Sentences with phrase «of cultural artefacts»

Geophysics and soil science, carbon dating, knowledge of cultural artefacts, stories and other evidence provided from ancient documents and carvings, pollen analysis, human DNA from local populations, etc. — each had evolved in independently of one - another, but would now be combined to deepen any 21st century archaeology's approach to understanding the pot.

Price uses these attributes to explore and dramatically map the value and meaning of cultural artefacts, collections and archives.

A collector of cultural artefacts, Claydon repurposes objects and data into sculptures that are full of intentional contradictions.

Through his videos, installations and live performances, Leckey explores the relationship of cultural artefacts to human subjectivity and the production of desire.

The appearance of Albert Bierstadt's landscape Mountain Scene (1880 - 90) in both The Age of Innocence (1993) and The Hunger Games (2012) serves as the basis for Mathis Gasser's Grasshopper (Mountain Scene)(2015 - 16), in which he reproduces the original painting twice and hangs the pair beside a screen playing footage from the 2015 - 16 TV adaptation of Philip K. Dick's Man in the High Castle, a series that deals with the role of cultural artefacts in imagining counterfactual histories.

Bucklow believes that our modern - day appreciation of cultural artefacts — such as mobile phones — is completely divorced from our understanding of the materials that go into their making.

On the one hand, emotional manipulation has always been at the heart of our cultural artefacts; in fact, we have always lauded the best artists, writers, film - makers, composers and the like for their seamless skills in moving us and enlarging our horizons.

It may see the emergence of cultural artefacts we find distasteful, like the burkha.

2 July 2013Last updated at 07:32 ET Magazine Monitor A collection of cultural artefacts Contents of the 2013 pack Changing the nappy at Kensington Palace, when the moment comes, may be easier thanks to a gift to the Duke and Duchess of Cambridge from the Finnish government, writes Mark Bosworth in Helsinki.

Not exact matches

Every cultural artefact you can think of is on display during the festival.

The Chale Wote Street Art Festival, currently, runs for a whole week with a tall lineup of musical performances coupled with art showcases and sale of cultural craft and artefacts.

Preservation of cultural heritage artefacts increasingly involves laser techniques [1,2].

Resume: Preservation of cultural heritage artefacts increasingly involves laser techniques [1,2].

Moreover, co-occurrence of Oldowan and Acheulian artefacts at the Kokiselei site complex indicates that the two technologies are not mutually exclusive time - successive components of an evolving cultural lineage, and suggests that the Acheulian was either imported from another location yet to be identified or originated from Oldowan hominins at this vicinity.

A cultural first date can be great as it gives you and your date plenty of time to talk as well as admire the artefacts.

Highlighting the work of the men charged with rescuing cultural artefacts in the Second World War, The Monuments Men offers an obvious continuation and easy correlation.

In The Death of Cinema: History, Cultural Memory and the Digital Dark Age, Paolo Cherchi Usai noted that the Zapruder tape sold in August 1999 for $ 16 million, at that time making it «the largest amount ever paid for a motion picture artefact» 2 Eight years earlier, Oliver Stone made this material the centrepiece of his Oscar - winning blockbuster JFK.

Directors Anthony and Joe Russo cut their teeth on such urbane, snippy TV sitcoms as Arrested Development and Community and the film begins brightly, with some inspired comedy concerning the Cap's growing laundry list of post-WWII must - see cultural artefacts and baffling culinary innovations.

Not many people realise, but the Northern Territory holds some of the most important historical events and artefacts, immersive living cultural experiences, impressive sustainability programs and much more.

Beijing, the enormous capital, is known for its ultra-modern buildings juxta - positioned against the city's millennia - old history, the Tiananmen Square and the National Museum of China, featuring an array of fascinating cultural artefacts.

Although it is only a suburb of Pretoria, Tshwane, it is in close vicinity of many interesting places to visit, such as a Lion park, Cradle of Humankind, Sterkfontein Grottos, Hartebeespoort dam and its huge cultural artefact market, and Bela Bela with the biggest Water Feature Park in South Africa.

At nearby Batu Bolong is the wonderful Tugu Hotel, a living museum of priceless antiques and rare cultural artefacts and, almost opposite, one of the newer kids on the block and a definite favourite with the young and beautiful (despite its name)-- Old Man's.

On North Island explore Auckland «City of Sails» and Bay of Islands made up of over 140 subtropical islands, known for its stunning beaches, big - game fishing and Maori cultural artefacts.

Magical mountain scenery, Early Stone Age artefacts, cultural - historic structures and ruins, interesting geological formations, wildlife, bird life, lichens, marine trace fossils, three Matjiesfontein Fynbos vegetation types and clear night skies create a unique sense of place and ensure that there is something to interest all nature lovers.

Arend Dieperink Museum This cultural history Museum contains a valuable collection of Vootrekker and Sotho artefacts and is housed in a stone building originally built as a school.

Certainly, Nathan Drake's success and appeal — despite his treatment of global heritage sites and artefacts — makes for an interesting exception in a developing public dialogue around cultural imperialism.

These are all examples of modern appropriation, where the loot isn't physical artefacts, but cultural images.

What's interesting is that these characters continue to flourish in a culture that is becoming increasingly sceptical towards the idea of acquiring and retaining cultural artefacts from overseas.

These artefacts are not the primary focus of the game narrative and their religious, social and cultural significance is rarely given a second thought after they're acquired.

His practice involves an exploration of the significance and circulation of images and cultural artefacts through painting and curating.

Much of Hiller's art is characterised by an engagement with cultural artefacts.

He argues that the artist has no choice but to address the sociopolitical questions and the ideological apparatuses linked to the production of cultural «artefacts.»

The project draws attention to the roles that certain artefacts have played in the recent history of the Philippines, specifically in shaping the cultural legacy of former Philippine dictators Ferdinand and Imelda Marcos and the absurd postcolonial ideology they enforced under the auspices of capitalist democracies during the Cold War.

The seven artists here, who have created displays of art and artefacts tracking British social and cultural life, provide a timely reminder of the past's impact on the present.

Each of Hiller's works is based on specific cultural artefacts from our society, which she uses as basic materials.

The film blends fact and fiction to reimagine cultural artefacts, their collection and display, through fabricated narratives, memories and moments of forgetting.

The artist's humorous sculptures draw from a wide variety of source materials from both low and high cultural registers: popular imagery, toys, kitsch paraphernalia mixed with ancient cultural artefacts and modernist archetypes.

He writes that the exhibition «presents the artist and his work partly in the context of his time and place and partly as artefacts present - day viewers respond to literally, without much explanation, as images that will strike them as strange or alien, either because of a cultural disconnect or because of the uniqueness of Dürer's imagination.»

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

Guillaume Pinard is an informed observer of art and cultural artefacts — of which he scans appearances and hidden meanings.

Her research interests include the histories and theories of modernity, housing, domesticity and the metropolis, politics of power and post-colonialism, utopias, as well as artefacts and their cultural representations.

Starting from the idea that abstracted knowledge is stored in cultural goods and artefacts, Vulsma's works reflect the interaction of historical relationships - such as India's leading role in the history of textile production, the rapid development of a European market and the desire to copy the Indian form language for Europe's own production - and the contemporary hierarchies in an unequal global distribution of labour.

The exhibition marks the centenary of the end of the Danish colonies in the West Indies, exploring the history through artworks, cultural artefacts, and contemporary art from Denmark and abroad.

Often working with charged cultural artefacts and symbols, Tee pairs diverse points of inspiration to instigate dialogues between Eastern philosophies and Western culture.

The Western tradition tends to portray painting as a two dimensional artefact, whose sides are hidden in frames, and whose reverse if of no visual or cultural interest.

The «admiration» expressed by the guru character goes along the lines of «if we want to fight them properly, we need to learn from them so that we can wallop the bejasus out of them asap» It's a deeply, deeply, nasty piece of writing — but an interesting cultural artefact for all that.

According to the artists, by «exposing these fragile and supposedly timeless cultural artefacts to the processes of decomposition... The garden becomes a sensual reading room; a library; an information platform; an invitation to a provocatively foreign realm of knowledge.»

It involves data sets and infrastructure, she said, but data can also be cultural artefacts or even the location of significant sites.

They are inherently human artefacts and they overtly display the cultural, social and political power imbalance between those collecting and analysing those data, and those of us who are their data subjects.»

[60] «Article 18 [freedom of religion]... might well assist in securing access to and control of sacred sites, skeletal remains, burial artefacts and other items of religious or cultural significance to Indigenous Australians», S Pritchard (ed), Indigenous Peoples, the United Nations and Human Rights, The Federation Press, Sydney, 1998, p192.