Sentences with phrase «of cultural theorist»

Other remarkable works include the installation The Unfinished Conversation (2012), a portrait of the cultural theorist Stuart Hall; Peripeteia (2012), a fictional drama on the lives of individuals in two 16th century paintings by Albrecht Dürer, and Mnemosyne (2010), which tells the story of migrants in the UK, questioning the idea of Britain as a promised land, where financial worry and casual racism can instead be real threats.

His The Unfinished Conversation (2012) combines found and newly shot footage to create a kaleidoscopic biopic of the cultural theorist Professor Stuart Hall's life and work — a piece that is simultaneously projected onto three screens.

The exhibition will also include The Unfinished Conversation (2012), Akomfrah's complex reflection on the life and ideas of cultural theorist Stuart Hall; Expeditions — Signs of Empire (1983), the first work produced by Black Audio Film Collective; and a new version of Akomfrah's Transfigured Night (2013/2018), a two - channel work looking at the relationship between the US and post-colonial African history.

Recent works include the three - screen installation The Unfinished Conversation (2012), a moving portrait of the cultural theorist Stuart Hall's life and work; Peripeteia (2012), an imagined drama visualising the lives of individuals included in two 16th century portraits by Albrecht Dürer and Mnemosyne (2010) which exposes the experience of migrants in the UK, questioning the notion of Britain as a promised land by revealing the realities of economic hardship and casual racism.

Not exact matches

♦ Writing for the left - wing site opendemocracy.net, Byung - Chul Han, a South Korean cultural theorist who teaches in Berlin, notes the market's colonization of social relations we once considered outside its scope.

The academic theorists of the cultural left - those who have been distracted by «mostly apocalyptic French and German philosophy» at the expense of political economy — must recognize that they now need as allies «what remains of the pre-sixties reformist left.»

Potent cultural forces do resist these conspiracy theorists, from skeptical ridicule to fundamentalist objections about their lack of a biblical foundation.

At times it appears that each theorist regards religious evolution, like other dimensions of cultural evolution, as resulting from its own internal dynamics.

America is a mixed - up national project, unlikely to satisfy the exacting ideals of a theologian, political philosopher, or cultural theorist, and yet preternaturally successful, perhaps because it is a nation and society largely in accord with basic human sensibilities that resist reduction to neat theories and pat principles.

In the face of potentially contentious and disrupting cultural differences, theorists and practitioners adopted inclusive accommodation as a strategy to neutralize the likelihood of conflict, since when put into practice, cultural inclusion means that no one's interests are neglected, no one is left out, and, therefore, no one is slighted, snubbed, or offended.

While it may very well be true that Heidegger sounds as if he is arguing for a pre-modern, pre-mechanized society, perhaps leaning toward a Luddite perspective, and while it also may appear that McLuhan is arguing for the continued evolution of technology that will enhance society, perhaps smacking of a full - blown techophilism, both theorists come together on the primary assertion that they make - technology has a profound and invisible shaping force on our epistemic values, perceptions of reality and truth, and cultural values and norms.

They point to other destructive aspects of television that have been stressed by television researchers and theorists; the privatization of experience at the expense of family and social interaction and rela - tionships; (33) the promotion of fear as the appropriate attitude to life: (34) television's cultural levelling effects which blur local, regional, and national differences and impose a distorted and primarily free - enterprise, competitive and capitalistic picture of events and their significance; (35) television's suppression of social dialogue; (36) its distorted and exploitative presentation of certain social groups: (37) the increasing alienation felt by most viewers in relation to this central means of social communication; (38) and its negative effects on the development of the full range of human potential.

However, the view that government is an outgrowth of society (including cultural, religious, and moral views) is echoed by Edmund Burke (the theorist behind conservatism).

Other experts add a note of caution, however: Administering tests anonymously and with no cultural context to members of small tribal societies yields «uninterpretable» results, say Harvard University evolutionary game theorists Martin Nowak and David Rand.

Other cultural touchstones don't get off scot - free either — there are jabs at the highbrow (French theorist Roland Barthes), the populist (Justin Bieber) and the likes of Michael Fassbender, Robert Downey Jr. and Jeremy Renner for donning cowls for cash.

Some children come to school with more accouterments of the culture of power already in place — «cultural capital,» as some critical theorists refer to it (for example, Apple, 1979)-- some with less.

The name is taken from the book «Homo Ludens: A Study of the Play - Element in Culture,» by the Dutch historian and cultural theorist Johan Huizinga, who claimed that the act of playing (ludus) is what makes human beings human — and that it predates culture.

Join us to celebrate the publication of the MI!MS book which accompanies the current Andy Holden solo exhibition, with a conversation exploring sincerity and art making between Andy Holden and cultural theorist Dr. Timotheus Vermeulen.

Frazier's influences range from Jacob Riis, Lewis Hine, and Farm Security Administration photographers to self - portraitists Frida Kahlo and Claude Cahun, as well as cultural theorists bell hooks and Michele Wallace and urban geographer David Harvey, all of whom she cites as part of her «artistic family lineage.»

The Elizabeth Longfellow Dulmage ’27 Fund will support the Visiting Artists Lecture Series, which exposes the nearly 1,300 students in the School of Art to a highly acclaimed group of artists, critics, and cultural theorists.

With speakers Elvira Dyangani Ose (Lecturer in the Department of Visual Cultures, Goldsmiths and Senior Curator at Creative Time) and Sepake Angiama (Head of Education at documenta 14) and Melanie Keen (Director of Iniva), moderated by George Shire (cultural theorist and historian of ideas).

Participants: artist and poet Etel Adnan; artist Maria Thereza Alves; artist Korakrit Arunanondchai; artist Ed Atkins; conservationist Jonathan Baillie; architect Alessandro Bava; writer and media activist Franco «Bifo» Berardi; designer Irma Boom; Founder of The Whole Earth Catalog and Co-Founder of The Long Now Foundation, Stewart Brand; artist James Bridle; EDGE Foundation founder John Brockman; philosopher Federico Campagna; artist Heman Chong; martist Yve Laris Cohen; odel and actress Lily Cole; neuroscientist Molly Crockett; philosopher Helena Cronin; film - maker Adam Curtis; artist Jesse Darling; artist Benedict Drew; artist and poet Jimmie Durham; mathematician Marcus du Sautoy; palaeontologist Richard Fortey; agriculturalist and biodiversity archivist Cary Fowler; artists Gilbert & George; cultural critic and queer theorist Jack Halberstam; artist Susan Hiller; artist and designer Marguerite Humeau; choreographer Mette Ingvartsen; environmental social scientist Jennifer Jacquet; biologist and author Steve Jones; former Royal Navy Rear Admiral Nick Lambert; speculative designer Lisa Ma; biologist Georgina Mace; physicist Chiara Marletto; film - maker Sandy McLeod; artist and activist Gustav Metzger; artist Katja Novitskova; artist Trevor Paglen; artist Cornelia Parker; artist Hetain Patel; anthropologist Elizabeth Povinelli; evolutionary ornithologist Richard Prum; design writer Alice Rawsthorn; astrophysicist Martin Rees; Professor, Operational Research, Jonathan Rosenhead; artist Jeremy Shaw; artist Shimabuku; film - maker Eyal Sivan; writer Adam Thirlwell; environmental lawyer James Thornton; musician and sound recordist Chris Watson; artist Cerith Wyn Evans and artist Anna Zett.

Panel discussion with Julieta Aranda (artist, Berlin / New York), Boris Buden (cultural theorist, author, Berlin), Fulya Erdemci (curator, author, Istanbul), Simon Sheikh (Programme Director Goldsmiths, University of London, Berlin / London), moderated by Ingo Arend (author, critic, Berlin).

In 1984, literary theorist Fredric Jameson wrote his essay Postmodernism, or the Cultural Logic of Late Capitalism, arguing that art had been colonised by commerce.

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera (through August 23, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he manipulated small books found at flea markets; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; Affinity Atlas (September 5, 2015 — January 3, 2016), inspired by the work of pioneering cultural theorist and art historian Aby Warburg, charts an exploratory path built upon idiosyncratic treasures and contemporary art culled from the Tang's and Skidmore's collections; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes overlooked artist in the first museum survey of her work since 2001.

Samb actively worked on the deconstruction of Leopold Sedar Senghor's (the cultural theorist and first president of Senegal) aesthetics and views of Senegal's artistic production that promoted a naive and fetishized idea of African symbols, decoration and beauty.

Pioneering conceptualist Jiro Takamatsu (1936 — 1998), a major influence on the artists of the Mono - ha movement, had a career that spanned forty - plus years, during which time his considerable influence as an artist, theorist, and teacher extended across the Japanese postwar cultural landscape.

Information Theorist Susantha Goonatilake conceived of three «information flow lineages,» which demonstrate different ways that form is repeated or transferred: genetic, neural - cultural, and «exosomatic.»

Students are exposed to and work alongside some of todays» vital national and international cultural producers, including faculty, visiting artists, critics, theorists and curators.

When in NY, I watched the John Akomfrah art documentary at MOMA about Stuart Hall, the Jamaican - born cultural theorist and leader of the British New Left.

2018 Helga Christofferson, Assistant Curator, New Museum Katherine Gressel, Independent artist, curator, and writer Amy Zion, Writer and curator Marina Reyes Franco, Art historian and independent curator, co-founder and director of La Ena Holly Shen, Director of Visual Arts, BAM Will Penrose, Executive director, NURTUREart Mike Tan, Director, Rubber Factory Ryan Wong, Writer and exhibition organizer Helena Anrather, Director, Helena Anrather Gallery Nick Mirzoeff, Visual culture theorist and Professor, NYU Fionn Mead, Writer and curator Bartek Remisko, Associate Director, Green Point Projects, and Co - Founder / Co-Director, Beach64retreat Patrick Jaojoco, Assistant curator, Art in General Jamieson Webster, Psychoanalyst and cultural commentator Alex Sloane, Curatorial Assistant, MoMA PS1 Matthew Abrams, Writer and art historian Natalie Musteata, Ph.D. candidate in Art History, CUNY Graduate Center Park Myers, Curator, writer, co-founder and contributing editor of aCCeSsions Molly Kleiman, Editorial director, Triple Canopy Erin Carroll, Director, Bureau Inc Terri C. Smith, Creative Director, Franklin Street Works Lisa Sigal, Open Sessions Curator, Drawing Center Lisa Cooley, Gallerist Nicola Marie Lees, Director and curator, 80 Washington Square East Galleries Rachel Steinberg, Director, SoHo20 Gallery Jeff Dolven, Editor - at - large, Cabinet Magazine; Professor of poetry and poetics at Princeton University Mari Spirito, Founding Director, Protocinema Will Fenstermaker, Editor of digital content, Metropolitan Museum of Art; Associate editor, Brooklyn Rail Myrto Katsimicha, Curator Amanda Parmer, Independent writer and curator Rosario Guiraldes, Assistant Curator and Open Sessions Curator, Drawing Center Larry Ossei - Mensah, Independent curator and cultural critic Jenny Gerow, Assistant curator, BRIC Francisco Correa Cordero, Owner, Suite 207 Amy Smith - Stewart, Founder, Smith - Stewart; Independent curator, educator, and art advisor Gabriel de Guzman, Curator and Director of Exhibitions, Smack Mellon Manuela Paz, Director of Development and Strategic Planning, Independent Curators International

The French novelist and theorist André Malraux, who was Minister for Cultural Affairs in Charles de Gaulle's government from 1959 — 69, wrote a book, The Museum without Walls (1967), in which he proposed the possibility of a museum that is not dependent on location but is, instead, carried inside one's head.

He typically gravitates toward cultural theorists, poets and critics — Stuart Hall's posthumous memoir, «Familiar Stranger: A Life Between Two Islands,» about growing up in Jamaica in the 1930s; Fred Moten's «In the Break: The Aesthetics of the Black Radical Tradition,» on the connections between jazz, sexual identity and radical black politics; Judith Butler's «Precarious Life: The Powers of Mourning and Violence,» a look at the vulnerability and aggression that followed Sept. 11.

Inspired partly by the French critical theorist Roland Barthes, who viewed mass cultural images as signs freighted with latent meaning to be deciphered, she first gained attention for a series of artworks starkly displaying newspaper snippets (headlines, photographs), forcing viewers to examine the way they responded to media's authoritative voice.

Cultural theorist and literary scholar Andrew Barnes has been named dean of Pratt Institute's School of Liberal Arts and Sciences.

Akunyili Crosby's characters and scenes, however, occupy the liminal, in - between zone that post-colonial theorist Homi K. Bhabha refers to as «the third space», a point of overlap, conflation and mixing of cultural influences specific to diaspora communities.

Information Theorist Susantha Goonatilake has conceived of three «information flow lineages,» which demonstrate different ways that form is repeated or transferred: genetic, neural - cultural, and «exosomatic.»

Over the course of the symposium, the invited participants, ranging from artists to literary scholars, cultural theorists, and art historians, will bring into sharp focus the ways in which the «Black Atlantic» continues to inform the production of art today by a new generation of artists, in connection with Frank Bowling: Mappa Mundi.

«AIDS is the site at which the advance of sexual politics is being rolled back,» wrote Cultural Theorist Stuart Hall in his seminal lecture «Cultural Studies and its Theoretical Legacies.»

According to Victoria Miro, Crosby's London gallery, the Nigerian - born artist is inspired by the post-colonial musings of theorist Homi K. Bhabha, who wrote of `'» the third space» a point of overlap, conflation and mixing of cultural influences specific to diaspora communities.»

«AIDS is the site at which the advance of sexual politics is being rolled back,» wrote Cultural Theorist Stuart Hall in his seminal

This small, bold booth surfaces the recent work of artist and cultural theorist Douglas Coupland.

Biemann's practice has long included discussions with academics and other practitioners, she has worked with anthropologists, cultural theorists, NGO members, architects, as well as scholars of sonic culture.

The artist, writer, and media theorist (and former Rhizome editor and curator) continues her interdisciplinary methodology with Getting Ready — which invokes «the anxiety of preparation for public engagement and exploring the degrees to which online participation soothes or exacerbates social alienation» — and touches on themes that have become staples in her work, like the politics of participation, gender theory, and the cultural history of technology.

In his landmark 1967 book, the Situationist philosopher and cultural theorist Guy Debord wrote that «the spectacle is not a collection of images, but a social relation among people, mediated by images.»

Conceived of by artists Pavla Sceranková and Dušan Zahoranský, Apparatus for a Utopian Image borrows from cultural theorist Aby Warburg's Mnemosyne Atlas, an unfinished visual atlas that maps out how images of great symbolic, intellectual, and emotional power emerge and reappear over time.

The title of this exhibition is inspired by John Akomfrah's three - channel video installation The Unfinished Conversation (2012), which is included here and chronicles the life and work of the Jamaican - born British cultural theorist Stuart Hall (1932 — 2014).

Another link with the Caribbean is the chairman of inIVA's board, the world - renowned Jamaica - born cultural theorist Stuart Hall, who stresses the importance of engaging with the work of these diaspora artists.

As this lucid and important new book makes clear, Giuliana Bruno is one of the very few cultural theorists with the intellectual originality and breadth of knowledge to evaluate meaningfully the ongoing reconfiguration of relations between architecture, cinema, and the visual arts.

Until 2008, cultural theorist [7] and sociologist Stuart Hall was chair of Iniva and Autograph ABP.