Sentences with phrase «of cultural outsiders»

Perhaps because the subject matter is incarcerated people, individuals ostensibly marginalized from the mainstream, the photos operate as documentation of cultural outsiders.

As somewhat of a cultural outsider, I've always been interested in mining the underlying assumptions of our expectations and beliefs, and so too the assumptions in the field of couple therapy.

Not exact matches

Perhaps with more information like this, the notion that people of faith are cultural outsiders will dissipate.

The distinctly defensive tone is perhaps to be expected in the mainline (if one may be permitted the term) publication of evangelicals who are self - consciously outsiders, in contrast to Turner's appreciation offered from a position of greater cultural confidence.

Liberalizing world trade to the extent that smaller and less resource - rich countries open their services markets to outsiders, erodes the competitive capacity of people's own cultural industries.

The Whig - democratic ideals they had long proclaimed included, after all, the principles of equity and integration of all peoples that cultural outsiders were now claiming.

Cultural appropriation is defined as «the use by cultural outsiders of a minority, oppressed culture's symbols or other cultural elementsCultural appropriation is defined as «the use by cultural outsiders of a minority, oppressed culture's symbols or other cultural elementscultural outsiders of a minority, oppressed culture's symbols or other cultural elementscultural elements».

They represent the culmination of a cultural change that began as the 1980s indie film movement shifted control of American film production away from the major studios to the entrepreneurship of individual (not necessarily «independent») outsiders.

As a white «outsider» who's spent over two decades working with students in Chicago schools, I've seen firsthand the importance of students having teachers they can connect with on a cultural level.

There are cultural and linguistic barriers to cross, as well as a marketplace that can be something of a black box to outsiders.

Claire likes to read cross cultural fiction and non-fiction, works that take us out of our own cultural experience into another, or that give us an alternative perspective on how we appear to the outsider.

Information ranges from #fakenews and propaganda about how Mexico is nothing but drug cartels and Cubans are jailed for eating meat to misinformed representations of cultural habits and customs to more subtle but insidious articles in which all the facts might be correct on the surface but, being an outsider, the writer swaps out the nuances and complexities that make up real cultures for confused generalizations and stereotypes that promote subcsoncious racism.

The island of Gili Air contains specific cultural dynamics that can be difficult to understand or interpret for an outsider.

The classic Swedish sauna is not for all outsiders - though for those interested, there is a museum dedicated to the art of sauna as a cultural practice.

2017 — LOG at LUMP Gallery, Raleigh, NC, curated by Maria Britton — AWKWARD MOMENTS, Lesley Heller Workspace, New York, NY 2015 — SACRED PLACES, Smithy Center for the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackson

Cheng's feelings as an outsider to New York and American culture at large play out upon its physical edge, where the experience of urban and cultural alienation are described via landscapes of post-industrial abandon.

Instead, his curatorial approach highlights the challenge of artistic self - determination within a cultural terrain shaped by inherited terms, such as «outsider,» which belie such diverse practices.

I'm all for well - meaning outsiders, but another irony, of course, is the group of New Yorkers themselves, whose very existence over the next few days rested somewhere uncomfortably between intellectual connoisseurs and cultural tourists.

Neshat, whose work critiques the cultural construction of difference, fully turns her attention to American culture for the first time in this show and depicts the ambiguity of feeling for an outsider through enigmatic images, haunting encounters and mystified points of view in her film and photography.

Through nearly 100 objects, the show aims to upend dominant narratives of the period and to unearth rich stories by examining watershed cultural moments from the Hairy Who to the Wall of Respect, from the Civil Rights movement to the AfriCOBRA, from vivid protest posters to visionary outsider art, and from the Free University movement to the radical jazz of the Association for the Advancement of Creative Musicians.

When he returned to the cultural hub of New York City, Jaime claimed his outsider position even when institutions invited him in.

READ MORE ON FRAME AND REFERENCE: Pallant House Gallery's Executive Director and Founder of Outside In responds to Sue Steward's feature and questions the label Outsider Art and its cultural significance in the 21st century.

06 Feb 2003 John the Painter at the Irish Museum of Modern Art The first exhibition by a native Outsider artist in an Irish National Cultural Institution opens to the public at the Irish Museum of Modern Art on 12 February 2003.

And, the cultural construction of female madness is an attempt to position women as outsiders to rational discourse: «all body, no brain.»

Accordingly, they were physically isolated, segregated, relocated and institutionalised, Their biological, cultural, political, economic and social lives were regulated by state and church «gatekeepers», mostly in secret, with permit systems to keep Aborigines in and outsiders out of the areas known as reserves or missions.

(122) Outsiders, such as police and mainstream providers are not effective in resolving disputes based on cultural and customary practice; these were more effectively addressed with the reintroduction of customary procedures and Aboriginal dispute resolution.