We conclude our findings by discussing demographic information that raises questions about the role
of cultural pluralism in the digital realm.
WHEREAS, in a multilingual multicultural society, language is one of the most obvious cultural characteristics of its people, and WHEREAS, it is understood that foundational elements of education in U.S. society are the awareness and appreciation of bilingualism, biliteracy and multiculturalism as integral components
of cultural pluralism in this society, THEREFORE, we who are advocates of bilingual education and are interested in the promotion, progress and the implementation of effective programs, unite to bring our efforts into one multilingual, multicultural professional organization.
As one of the organizations backing bilingual education, for example, the New York State Association for Bilingual Education maintains it is important to foster «the awareness and appreciation of biculturalism and bilingualism as an integral part
of cultural pluralism in our society.»
Not exact matches
Not only does the
pluralism in question characterize past and present construals
of the Christian thing and their respective social and
cultural locations; it also characterizes particular theological schools, the practices that constitute them, and their respective social and
cultural locations.
Can we reconceive theological education
in such a way that (1) it clearly pertains to the totality
of human life,
in the public sphere as well as the private, because it bears on all
of our powers; (2) it is adequate to genuine
pluralism, both
of the «Christian thing» and
of the worlds
in which the «Christian thing» is lived, by avoiding naiveté about historical and
cultural conditioning without lapsing into relativism; (3) it can be the unifying overarching goal
of theological education without requiring the tacit assumption that there is a universal structure or essence to education
in general, or theological inquiry
in particular, which inescapably denies genuine
pluralism by claiming to be the universal common denominator to which everything may be reduced as variations on a theme; and (4) it can retrieve the strengths
of both the «Athens» and the «Berlin» types
of excellent schooling, without unintentionally subordinating one to the other?
If we value
cultural pluralism in America we may have to look elsewhere than to the continuation
of existing ethnic groups to find a basis for such
pluralism, though the persistence
of ethnic and particularly religious identities can not be entirely counted out.
As the new literature about «theological education» began to grow during the past decade it quickly became clear [l] that for some participants the central issue facing «theological education» is the fragmentation
of its course
of study and the need to reconceive it so as to recover its unity, whereas for others the central issue is «theological education's» inadequacy to the
pluralism of social and
cultural locations
in which the Christian thing is understood and lived.
We are now lost
in mists
of philosophical and
cultural «
pluralism», which really stands for agnosticism and moral chaos.
Cultural pluralism is a fact
of modern life, resulting from the explosion
in mass media technology
in the past 100 years.
In the Western countries, including the United States, Muslims are struggling to reconcile their traditional belief that the Sharia embraces all
of life, including politics, with the religious and
cultural pluralism of the modern state.
I had noticed that
in Poland, smothered under an imposed Sovietized culture, it was the Catholic intellectuals who were the most outspoken advocates
of «
cultural pluralism.»
She evokes his delight
in «the world» together with his vivid sense
of its brokenness; his dedication to the life
of the mind along with his awareness
of the limits
of reason; his ease amidst
cultural pluralism and multiple interpretations; his understanding
of choice as always constitutive and often tragic; his struggles with temptation and doubt.
What concerns Berlin is the very old problem
of the One and the Many Only very recently
in our
cultural history» since «the second third
of the eighteenth century,» by Berlin's reckoning» have we developed a true appreciation
of the claims
of the «Many,»
of diversity and
pluralism in the realm
of values.
It's time that the issues
of multiculturalism,
pluralism,
cultural relativism (and now recently,
in resistance to multiculturalism, «culturalism,» become the pertinent topics
of the day.
The answer is that they were confronted
in the first place with vast
cultural trends such as technological advance, professionalization, and secularism that they could not easily control; and their problem was made the worse by pressures
of cultural pluralism and Christian ethical principles that made it awkward if not impossible for them to take any decisive stand against the secularizing trends.
What I propose
in the present analysis is to emphasize three major sets
of forces to which the leadership
of emerging universities and their constituencies were responding: first, those having to do with the demands
of technological society; second, those having to do with ideological conflicts; and third, those having to do with
pluralism and related
cultural change.
Wesley Ariarajah who was Director
of the Dialogue Unit
of the WCC for many years,
in his Thomas Athanasius lecture given
in Kerala (Current Trends
in Ecumenical Thinking 1992) deals with the topic «Interpreting the Missionary Mandate»
in the present context
of religious and
cultural pluralism.
Much current discussion
of cultural, religious, moral, and intellectual
pluralism uses the concept «
pluralism»
in a way that seems to shift from a descriptive use («such diversity does
in fact exist») to an evaluative and even celebratory use («such diversity is a good thing and should exist»).
Such antimodern models
of «critical traditionality» come out
of the life experience
of ordinary people
in India and provide working examples
of tolerance and
pluralism not by ejecting religio -
cultural particularities but by utilizing them for the good
of all.
Religious and
cultural pluralism became a reality, and this affected the status
of the Protestant minister
in the American community.
But white North American Christian feminists have shown a great deal
of sensitivity to the need for
cultural pluralism within the broader movement
of women, and even
in this respect they are able to give encouragement, if not leadership,
in other cultures.
At the same time we
in the United States have committed ourselves to building a nation state on the basis
of cultural pluralism.
«18
In the present context of globalization it is not only necessary to reject «the Western pretence of universalism,» writes Rajni Kothari, «but also for non-Western cultures to seek answers to their problems from within and, in the process, not only provide pluralism in techno - cultural system but, through such pluralism, help Westerners themselves to deal with the new crop of problems they now encounte
In the present context
of globalization it is not only necessary to reject «the Western pretence
of universalism,» writes Rajni Kothari, «but also for non-Western cultures to seek answers to their problems from within and,
in the process, not only provide pluralism in techno - cultural system but, through such pluralism, help Westerners themselves to deal with the new crop of problems they now encounte
in the process, not only provide
pluralism in techno - cultural system but, through such pluralism, help Westerners themselves to deal with the new crop of problems they now encounte
in techno -
cultural system but, through such
pluralism, help Westerners themselves to deal with the new crop
of problems they now encounter.
For us, it must start with the vision
of a peaceful world, where gradually the production and distribution
of armaments gives way to the production and distribution
of goods and services that benefit the human race instead
of threatening to destroy it, a vision
of the rule
of law rather than
of economic domination, a vision
of democracy where people are able to have a real say
in what their own future will be, a vision
of smallness and community involvement, a vision
of cultural pluralism and a diversity
of ideas, a vision
of leisure spent meeting human needs.
That is, will the faith - communities while keeping their separate identities be prepared
in the present historical situation
of pluralism, to interact with each other bringing their respective religious and / or ideological insights on the conception
of the human so as to build something
of a consensus
of cultural and moral values on which to build a single larger secular community?
Cultural situations
in which contemplative understanding
of God thrives tend to be highly homogeneous and intolerant
of pluralism.
During the many sit -
ins,
cultural events and discussions at the Park, people
of very different backgrounds, who would otherwise not come into contact — Turkish secularists and nationalists, Kurdish activists, members
of the creative professions and white collar workers, Socialists, religious and ethnic minorities, Islamists as well as LGBT and gender campaigners — found a way to manage coexistence and respect for
pluralism.
Then
in 2011 the Compass membership voted to take the huge
cultural and political step
of changing our constitution to open up membership beyond just Labour to welcome
in party members from the Greens, Liberal Democrats, SNP, Plaid Cymru and anyone who supported our good society goals
of much greater equality, sustainability, democracy and
pluralism.
The concept
of cultural pluralism: Issues
in special education.
At the other extreme,
cultural pluralism in South Africa is a prominent aspect
of the society.
Secondary
cultural pluralism in the form
of age, class, religious and regional subcultures and
of residual ethnic traits (such as cooking), does,
of course, exist
in the United States, but major
cultural cleavages are absent.
Cultural pluralism (as indexed both by the amount of cultural difference between ethnic groups living within the same society and by the relative size and power of these groups) ranges from minimal in the United States to maximal in South Africa, with Mexico and Brazil in an intermediate p
Cultural pluralism (as indexed both by the amount
of cultural difference between ethnic groups living within the same society and by the relative size and power of these groups) ranges from minimal in the United States to maximal in South Africa, with Mexico and Brazil in an intermediate p
cultural difference between ethnic groups living within the same society and by the relative size and power
of these groups) ranges from minimal
in the United States to maximal
in South Africa, with Mexico and Brazil
in an intermediate position.
As artists respond to the possibility
of global environmental chaos, Mark Rappolt examines Tomás Saraceno's Aerocene project, one
of the artist's most ambitious imaginings yet The Truth about «
Cultural Appropriation» With controversies over cultural appropriation regularly in the headlines, Kenan Malikargues that trying to control what culture artists can and can not use is bad news for political interaction and artistic imagination Power in Black and White In an America where the dividing line of race is now a cultural and artistic flashpoint, Jonathan T.D. Neil searches for a path beyond both pluralism and white privilege Carol Rhodes «Rhodes's landscapes are unlocatable because they are fantastical... They are «nowhere places»
Cultural Appropriation» With controversies over
cultural appropriation regularly in the headlines, Kenan Malikargues that trying to control what culture artists can and can not use is bad news for political interaction and artistic imagination Power in Black and White In an America where the dividing line of race is now a cultural and artistic flashpoint, Jonathan T.D. Neil searches for a path beyond both pluralism and white privilege Carol Rhodes «Rhodes's landscapes are unlocatable because they are fantastical... They are «nowhere places»
cultural appropriation regularly
in the headlines, Kenan Malikargues that trying to control what culture artists can and can not use is bad news for political interaction and artistic imagination Power in Black and White In an America where the dividing line of race is now a cultural and artistic flashpoint, Jonathan T.D. Neil searches for a path beyond both pluralism and white privilege Carol Rhodes «Rhodes's landscapes are unlocatable because they are fantastical... They are «nowhere places».&raqu
in the headlines, Kenan Malikargues that trying to control what culture artists can and can not use is bad news for political interaction and artistic imagination Power
in Black and White In an America where the dividing line of race is now a cultural and artistic flashpoint, Jonathan T.D. Neil searches for a path beyond both pluralism and white privilege Carol Rhodes «Rhodes's landscapes are unlocatable because they are fantastical... They are «nowhere places».&raqu
in Black and White
In an America where the dividing line of race is now a cultural and artistic flashpoint, Jonathan T.D. Neil searches for a path beyond both pluralism and white privilege Carol Rhodes «Rhodes's landscapes are unlocatable because they are fantastical... They are «nowhere places».&raqu
In an America where the dividing line
of race is now a
cultural and artistic flashpoint, Jonathan T.D. Neil searches for a path beyond both pluralism and white privilege Carol Rhodes «Rhodes's landscapes are unlocatable because they are fantastical... They are «nowhere places»
cultural and artistic flashpoint, Jonathan T.D. Neil searches for a path beyond both
pluralism and white privilege Carol Rhodes «Rhodes's landscapes are unlocatable because they are fantastical... They are «nowhere places».»
1987 Sculpture Trends
of the 80's, The Queen's Museum, Flushing, NY The Afro - American Artist
in the Age
of Pluralism, Montclair Art Museum, Montclair, NJ Passages: A Survey
of California Women Artists, Part II, Fresno Center & Museum, Fresno, CA The Eloquent Object, Philbrook Museum, Tulsa, OK; Orlando Museum
of Art, Orlando, FL; Museum
of Fine Arts, Boston, MA; San Jose Museum
of Art, San Jose, CA; Chicago Public Library
Cultural Center, Chicago, IL; Oakland Museum, Oakland, CA; The Virginia Museum
of Fine Arts, Richmond, VA
Prouvost is wonderfully, unmistakably French, and her work merges subjects from a challenging diversity
of cultural sources: such enlivening
pluralism surely helps to make this a «British» prize, which corresponds to the complex composition
of art as it is developed
in, and
in relation to contemporary British society.
The attention toward the collective's activities and ethos is particularly representative to understand a new era
of art production
in which Colab could serve as a model
of decentralization,
pluralism, and autonomy, both
in the
cultural field and
in society at large.