Sentences with phrase «of cultural anxiety»

As an article states, «according to terror management theory, increased self - esteem should enhance the functioning of the cultural anxiety buffer and thereby provide protection against death concerns».

The Institute of Cultural Anxiety: Works from the Collection.

Traveled to Museu d'Art Contemporani, Barcelona; Kunstmuseum Bonn, Germany; and Castello di Rivoli Museo d'Arte Contemporanea, Turin (catalogue) Innovation: American Art of Today from the Misumi Art Collection, Kawamura Memorial Museum of Art, Chiba, Japan (catalogue) The Changing Image, Claudia Gian Ferrari Arte Contemporanea, Milan (catalogue) Vehicle, Paolo Baldacci Gallery, New York 1995 Whitney Biennial, Whitney Museum of American Art, New York (catalogue) Richard Artschwager, Peter Cain, Vija Celmins, Chuck Close, Joseph Cornell, Robert Gober, George Stoll, Steve Wolf, Daniel Weinberg Gallery, San Francisco Summer Group Exhibition: Richmond Burton, Peter Cain, John Chamberlain, Andreas Gursky, Roni Horn, Gary Hume, Andy Warhol, Matthew Marks Gallery, New York 25 Americans: Painting in the 90s, Milwaukee Art Museum (catalogue) 1994 Desire (Visionaire / DIFFA Benefit Exhibition), Charles Cowles Gallery, New York The Institute of Cultural Anxiety, Works from the Collection, Institute of Contemporary Arts, London (catalogue) 1993 Pittsburgh Collects, Carnegie Museum of Art, Pittsburgh Whitney Biennial, Whitney Museum of American Art, New York (catalogue) Drawing the Line Against AIDS, Peggy Guggenheim Collection, Venice (under the aegis of the Venice Biennale)(catalogue) 1993 Biennial Exhibition, National Museum of Contemporary Art, Seoul A Series of Anniversary Exhibitions: Part III, Daniel Weinberg Gallery, Santa Monica, CA Art, Money & Myth, Palm Beach Community College Museum of Art, Lake Worth, FL Everyday Life, Kim Light Gallery, Los Angeles Slittamenti, Venice Biennale The Return of the Cadavre Exquis, The Drawing Center, New York.

1994 General Release: Young British Artists, Venice Biennale 1994, Scuola di San Pasquale, Venice, IT London - Nu, Kunstforeningen Gammel Strand, Copenhagen, DK The Institute of Cultural Anxiety: Works from the Collection, Institute of Contemporary Arts (ICA), London, UK Liar, Hoxton Square, London, UK Rien à Signaler, Galerie Ananlix, Geneva, CH Five British Artists, Andréhn Schiptjenko, Stockholm, SE Great Deeds Against the Dead, Andrea Rosen Gallery, New York, US

1994 Institute of Cultural Anxiety, ICA, London, UK Some Went Mad, Some Ran Away, Serpentine Gallery, London, UK Nordic Arts Centre, Helsinki, Finland; Kunstverein, Hannover, DE What Is in Your Mind?

1995 La Belle et la Bête, (Beauty and the Beast), Musée d'Art Moderne de la Ville de Paris, FR Better Living Through Chemistry, Randolph Street Gallery, Chicago, US Configura 2 - Dialog der Kulturen, Erfurt, DE Institute of Cultural Anxiety, Institute of Contemporary Art (ICA), London, UK Kwangju Biennale, Kwangju Contemporary Museum, KR Some Went Mad, Some Ran Away, Museum of Contemporary Art, Chicago, US Portalen, Copenhagen, DK Thomas Nordanstad Gallery, New York, US

The Institute of Cultural Anxiety: Works from the collection.

It was also a sign of cultural anxiety, each hashtagged, abusive tweet a hairline crack in the shifting landscape of games.

A lot of our cultural anxiety about masturbation stems from 18th century theories, when the myths about illness and degeneration were first inscribed in advertising pamphlets parading as medical studies.

«We need to think deeper about why we seem out of touch to so many and understand the demands of cultural anxiety as well as economic prosperity.»

Without all of the cultural anxieties attached to it, menopause can simply be thought of as a transition in a woman's life.

These photographs speak of the cultural anxieties provoked by surveillance which today has become so much a part of daily life.

Not exact matches

Similarly, few novelists have tapped into this era's motivations, anxieties and cultural eccentricities as Tom Wolfe's Bonfire of the Vanities did in the eighties or Jonathan Franzen managed a decade later with The Corrections.

This anxiety, Zhang says, stems from the Cultural Revolution (1966 - 1976), when friends and family members were pitted against one another and millions of Chinese were killed in political struggles.

This new cultural reality raises some anxieties, but it also presents many of us with an opportunity to rediscover Christian witness in a world that we do not control.

These wars have variously been understood as Western aggression against pacific Islam, a necessary defense against Islamic attack, a conduit for cultural and commercial exchange, a form of early colonialism, an expression of collective religious identity or social anxiety, and a symptom and vehicle of economic expansion.

Another cultural reason for the prevalence of anxiety and insecurity is that the contemporary individual is no longer sustained by what Jung called the power of the «consensus Omnium.»

Anti Muslim (and, sadly, anti-Sikh) bigotry in the contemporary west has its own easily identifiable historical and cultural origins, as well — not least of them, anxiety and resentment over terrorism, and current wars.

Early medieval hagiographers often projected their cultural anxieties onto swamps — fearsome landscapes full of fearsome people.

Are we going to embrace the fear and anxiety of this cultural moment — not as a country, but as the Bridegroom of Christ — and close our doors, our arms, our families and our hearts to people who are far from God and in their deepest desperation?

Our country, being democratic, sends its cultural elites through cycles of high anxiety that the people will be duped into making some spectacularly bad decisions.

These include: cultural beliefs and pressures (e.g. anxiety about breastfeeding in public, beliefs about adequacy of milk supply); lack of availability of trained support; legislation to protect women who are breastfeeding; and commercial pressures from marketing and advertising of formula by manufacturers (Save the Children 2013).

I remember myself at the beginning of this journey — the «need» for control in my parent - child relationship, the anger when my child didn't do as I thought she should have, the overwhelm of realizing how much I didn't know about parenting, the anxiety about whether I was doing it right or not, the complete lack of knowledge about healthy child development expectations, the frustration of realizing that I didn't know myself and how to handle my own emotions as much as I thought I did, the conflict between my mothering instincts and cultural advice promoting detachment and emotional distance.

Continued EU membership can help address both economic uncertainty and cultural anxiety — widespread fears that certain values and ways of life are threatened by the forces of transnational markets.

One of the apps assesses measures of mood and anxiety; the other asks questions related to life issues including physical and mental health, addictions, cultural factors and environmental stress.

Examples might be a manuscript that examines social - cognitive processes and their relevance to the etiology of depression, a manuscript that examines how the interaction between two brain regions places people at risk for anxiety disorders, or a manuscript that examines how cultural variables shape the experience or expression of schizophrenia (of course, these are only three potential examples among hundreds).

Standards of physical perfection brought on by cultural demands can also breed stress and anxiety over our appearance.

As Eric Klinenberg, Sociologist at NYU and author of the book Going Solo, says, «There's so much cultural anxiety about isolation in our country that we often fail to appreciate the benefits of solitude.»

The missing footage was deemed too extreme and too provocative in its depiction of gay S&M subculture for mainstream audiences, and so this bid at reenactment is ostensibly meant to confront that controversy head on and, in doing so, upend deeply held cultural anxieties about gay male sexuality and sex.

Denis Villeneuve's hotly - anticipated sequel arrives a time of heightened cultural anxiety in the West.

One source of anxiety for students has to do with negative cultural stereotypes, which can be made salient to the learner when a negative cultural stereotype about one's group applies to the testing situation (Steele & Aronson, 1995).

It is the belief that others may judge one's performance and believe the negative cultural stereotype that creates the anxiety that can undermine performance and lower a learner's sense of efficacy.

Participating preservice teachers also expressed anxiety over using GarageBand ™ within the context of music education due to fear of losing what Amy referred to as «our cultural heritage.»

Certainly the terrorists of Patchett's novel seem quite different from the ones occupying our news headlines and general cultural anxiety.

As a master of literary fiction in the American Gothic tradition, Jackson always subverted the trappings of genre, using the classic tropes of the haunted house and the mysterious villagers to illustrate deep cultural and personal anxieties.

Whether or not the monumental, 27 - panel work will cure the anxiety of cultural identity, as Gu hopes it will, remains to be seen.

Referring to Doomocracy as an act of «political catharsis,» Reyes leverages political, social, and cultural anxiety — and fear itself — as the media for participation and cultural critique.

A leading figure of the burgeoning Cuban art scene, Capote creates psychologically resonant sculptural works in a myriad of media that address a multiplicity of themes - ranging from those of the human condition (isolation, anxiety, desire, claustrophobia, obsession) to cultural identity, migration, politics and the economy.

Those familiar with the artist's online animated identity know that the themes of cultural positioning, social anxiety and peer pressure are hallmarks of the concepts explored in the ongoing narrative he posts across a range of social media.

Cultural nomads or archaeologists of information, Lothar Baumgarten's installations, language and other systems of categorization are turned inside out, revealing the anxieties such nomenclature is designed to suppress.

This recalls romantic and transcendental themes while also nodding to cultural anxiety about the «disappearance» of religion in America.

Close Readings brings together practices that are by turns invested in uncovering the frailty of language, prodding at cultural anxieties and individual pleasures, excavating and refusing legacies, asking for tenderness, applying pressure, attending to the complications and vulnerabilities of being together while we are implicated — politically, socially, personally — by artworks and their demands on us.

The question of gender's intersection with cultural constructions and racial anxieties are revealed in economic and industrial language, as well as props and costumes that take tropes to their humorous extreme.

Inspired by the fear and panic engendered by the terrorist attack of September 11, 2001, the Museum of Art Rhode Island School of Design's upcoming exhibition, Nancy Chunn: Chicken Little and the Culture of Fear, is a series of paintings that represents the media sensationalism infecting our current political and cultural landscape, feeding our anxieties and distracting us from dealing with real dangers.

The works expose the uncanny materiality of our surroundings, revealing the absurd and comical nature of reality and the nature of our excessive entanglement within it, confronting us with a taste of our own cultural desires and anxieties.

This exhibition is inspired by the vague sense of insecurity and threat and shows the cultural influence of individual and collective anxiety towards experiences and events.

Rich with ambiguity, the phrases resist interpretation, while pointing to some of the psychological, cultural, and political anxieties at stake in present day Israel and Palestine.

«This Will Have Been: Art, Love & Politics in the 1980s» examines artists» responses to that decade's cultural upheavals, including the rise of gender politics, the fall of the Berlin Wall, Cold War anxieties, and President Ronald Reagan's malign indifference to the AIDS epidemic.

NYC - based artist Christopher Chiappa's first solo show in eight years, «High Fructose Corn Syrup,» boldly explores themes of cultural degradation, anxiety and industrialized sweeteners.

resist interpretation, while pointing to some of the psychological, cultural, and political anxieties at stake in present day Israel and Palestine.