Surprising and angering followers, Fox this week introduced the cancelation
of the cult comedy Brooklyn Nine - Nine, however the present might dwell once more.
Tim and Eric's Billion Dollar Movie Directed by: Tim Heidecker, Eric Wareheim — Starring: Tim Heidecker, Eric Wareheim, Will Ferrell, Zach Galifianakis, John C. Reilly, Robert Loggia, Jeff Goldblum, Will Forte, William Atherton, Erica Durance An all new feature film from the twisted minds
of cult comedy heroes Tim Heidecker and Eric Wareheim («Tim and Eric Awesome Show, Great Job»)!
Fact: The Office star John Krasinski has landed a cameo in the highly - anticipated return
of cult comedy Arrested Development.
Shooting Clerks is a partial biopic of director Kevin Smith, telling the story of his early years and his inspirations as a filmmaker, leading to the creation
of his cult comedy Clerks and its premiere at the Sundance Film Festival.
Waititi, 42, is a veteran
of the cult comedy series «Flight of the Concords» and has previously directed largely offbeat irreverent indies like the deadpan vampire tale «What We Do in the Shadows» and the oddball outlaw comedy «Hunt for the Wilderpeople.»
Chris Pine, Kristen Wiig, Jon Hamm and Jason Schwartzman have joined just about every other available actor in Hollywood on Netflix's 8 - episode continuation
of the cult comedy.
Director Terry Zwigoff shares his own musical taste in this article about how he went about selecting songs to underscore the deadpan tone
of his cult comedy Ghost World.
An all new feature film from the twisted minds
of cult comedy heroes Tim Heidecker and Eric Wareheim («Tim and Eric Awesome Show, Great Job»)!
The much - honored, London - born Irish author of such plays as «The Beauty Queen of Leenane» and «The Cripple of Inishmaan,» and the writer - director
of the cult comedy «In Bruges,» creates a setting and a people who could be anywhere, certainly Ireland.
While Hell Baby may suffer from a meandering and muddied plot, it occasionally manages to entertain on a sophomoric level that assures it a place in the pantheon
of cult comedies that are impossible to defend, but easily watchable when they pop up on late night television.
Not exact matches
Starring numerous actors who have gone on to become huge stars, this wacky 1980s - set
comedy that looks at the last day
of camp has become a
cult classic.
He's continued working with Greg over the years, using the
cult status
of The Room to his benefit and pretending he meant for his movie to be a
comedy all along.
One
cult dress
of the time was Guy Laroche's open back (a bit more than that actually) dress that French actress Mireille Darc wore in the
comedy Le Grand Blond Avec Une Chaussure Noire.
This remake
of the 1985
cult classic was surprisingly not terrible; in fact, most critics had generally good things to say about the new horror -
comedy.
Strange Brew found a
cult audience with fans
of the Second City
comedy troupe,
of which Moranis and Thomas were members.
Reiner's later directing assignments included The Comic (1967), a bittersweet farce based on the lives
of Stan Laurel, Harry Langdon, and Buster Keaton; the black
comedy cult favorite Where's Poppa?
The title
of this modest but refreshing
comedy - drama is from the
cult British TV quiz show University Challenge, populated by teams
of quick - on - the - buzzer tertiary students.
Jeff Bridges and John Goodman make the one
of the best
comedy duos in this
cult classic.
The title
of this modest but refreshing
comedy - drama is from the
cult British TV quiz show University Challenge.
It was depressing enough when they took a beloved, hilarious
cult comedy, 2004's Anchorman: The Legend
of Ron Burgundy, and made a weak sequel out
of it — an aging Gen - X reunion whose only purpose was to mint money.
The surprise hit
of 2012 was Pitch Perfect, a
comedy that has become a
cult classic in the intervening years.
Jean Pierre Jeunet's whimsical 2001 romantic
comedy about a lonely Parisian waitress who plays guardian angel in the lives
of strangers quickly became — and remains to this day — a
cult favorite for misfits everywhere.
As a kid
of the 80's I personally liked the
cult hit as it was a throwback to all the cheesy 80's
comedies filled with drinking, bullies, and naked chicks.
The
comedy follows a trio
of dysfunctional upper class New York siblings who recruit a «New Age deprogrammer» and go on the road to save their youngest sister from a doomsday
cult — confronting their deep - seated issues with each other along the way.
Ana Lily Amirpour follows up her alt -
cult sensation A GIRL WALKS HOME ALONE AT NIGHT with her sand - blasted, dystopian love story THE BAD BATCH; Maren Ade delivers what will be the most uncomfortable film
of the festival, the desert - dry black
comedy TONI ERDMANN; and Julia Ducournau's directorial debut, RAW, takes us on a cannibalistic coming -
of - age shock ride that resonates long after its stunning finale.
We didn't expect that much from a remake
of a
cult 1980s vampire
comedy, but Fright Night surprised us.
The
comedy of manners and social mores that ensues has Hollywood insiders predicting a perfectly pitched hit with SJP's
cult - like following and an exciting new chapter Stateside for Horgan.
The film tells the tale
of the making
of Hollywood dreamer Tommy Wiseau's dreadful movie The Room, a wannabe serious drama that turned into a certified
cult comedy classic on the midnight show circuit — certainly not by original intention.
All
of the above takes place in «The Belko Experiment», from characters played by John Gallagher, Jr. («10 Cloverfield Lane»), John C. McGinley (who was in the 1999
cult comedy classic «Office Space», making this the best inside joke
of the movie year so far), «Scandal» «s Tony Goldwyn, and Melonie Diaz.
Not wishing to be left behind in the scripted TV game, Bravo is adding a bevy
of new, original programming to its development slate, including a kind
of reboot / sequel to the 1988 dark
comedy cult hit Heathers, which starred Winona Ryder and Christian Slater as two teenagers who rebel against the reign
of the Heathers (Shannen Doherty, Kim Walker and Lisanne Falk) in their high school.
A number
of viewers have picked up on the Russo» recurring in - film tribute to the
cult hit
comedy TV series Community.
The film tells the tale
of the making
of Hollywood dreamer Tommy Wiseau's dreadful movie The Room, a wannabe serious drama that turned into a certified
cult comedy classic on the midnight show circuit — certainly not by original... Read
His feature debut, A Dark Song is somewhere in - between an ultra-involving parental drama, a 60s - style occult horror and an out - and - out black
comedy, balancing the trio surprisingly well and delivering a thoroughly entertaining and refreshing new slice
of British
cult cinema.
A lightweight, disposable generational
comedy that shamelessly borrows the premise Rodney Dangerfield's 1986
cult classic, Back to School, Life
of the Party won't win any awards nor will it leave anything except a passing, pleasant...
The crime - farce
comedy brings back the wacky Vermont lawmen
of the 2001 stoner
cult - classic original.
Following the modern
cult classic In Bruges, Martin McDonagh fully delivered on that film's vast promise with Seven Psychopaths — a fiery genre cocktail
of crime & dark
comedy.
Chris Elliott may have been born with a funny spoon in his mouth — he's the son
of Bob Elliott, the more deadpan half
of the famous
comedy duo Bob and Ray — but he's developed his own offbeat brand
of humor and gained his own substantial
cult following.
But it's still a cut above the majority
of family entertainment, and director Paul King, who got his start helming the surreal
cult comedy series The Mighty Boosh, continues to prove himself a confident and comparatively sophisticated stylist, employing cutaway sets, Rube Goldberg slapstick, animated sequences in different styles, and loads
of visual gags to create the film's dollhouse - storybook world; the aesthetic influence
of Wes Anderson is especially pronounced in the scenes set at the prison, where an early mishap involving a red sock and the prison laundry dyes the convicts» uniforms a Grand Budapest Hotel shade
of lavender pink.
From 3D cane toads on opening night (Cane Toads: The Conquest) to John Woo kung fu to close the program (Reign
Of Assassins), possibly the world's first «womantic» feature (the Brisbane - based comedy Jucy) to the utterly indescribable (Tommy Wiseau cult phenomenon The Room), the new look festival — in a new timeslot and new venues (Palace Centro and Barracks cinemas, and Tribal Theatre)-- has assembled an amazing line - up, with films for young (well, 18 and over for the most part, given the severing of links between BIFF and Cine Sparks) and ol
Of Assassins), possibly the world's first «womantic» feature (the Brisbane - based
comedy Jucy) to the utterly indescribable (Tommy Wiseau
cult phenomenon The Room), the new look festival — in a new timeslot and new venues (Palace Centro and Barracks cinemas, and Tribal Theatre)-- has assembled an amazing line - up, with films for young (well, 18 and over for the most part, given the severing
of links between BIFF and Cine Sparks) and ol
of links between BIFF and Cine Sparks) and old.
Wet Hot American Summer — The best American
comedy of the year did nothing theatrically (I think the three people I saw it with might have been it's total gross), but reached a kind
of cult status on video.
Whether or not this film will go down as the
cult classic that Rogen and Goldberg are clearly hoping for remains to be seen, but come the end
of 2013, it will certainly register in the memory banks
of cinema - goers to a much larger degree than all the
comedy films that have preceded it this year.
In his assured and empathetic directorial debut Submarine, Richard Ayoade extends his talents beyond the
cult comedy confines
of the small screen (including Garth Marenghi's Darkplace, Nathan Barley, The Mighty Boosh and The IT Crowd) to dwell upon sources
of and threats to contentment, as apparent to a self - aware teenager burdened by the coming -
of - age milestones
of first love and parental marital disharmony.
You may recognize Faxon and Rash from television, as Faxon is the star
of Fox's short - lived sitcom, Ben and Kate, and Rash plays Dean Pelton on NBC's
cult comedy Community.
Hot on the heels
of the Alice Lowes and Ben Wheatleys
of this world, are an entire new movement
of young,
cult - driven filmmakers, pushing old - school movie monsters and pitch black dark
comedy to the very front
of their repertoires.
The show comes on the heels
of Netflix's 2015 limited series prequel Wet Hot American Summer: The First Day
of Camp, which was an eight - episode continuation
of the
cult classic 2001
comedy.
Want to be in the
cult of comedy?
Netflix has released a teaser trailer for Wet Hot American Summer: First Day
of Camp that confirms the return
of the entire cast from the 2001
cult comedy.
My Mum's a Twat, the debut play
of Anoushka Warden, certainly wins best new name, but it also stars the sublime Patsy Ferran; catch this
comedy about losing your mother to a
cult at the Royal Court from 8 January.
1994's «Dumb and Dumber» is considered by some to be a
cult comedy classic, highlighted by one
of the funniest performances
of Jim Carrey's career.
The Disaster Artist, which is directed by James and out in wide release Friday, is a
comedy chronicling the making
of 2003's The Room — the film written by, starring, and directed by Tommy Wiseau, which has been christened both the worst movie ever made and, in the years since, a
cult classic.