Sentences with phrase «of cultural exposure»

To generate our measures of cultural exposure, we used two different methods of counting the number of field trips students experienced.
When we use WAC records as our measure of cultural exposure, the overall effect is not statistically significant.
We observed this empathy benefit of field trips to WAC whether we relied on student reports or WAC records as our measure of cultural exposure.
We also generated measures of cultural exposure for these students based on the number of performances they had seen with their schools at the Walton Arts Center.

Not exact matches

Iovine went on to criticize Sony and Bose as being out of touch with pop culture, and was clearly glad for the increased brand exposure resulting from his competitors» lack of cultural awareness.
This book by two psychology professors explores the hidden biases we all carry from a lifetime of exposure to cultural attitudes about age, gender, race, ethnicity, religion, social class, sexuality, disability status and nationality.
This daily exposure to alternate hero systems threatens our belief that our particular cultural heroics, our way of life are eternal and timeless.
Some models have been worn thin by premature exposure to children, so that their use at a later age is ineffective; but chiefly we have the problem of vast cultural changes in recent years.
A decade ago Kenichi Ohmae described this process9, driven by global exposure to the same information, the same cultural icons, and the same advertisements, as the «Californiazation» of taste.
The limited national exposure most instances of sex abuse get works against broad, cultural penetration.
The jury is out as to why this is, but probable causes include insufficient (or nonexistent) maternity leave, poverty and its accompanying stress and pour nourishment, lack of education about and exposure to breastfeeding, infant care practices that keep mother and baby separate, scheduled feeding, high rates of birth interventions, the aggressive marketing of infant formula, exposure to pesticides and endocrine disruptors, and cultural beliefs that tell mothers they can't do it.
-- Empowerment and development of inclusive national narratives — Global knowledge of cultures and histories — Cultural respect and understanding — Communication, exchange and exposure — Global citizenry through responsible media and political statements — Global values and equality — Avoidance of dehumanization of the other and abuse of knowledge — Other moral truths and views.
The cultural effects are on tangible things like access to cultural products (such as food but also all kinds of entertainment), intangible things like attitudes (due to our exposure to a wider range of ideas, outlooks and experiences) and, of course, on literal cultural diversity.
, 1968 Zick Rubin, «The Social Psychology of Romantic Love», 1969 Elliot Aronson, «Some Antecedents of Interpersonal Attraction», 1970 David C. Glass and Jerome E. Singer, «The Urban Condition: Its Stresses and Adaptations — Experimental Studies of Behavioral Consequences of Exposure to Aversive Events», 1971 Norman H. Anderson, «Information Integration Theory: A Brief Survey», 1972 Lenora Greenbaum, «Socio - Cultural Influences on Decision Making: An Illustrative Investigation of Possession - Trance in Sub-Saharan Africa», 1973 William E. McAuliffe and Robert A. Gordon, «A Test of Lindesmith's Theory of Addiction: The Frequency of Euphoria Among Long - Term Addicts», 1974 R. B. Zajonc and Gregory B. Markus, «Intellectual Environment and Intelligence», 1975 Johnathan Kelley and Herbert S. Klein, «Revolution and the Rebirth of Inequality: The Bolivian National Revolution», 1977 Murray Melbin, «Night as Frontier», 1978 Ronald S. Wilson, «Synchronies in Mental Development: An Epigenetic Perspective», 1979 Bibb Latane, Stephen G. Harkins, and Kipling D. Williams, «Many Hands Make Light the Work: The Causes and Consequences of Social Loafing», 1980 Gary Wayne Strong, «Information, Pattern, and Behavior: The Cognitive Biases of Four Japanese Groups», 1981 Richard A. Shweder and Edmund J. Bourne, «Does the Concept of the Person Vary Cross Culturally?»
As the number of schools serving poor, urban, de facto segregated populations is steadily increasing, more and more students are deprived of exposure to «mainstream» or «dominant» cultural capital.
For many of us White teachers who grew up with little - to - know exposure to people and cultures of Color and who don't have a connection to our own ethnic cultural identities outside of Whiteness (notably,
This seminar will focus on the future of Government's tourism strategy following the international exposure created by the major sporting and cultural events of summer 2012.
With a large emphasis on adventure, this trip is not for the beach bums but instead creates an experience of high exhilaration, enlightening cultural exposure and the stimulating feeling of a changing scenery.
As the director of S.I.A.R., Alicia Goodwin offers her experience as an artist, writer, curator, and world - traveler to visiting artists, as well as exposure to a wide network of other local, national, and international individuals and organizations integral to a successful artistic cultural exchange.
By the time Abstract Expressionism — or, as Wheeler dubbed it, «Hack - tion painting» — established itself as a cultural force, Wheeler became increasingly bitter at his lack of exposure.
This exposure has encouraged me to make connections among art works and artists of ostensibly disparate media and historical eras with different social, cultural and political concerns.»
The program and facilities are designed to form a community, foster the expansion, and exchange of artistic and cultural practices, and provide artists with exposure to New York and its art scene.
Future projects include John Waters: Indecent Exposure, a retrospective of that important cultural figure's visual arts career, as well as projects with DIS, Maren Hassinger, Mary Reid Kelley, and Meleko Mokgosi.
Weekly informal gatherings, inter-studio visits and activities, as well as monthly field trips and meals together, are designed to form a community, foster cultural and exchange of artistic practices and ideas among residency and studio artists, and provide exposure to New York based artists and art institutions.
By exhibiting Awardees from one Artadia city in another program city, the series of five shows in 2010 - 2011 provides vital exposure for Artadia Awardees, partner communities as cultural hubs, as well as new avenues for curatorial enrichment.
This marked the beginning of a meaningful exposure to sophisticated cultural patronage, and has served as an ongoing inspiration throughout Deal Booth's career and life.
SN: The level of exposure New York provides by being truly an intersection for a wide range of artists from different cultural backgrounds, continuously feeds my mind.
Limited in its exposure during the last half of his life, Sam Feinstein's art has yet to be fully discovered and recognized for its unique and magnificent contribution to cultural history.
The Retreival carries forward the momentum of important recent exhibitions including The Black Woman is God at SOMArts Cultural Center, When and Where I Enter, Angela Hennessy's solo exhibition at Southern Exposure, and Hinkle's solo exhibition Who Among Us... at San Francisco's Museum of the African Diaspora (2015 - 16) and The Evanesced at Los Angeles» California African American Museum (2017).
The project has been planned to premiere during the Biennale to mark the significance of this opportunity for cultural exposure.
The SFAC acknowledges that The Retreival carries forward the momentum of important recent exhibitions including The Black Woman is God at SOMArts Cultural Center, When and Where I Enter, Angela Hennessy's solo exhibition at Southern Exposure, and Hinkle's solo exhibitions Who Among Us... at San Francisco's Museum of the African Diaspora (2015 - 16) and The Evanesced at Los Angeles» California African American Museum (2017).
His own visual work has exhibited locally at San Jose Institute of Contemporary Art, Southern Exposure, Palo Alto Art Center, Jack Fischer Gallery, and nationally at Angel's Gate Cultural Center (San Pedro, CA), Harn Museum of Art (Gainesville, FL), Bob Rauschenberg Gallery (Ft. Myers, FL), Bruno David Gallery (St. Louis, MO), and The Kitchen (New York, NY).
Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.
The coming year promises even more exposure for the artist's spellbinding practice, which explores the intersection of self - expression, sexual freedom, and cultural ritual.
It's no coincidence that visiting museums and cultural centers with my parents fostered my appreciation of historical painting and fine arts because I didn't get this kind of exposure where I grew up.
She has exhibited at the San Francisco Museum of Modern Art, the Contemporary Jewish Museum, the Asian Art Museum, Headlands Center for the Arts, Zero1 Biennial, Yerba Buena Center for the Arts, Meridian Gallery, Kearny Street Workshop, San Francisco Arts Commission Gallery, Intersection for the Arts, Pro Arts Gallery, Mission Cultural Center, and Southern Exposure.
The goal of the Georgia Fee Artist / Writer Residency in Paris is to support and invest in emerging artists and writers, to provide an opportunity for them to advance their work and explore and engage with the cultural landscape of Paris, to encourage experimentation, and to increase exposure of their work to an international audience.
Working in and with many leading arts institutions over the past two decades, the acclaimed artist Teresita Fernandez is keenly aware of how a lack of access, dearth of exposure, and limited opportunities inhibit Latinx artists, arts leaders, and other cultural practitioners.
Choosing between willful exposure to unnecessary peril for the sake of cultural continuity, on the one hand, and heading for high ground because it makes sense, on the other, might not be as easy as it seems, even in this modern age.
E) Adaptation and mitigation strategies, such as those which develop large infrastructure or the resettle communities against their will to reduce exposure to climate change, carry risks of disrupted livelihoods, displaced populations, deterioration of valued cultural expressions and practices, and in some cases violent conflict.
(2) technological and cultural aspects of the blogosphere, including norms of rapid correction, third - party substantiation, and hostility to legal threats in the form of public exposure and criticism.
An MNC is likely to allow employees to have their own representation, from cultural and risk perspectives (potential exposure in another jurisdiction would militate in favour of allowing separate legal representation for the employee).
But whether you own a business near the Three Great Roads, serve as a docent at the Gilchrist Center for Cultural Diversity, or clock hundreds of miles along roads like Route 182 and Route 97, you worry about financial exposures, and you seek quality quotes to protect your business, your health, and your family's long - term future.
Civil Engineer — Duties & Responsibilities Responsible for civil engineering and construction projects valued in excess of $ 60 million Develop exposure to varied construction projects with both military and civilian applications Maintain, update, and create GIS and CADD data for use in Public Works civil engineering projects Coordinate data collection and project management with partner agencies and subcontractors Map utilities, environmental features, cultural resources, infrastructure, communication lines, and other features Utilize GPS and conventional surveying techniques to collect thousands of data points for detailed mapping Create and access spatial datasets in ArcSpatial Data Engine Develop and implement new mapping techniques using GIS software decreasing project turnover by 30 % Design and print large scale maps, drawings, and other items for use in engineering projects Set and strictly adhere to project timelines and budgets Manage construction contract negotiations, implementation, and funding Oversee finances identifying and resolving any errors or deviations of project budgets Direct office operations and support staff ensuring efficient, effective, and professional operations Serve as Civil Engineering instructor at the US Air Force Academy Lead classes in advanced GPS equipment operations, mapping, GIS software, and Terrasync data collection Develop new GIS, GPS, CADD curriculum for more than 1,200 cadets Implement instruction in Airfield Damage Assessment, MOS plotting, and combat skills Build and strengthen professional relationships with commanding officers, support staff, and business partners Perform all tasks with poise, integrity, and positivity
The 20 - credit - hour training is web - based and addresses the following issues critical to adopting waiting children: grief and loss, effects and behaviors resulting from exposure to domestic violence, parenting abused and neglected children, parenting children across racial and cultural lines, and the sexual behaviors of traumatized children.
This special issue will attempt to reflect state - of - the - art intervention science that focuses on the theoretical underpinnings, critical mechanisms, cultural adaptations and systemic implications of intervention related to violence exposure, victimization and perpetration.
Similarly, here we propose that by favouring social harmony over individuality, collectivistic cultural norms may have evolved to also serve an adaptive, «anti-psychopathology» function, creating an environmental niche that reduces the risk of exposure to environmental pathogens, such as chronic life stress, for group members.
To our knowledge, no prior study has been conducted, looking at the relationship between attachment style, exposure to a broad range of potentially traumatic events, and subsequent PTSD symptoms in a cross cultural perspective.
Furthermore, exposure to messages related to the benefits of assimilating into cultural institutions (e.g., «Black children learn more in White schools»), has been linked to greater depressive symptoms and lower self - esteem among African American adolescents (Davis and Stevenson 2006).
Mathers, a member of the North Carolina Association of REALTORS ® Equal Opportunity — Cultural Diversity Committee, touted real estate sales careers at a Hispanic high school career convention, which has brought exposure to both the industry and his brokerage.
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