Sentences with phrase «of cultural cues»

Because of cultural cues and cultural identities, for example, she expects more family members present at mealtimes in the Spanish - speaking families, with a higher rate of two parents found at the table than in the original study.

The CGI globules of vampire blood is quite lovely and gives it an otherworldly feel, but the rest of the production is a bizarre mix of sensibilities that falls apart into a mess of cultural cues.

Not exact matches

More than 50 Deaf baristas received green aprons with «Starbucks» embroidered in ASL fingerspelling to serve as a visual communications cue for customers and a point of Deaf cultural pride.

The movie has many clever ideas — for instance, that the way we respond to racial cues amounts to a kind of cultural hypnosis.

Take the cultural cues in his work: the Rockwellian Americana he essays in Blue Velvet; the Bauhaus by way of Antoni Gaudi of Dune; or the late - Hitchcock identity puzzles he rejiggers in Lost Highway and Mulholland Drive — both commonly seen as satires of what they represent but more accurately described, perhaps, as simple, uncommented - upon representations of what a lower layer of consciousness might consider to be unadorned gospel.

We have always taken our cues from our authors — who respond to their readers and to the cultural climate — and have recently noticed a rise in submissions featuring modern retellings of classic fairy tales.

The cultural cues the designer puts into the game can have a huge effect — designing a testosterone - drenched game with scads of violence and / or women as sex objects (say, a Bulletstorm or a Duke Nukem Forever) is going to attract a very different audience, and have very different griefing thresholds, than online components for, say, the Settlers of Catan Xbox Live game or a more casual MMO like Maple Story or Free Realms.

McKendree is a 2004 NYFA fellow and has participated in residency programs at CUE Art Foundation, the Lower Manhattan Cultural Council, and the Skowhegan School of Painting and Sculpture.

Open Call Opportunities Listings Art Deadline The Art Guide Art in New York City Art Opportunities Monthly Art Show Artist Trust Brooklyn Artists Council Call for Entry College Art Association (CAA) New York Artists NYFA Re-title Women Arts Wooloo Grants A Blade of Grass Adolph and Esther Gottlieb Foundation Creative Capital CUE (visual arts and curators) The Elizabeth Greenshields Foundation FEAST Harpo Foundation ISE Cultural Foundation The Lillian Orlowsky and William Freed Foundation National Association of Latino Arts and Culture National Endowment for the Arts Pollock Krasner Foundation Puffin Foundation Rema Hort Foundation Robert Rauschenberg Foundation

Participants: Session One (10:00 --- 11:15 AM) Karen Atkinson, Get Your Sh*t Together David Terry, New York Foundation for the Arts Travis Laughlin, Joan Mitchell Foundation Gia Hamilton, Joan Mitchell Center, New Orleans Kendal Henry, NYC Department of Cultural Affairs» Percent for Art Program Session Two: (11:30 AM — 12:20 PM) Christopher Carroll, Skowhegan School of Painting & Sculpture Melissa Levin, Lower Manhattan Cultural Council Reps from the CUE Art Foundation Reps from the Wassaic Project

Blesofsky has participated in numerous residencies, such as Urban Glass, the Lower East Side Printshop, Museum of Arts and Design, CUE Art Foundation, Smack Mellon, Dieu Donné, the Lower Manhattan Cultural Council's Workspace, the California Legion of Honor in San Francisco and KKV Print Shop in Malmö, Sweden, a partnership with the Women's Studio Workshop.

2014 Ayelet Danielle Aldouby, Curator & Co-Founder, Artea Projects Harutyun Alpetyan, Independent Curator, Armenia Marco Antonini, Executive Director & Curator, NURTUREart Rocio Aranda - Alvarado, Curator, El Museo del Bario Karen Archey, Independent Curator & Critic, NYC and Berlin Nova Benway, Assistant Curator, The Drawing Center Boshko Boskovic, Program Director, Residency Unlimited Marie Burns, Program Manager, apexart Ethan Cohen, President & CEO, Ethan Cohen Fine Arts Irina Danilova, Independent Curator Eva Diaz, Critic & Assistant Professor of Contemporary Art, Pratt Institute Erin Donnelly, Independent Curator & Programs Manager, Smack Mellon Juliana Driever, Independent Curator, Writer, and Educator Shlomit Dror, Independent Curator Jason Duval, Artist & Independent Curator Alessandro Facente, NARS Special Projects Curator Jane Farver, Independent Curator Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Carter Foster, Steven and Ann Ames Curator of Drawing, Whitney Museum of American Art Anna Frost, Independent Curator, Berlin andCopenhagen Asya Geisberg, Owner & Director, Asya Geisberg Gallery Jessica Gildea, Programs Director, CUE Art Foundation Jan Hanvik, Executive Director, Clemete Soto Velez Cultrual Center Larissa Harris, Curator, Queens Museum Eric Heist, Founder & Director, Momenta Naomi Hersson - Ringskog, Executive Director, No Longer Empty Felicity Hogan, Artist, Independent Curator & Senior Program Officer, New York Foundation for the Arts (NYFA) Learning Jin Young Hwang, Co-Founder, K&H Art Advisory Inc Tzu - chieh Jian, Independent Curator & Critic, Taiwan Paddy Johnson, Founding Editor, Art Fag City Rhiannon Kubicka, Co - Owner / Co-Director, Blackston Gallery Omar Lopez - Chahoud, Independent Curator & Artistic Director, UNTITLED Stephen Maine, Artist, Critic & Independent Curator Julie McKim, Director, Kunsthalle Galapagos John Moore, Independent Curator & Critic Isabelle Normand, Independent Curator, Paris & Los Angeles Isin Önol, Independent Curator, Vienna Douglas Paulson, Residency Director, Flux Factory Vittoria Pavesi, Independent Curator, Italy Laurel Ptak, Director, Triangle Arts Association Sara Reisman, Director, Percent for Art, NYC Department of Cultural Affairs David A. Ross, Independent Curator & Chair, MFA Program in Art Practice, School of Visual Arts Cindy Rucker, Owner & Director, Cindy Rucker Gallery Sebastien Sanz Santamaria, Director of Operations, Residency Unlimited Krista Saunders, Curator & Co-Founder, Ground Floor Gallery Keith Schweitzer, Co - Founder / Director, The Lodge Gallery and Director of Public Art, Fourth Arts Block Bernard Schutze, Independent Curator & Critic, Montreal Felipe Scovino, Independent Curator Eric Shiner, Director, Andy Warhol Museum Carolyn Sickles, Director of StudioLab, Abrons Arts Center Sarah Suco Tores, Independent Curator Yulia Tikhonova, Independent Curator Jodi Waynberg, Executive Director, Artists Alliance Inc..

Many images explore cultural cues outside the face — such as the teasing pose of Koos Bruekel's» Gerard Petrus Fieret, 2005.»

Regional artists manuel arturo abreu and Christopher Paul Jordan explore the abstracted visual and emotional cues that influence how a sense of «place» is communicated through signifiers of the cultural, economic, and racial influences within inherited identity.

Taking its cue from the resurgence of figurative sculpture in the late 1980s and early 1990s, and from Sigmund Freud's essay «The Uncanny» (1919), the exhibition brings together mannequin - related art works, mostly from the 1960s onwards, with objects from disparate cultural contexts that engender a similar sense of unease in the viewer: medical dolls, anatomical waxworks, religious statues, pagan figurines, ventriloquists» dummies, sex dolls, taxidermy and so on.

Her work has been included in group shows internationally in Germany, Great Britain, Argentina and the United Arab Emirates, as well as at the Queens Museum of Art, Bronx Museum of the Arts, Smack Mellon, Newhouse Center for Contemporary Art at Snug Harbor Cultural Center, CUE Art Foundation, MASS MoCA, the Urban Institute of Contemporary Art, Grand Rapids, and the City of San Antonio International Center, among others.

With the inclusion of cultural references, such as the books in Camellias or the album covers in Sean's Records, Pecis offers a set of visual cues to the viewer.

Affiliated organizations include: Abrons Art Center, Artists Alliance Inc., Bronx River Arts Center, Bronx Museum of the Arts, Children's Museum of Manhattan, CUE Art Foundation, Elastic City, Eyebeam Center for Art + Technology, Flux Factory, FreeDimensional, Henry Street Settlement, International Center for Photography, Lower Manhattan Cultural Council, Metropolitan Opera, Museum of Arts & Design, Museum of the City of New York, Museum of Modern Art, New York Foundation for the Arts, NURTUREart, Residency Unlimited, Time Out New York, Triangle Art Association, Vera List Center for Art + Politics at The New School, and Wave Hill.

Thomas has stated that his interest in non-representational imagery is due to his concern with bringing about reactions of pure emotion in his audience, devoid of cultural references and cues.

In a sense, Fowler is taking aesthetic cues from DIY and craft communities and inserting them into the world of streetwear, fostering intriguing cultural crossover possibilities in the process.

CUE's arts education programming is generously supported by the Milton & Sally Avery Arts Foundation and the New York State Department of Cultural Affairs with the support of Governor Andrew Cuomo and the New York State Legislature.

Taking visual cues from artist Michael Craig - Martin and sampling motifs from some of the 200 tribal communities across west Africa, his drawings depict a new citadel housing a grand public arena where «linguistic and cultural knowledge is shared through celebration and traditional methods of production».

ARTs East New York AXS Lab The Bronx Museum of the Arts BronxArtSpace Caribbean Cultural Center African Diaspora Institute (CCCADI) Cave Canem Foundation Center for Book Arts Center for Urban Pedagogy Creative Time CUE Art Foundation Culture Push, Inc..

It's their shared apprehension that opposing positions on climate change are, in effect, badges of membership in and loyalty to competing cultural groups; that is the cue or signal that motivates members of the public to process information about climate change risks in a manner that is more reliably geared to affirming the position that predominates in their group than to converging on the best available evidence.

Seeing the study this way, I now often find myself reflecting on what sorts of cues might have analogous effect in cultural cognition settings.

The video above shows a conversation between The Open Planning Project's Executive Director, Mark Gorton, and the Commissioner, and covers everything from physically separated bike lanes to reclaiming public space for people, through freeing up bus lanes for faster mass transit, and even the psychology of the street — how cues from the environment can help create cultural shift in the city's drivers.

For me binging on the glory days of premium cable isn't merely about catching up, but actually rediscovering a part of an era I lived through, the cultural touch points that I had missed out on, and the technology cues that resonate as familiar.

Many families introduce solid foods and liquids other than breast milk or formula early in life, often within the first few weeks.1 — 4,21 Reasons for the early introduction of food suggest that big infants are considered to be healthy22and solids are regarded as having more nutritional value and ability to satisfy infants, compared with formula.21 Mothers often look to their infants for cues regarding hunger and satiety and reason that with solid foods their infants will feel satisfied and will cry less and sleep through the night.21 Therefore, many mothers are encouraged by cultural norms transmitted through their families to start solid foods early in life, contrary to the recommendations that they may receive from WIC or from their pediatrician.

The intervention focused on reducing the cultural barriers to the acceptance of the recommendations of the American Academy of Pediatrics, WIC, and World Health Organization on complementary feeding by highlighting 3 topics: 1) recognition of infants» cues; 2) nonfood strategies for managing infant behavior; and 3) mother — grandmother negotiation strategies.

By participating in an intervention that focused on interpreting infants» cues, mothers may have been able to resist the cultural norm of using complementary food to manage their infant's crying and sleeping behavior.