as Ford argues at length in IPQ.
The doctrine of the philosophy of organism is that, however far the sphere of efficient causation be pushed in the determination of components of a concrescence — its data, its emotions, its appreciations, its purposes, its phases of subjective aim — beyond the determination of these components there always remains the final reaction of the self - creative unity of the universe.
This final reaction completes the self - creative act by putting the decisive stamp of creative emphasis upon the determinations of efficient cause.
And I believe that my experience also reflects the self - creative process of the original woman, from coming apart, through relatedness with other women, to self - creation in the context of deep interrelatedness.
This variable is the self - creative action of conscious occasions.
No mention is made of a Supreme Being in his own religious philosophy, only of a mysterious life - force or universal will - to - live which appears as a creative - destructive force in the world around us and as a will - to - self - realization - and - love within us.
This is the creative process of woman - identified women which Janice Raymond describes as becoming «Self - created,» an «original woman, not fabricated by man» (OFF 7).
In a passage worth pondering, Whitehead explains that the self - creative contribution of the freedom of each actual entity consists precisely in the subjective emphasis it lays upon the factors which are given it, including its own purposes and subjective aim:
The culture of consumerism and the chase for material symbols of wealth and security have sometimes come to be dominant; the pursuit of spiritual fulfillment in many has slowly begun to degenerate into empty and sterile ritualism; the legitimate thirst for education has often become perverted into an obsessive drive to acquire with the greatest speed the formal diplomas necessary to gain entry to jobs offering the easiest opportunities to make the quickest rupees; political statesmanship in some areas has begun to depreciate into an opportunities race for power and position; the spirit of SEVA (Service) to the nation has intermittently begun to be suffocated in many, by the abuse of discretions, sometimes mediated by a bloated bureaucracy itself enmeshed in a vast network of multiplying paper and self - proliferating regulations; menacingly many good and decent people even in public life, have come to be corroded by a culture of demanding corruption; and some potentially creative lawyers, have begun to take perverted pride in mere «cleverness», rendering themselves vulnerable to the prejudice that they are a parasitic obstruction in the pursuit of substantive justice.
Finally, the embodied reason of man's shared cultural forms bears the mark of the free creative determinations of the self - conscious human spirit.
Ford's general and surely correct thesis is that between Science and the Modern World and Process and Reality there is a shift from monism to pluralism, a devolution of creative power from a Spinozistic substantial activity to the self - creating activity of actual occasions.
It would seem right to regard as truly «saved» anyone who has been given the grace of a high and noble purpose which draws him out of preoccupation with self into a full creative life which serves the development of community.
The atomism of the autonomous self thus gives way to a sound sense of the community of being and the responsibility, as well as the opportunity, of being fulfilled within such a creative nexus.
The same applies to the husband's awareness of the unique self - esteem problems of women faced with changing sex roles, the continuing dual - standard in many areas, the increasing period of life after the children are raised and the problem of finding significance therein, and the preparation for creative widowhood which faces the vast majority of women in our culture.
If the following passage from Process and Reality is at all significant, the answer must be that that is precisely what Whitehead means: «The oneness of the universe, and the oneness of each element in the universe, repeat themselves to the crack of doom in the creative advance from creature to creature, each creature including in itself the whole of history and exemplifying the self - identity of things and their mutual diversities» (347f).
If the word egotism includes positive self - regard and creative self - determination, and if — being female, or poor, or a person of color — we have been denied opportunities for such self - regard and self - determination, we may act egotistically for good reasons.
Regarding the latter, classical theologians typically limit self - determining (free) creatures on this earth to humans (Or perhaps also to certain higher animals), 1 while process theologians typically would affirm that creative self - determination is characteristic of all beings.
The Category of the Ultimate asserts that the creative advance «is the universe always becoming one in a particular unity of self - experience, and thereby adding to the multiplicity which is the universe as many (PR 89).
Classical theologians typically limit self - determining (free) creatures on this earth to humans (or perhaps also to certain higher animals), while process theologians typically would affirm that creative self - determination is characteristic of all beings.
The fact that Rinzai hoped for a creative response is itself exemplary of the fact that, in Zen, the true self includes volition as well as awareness.
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