Wasserman Projects presents first exhibition in an ongoing series
of curatorial collaborations
A collaboration between Kadist Art Foundation & Clark House Initiative This association is one of a series
of curatorial collaborations between Kadist's venues in San Francisco and Paris and institutions abroad.
Originally shown under the title Race, Love, and Labor: New Work from the Center for Photography at Woodstock's Artist - in - Residency Program, this exhibition is an excellent example
of curatorial collaborations between CPW and the Samuel Dorsky Museum of Art drawn from CPW's permanent collection.
JULY 14 — AUGUST 26, 2017 — Wasserman Projects is pleased to announce to Have + Hold, the first exhibition in an ongoing series
of curatorial collaborations with Michigan - based Butter Projects.
As part
of a curatorial collaboration between artist John Henry Newton and curator Barnie Page (of the yet to be fully - realised David Fear and now - defunct nomadic project B.C.) the site presents an artist's rendering of a wallpaper for desktop, iPhone and iPad, free to download from the Desktop Residency site.
Alongside teaching in the Graduate Program in Curatorial Practice at California College of the Arts since the program's inception in 2003, he is a member (with Joanna Szupinska - Myers)
of the curatorial collaboration grupa o.k., and senior editor of The Exhibitionist, a journal on exhibition making.
The project is the result
of a curatorial collaboration between Stedelijk Museum Bureau Amsterdam (SMBA) and Raw Material Company in the context of Project 1975.
Alongside teaching in the department of Curatorial Practice since the program's inception in 2003, he is a member (with Joanna Szupinska)
of the curatorial collaboration grupa o.k., and is Senior Editor of The Exhibitionist, a journal of exhibition - making.
Not exact matches
P.S. 1 Contemporary Art Center and The Museum
of Modern Art present their first
curatorial collaboration with Greater New York, an unprecedented joint exhibition enterprise.
Community partnerships and programs will include the continuation
of a multi-year engagement with the Museum
of Impact, the world's first mobile social justice museum;
collaboration with King School Museum
of Contemporary Art; establishment
of an interdisciplinary library that invites artists, writers, musicians, educators, and activists to contribute all types
of media; a free lecture by Thomas; educator workshops;
curatorial conversations; Miller Family Free Day, and Portland Public School
collaborations.
Maria Lassnig is organized by Peter Eleey, Curator and Associate Director
of Exhibitions and Programs, and Jocelyn Miller,
Curatorial Assistant at MoMA PS1, and organized in
collaboration with the Neue Galerie Graz — Universalmuseum Joanneum.
Since 2012, she has initiated a series
of collaborations tackling different aspects
of public ceremonial culture, civic rituals, carnival and processional performance including Far Festa: Nuove Feste Veneziane (with
curatorial collective CAKE AWAY; IUAV University and Fondazione Bevilacqua La Masa, summer 2013), Public Practice (with Delaney Martin; New Orleans Airlift, Fall 2014) and EN MAS»: Carnival and Performance Art
of the Caribbean (with Krista Thompson; CAC New Orleans, 2014 - 15 and ICI New York 2016 - 18).
Hull has organized numerous publications and exhibitions including Blind Date (1998), a catalogue
of 31 artists and writers»
collaborations; I'm Still In Love With You (1998 - 99), an album and catalogue in which visual artists and writers respond to the 1972 album by Al Green; Song Poems (2000 - 01), a catalogue with three CDs
of 43 original lyrics, songs and album art contributed by numerous writers, artists and musicians; and Nothing Moments (2007), a publishing and
curatorial project consisting
of 24 limited edition books and over 400 original drawings.
The Lisson Gallery, Milan will present four to five exhibitions a year as part
of a programme developed through close
collaboration between Annette Hofmann and Lisson's
Curatorial Director in London, Greg Hilty.
Kiefer Rodin is a
curatorial collaboration between Sylvie Patry, consulting curator at the Barnes Foundation and deputy director for
curatorial affairs and collections at the Musée d'Orsay, and a team
of curators at the Musée Rodin: Catherine Chevillot, director, and Véronique Mattiussi, in charge
of the Rodin archives, with the
collaboration of Sophie Biass - Fabiani and Hélène Marraud.
His
curatorial projects have addressed issues
of collaboration, experimentation, social justice, and archival practices in contemporary art.
Irene Hofmann, Phillips Director and Chief Curator, SITE Santa Fe Candice Hopkins, Managing Curator Brandee Caoba,
Curatorial Assistant Joanne Lefrak, SITEcenter Director The SITElines.2016 team's approach foregrounds curatorial collaboration, the integration of multiple art histories, and the exploration of points of convergence and divergence amongst artists working across the
Curatorial Assistant Joanne Lefrak, SITEcenter Director The SITElines.2016 team's approach foregrounds
curatorial collaboration, the integration of multiple art histories, and the exploration of points of convergence and divergence amongst artists working across the
curatorial collaboration, the integration
of multiple art histories, and the exploration
of points
of convergence and divergence amongst artists working across the Americas.
Each exhibition will be organized by curators with specific expertise in the area
of focus, with WhiteBox artistic Director Juan Puntes curating the China - focus exhibition, independent curator Kyoko Sato for Japan, WhiteBox
Curatorial Advisors Blanca de la Torre and Raúl Zamudio for Mexico and Latin America, and the former Yugoslavia portion curated by WhiteBox Director
of International Programming Lara Pan, in
collaboration with museum curators from across the region.
The three - year
curatorial collaboration builds on the exhibition program
of presenting thought - provoking exhibitions by some
of the leading contemporary artists
of our time.
«Through
collaboration across three
curatorial departments, we've captured the opportunity to highlight important elements from our own permanent collection in the High's presentation
of this exhibition.
The artists featured were identified and selected by Schoonmaker and their placement at NOMA was determined in
collaboration with NOMA's
curatorial team, taking into consideration how the museum could best compliment the distinctive style
of each individual contributor.
Daniel Herrmann, Eisler Curator and Head
of Curatorial Studies at the Whitechapel Gallery, introduces artist Corin Sworn, winner
of the Max Mara Art Prize for Women in
collaboration with the Whitechapel Gallery.
A. L. Steiner is a Los Angeles — based artist who utilizes the constructs
of the exhibition,
collaboration, performance, pedagogy, writing, and
curatorial work as seductive tropes channeled through the sensibility
of a skeptical queer ecofeminist androgyne.
Kroksnes will discuss with the students models
of curatorial autonomy against models
of shared responsibility in
collaborations and networks.
SHOWS (selection) 2014 still on view: Kunst im Bau 5, installation in the former engineering workshops
of the Isarthal Railway, Munich (curator Christoph Nicolaus) UNPAINTED media art fair, Munich, lab 3.0: positions
of media art (curator Li Zhenhua) 2013 ikono On Air Festival on ikonotv, ikono Menasa and numerous locations in Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building
of the City
of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a
collaboration with the Berlin Brandenburg Academy
of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows
of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio &
Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium
of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side
of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germany
Imig and four others were awarded a Rocket Grant as part
of the regional regranting program through The Andy Warhol Foundation in support
of PLUG Projects, an artist - run
curatorial collaboration.
The exhibition is the result
of a four - year
collaboration between Piper and Christophe Cherix, Chief Curator in the Museum's Department
of Drawings and Prints, Connie Butler, Chief Curator at the Hammer Museum, Los Angeles, and David Platzker, former Curator in the Museum's Department
of Drawings and Prints, with Tessa Ferreyros,
Curatorial Assistant in the Museum's Department
of Drawings and Prints.
She served as the founding director
of the Kadist Art Foundation's Asia Programs, launched the Kadist
Curatorial Collaboration, which organizes exhibitions that stimulate cultural exchange, and oversaw the building
of the contemporary Asian art collection.
Second Coming — a
curatorial collaboration Artists: Nástio Mosquito, Thando Mama, Metapong, and Pablo Rasgado Curators: Gabi Ngcobo, Carlos E. Palacios, Andrea Torreblanca Second Coming is a
collaboration that explores notions
of absence, the phantasmagoric, and postcolonial subjectivities.
Organized by MAD's Chief Curator Lowery Stokes Sims and
curatorial assistant Sophia Merkin, the exhibition features 34
of Scott's neckpieces, including a
collaboration with noted jeweler Art Smith, 3 beaded wall hangings, and 13 glass sculptures, most
of which were created since 2009.
Collaboration and connecting diversified fields
of knowledge drives her
curatorial practice into wildly diverse contexts.
In June, Sternberg Press and CCS Bard will release McElheny's
collaboration with Johanna Burton and Lynne Cooke Interiors, an extensive reader made in response to McElheny's
curatorial project — which was itself a
collaboration with Tom Eccles and Lynne Cooke — at the Hessel Museum
of Art at CCS Bard in 2011.
A
collaboration between the Center for
Curatorial Studies, Bard College (CCS Bard) and Goethe - Institut New York, the exhibit
of work by Bernd Krauß will be presented as a part
of PERFORMA 09.
He will also serve as the
curatorial liaison for projects organized in
collaboration with the University
of Houston School
of Art and the Cynthia Woods Mitchell Center for the Arts, designed to foster interdisciplinary
collaboration across the performing, visual, and literary arts.
With a focus on research, project - based learning and
collaboration, NLE Lab is designed to deepen an understanding
of the development
of a
curatorial practice that is centered on responding to a specific context in a distinctly urban setting.
January 27 - March 5 This exhibition, a
curatorial collaboration between David Freed and Barbara Tisserat — both former professors in the VCUarts Department
of Painting and Printmaking — included 35 prints that traverse centuries, technologies and worlds.
Organized for MOCA by Associate Curator Rebecca Morse, in
collaboration with a
curatorial team that includes Director Jeffrey Deitch, Director
of Publications Lisa Gabrielle Mark, Curator Alma Ruiz, and Curator Bennett Simpson, the exhibition expands on a collection show originally conceived by Chief Curator Paul Schimmel, that considered the work
of Los Angeles artists in a local context, following Collection: MOCA's First Thirty Years, which presented Los Angeles artists in an international context.
As part
of the sixth annual Testing Ground for Art and Education season at Zabludowicz Collection, A Sense
of Things is a
curatorial collaboration between students on the MFA Curating courses at Goldsmiths College, and this year, for the first time, The Cass, London Metropolitan University.
Hosted by Harris Museum & Art Gallery, Preston Initiated by the Contemporary Art Society and Whitechapel Gallery, London As part
of the Whitechapel Gallery's ongoing programme to open up public and private collections to wider audiences, the Gallery presents a
curatorial collaboration with the Contemporary Art Society.
As part
of an ongoing research project by the artists David Blandy, Larry Achiampong and James A. Holland, this
collaboration with
Curatorial Fellow Morgan Quaintance focused on the cultural impact, social networks and practices that the game produced in London during the 1990s and early 2000s.
Recent exhibitions by the London - based artist, often working with what Lindsay Starkweather called the «off - centre recontextualisation
of photographs ``, include Health and Strength at Lyon's La Salle de Bains and a contribution to artist John Henry Newton and curator Barnie Page «s online
curatorial collaboration Desktop Residency.
The show comes out
of the Jupiter Woods
curatorial platform and takes the idea
of interconnectivity directly into its design, curated by Jupiter Woods» Hanna Laura Kaljo and Lucy Lopez and in
collaboration with The Gallery Apart and the Nomas Foundation.
Continuing its
collaboration with the Delfina Foundation, the 2018 Samdani Art Award deepened its support
of emerging Bangladesh based artists under the
curatorial direction
of Simon Castets (Director, Swiss Institute, New York), who also conducted research for 89plus.
The first Common Practice New York initiative includes a series
of three invitational roundtables on contemporary institutional practice organized in
collaboration with students and faculty from the Center for
Curatorial Studies at Bard College (CCS Bard) in fall 2013; a public conference developed in response to these seminars in spring 2014; and a forthcoming publication that will include transcripts from these events alongside additional contextual and artistic contributions.
The exhibition is a
curatorial collaboration between Saliha Kasap, the Istanbul based artist and Coordinator
of Sanat Limani (İstanbul 2010 European Capital o
f culture, Antrepo 5) in Istanbul, Turkey, and Arzu Arda Kosar, a resident artist at the 18th Street Arts Center in Santa Monica, CA.
While at the AGO, she has strengthened and built the
curatorial team through key appointments, fostered new forms
of cross-institutional
collaboration, and developed a vibrant exhibition program.
Other recent
curatorial ventures have included Sol LeWitt: A Wall Drawing Retrospective, a
collaboration of the Yale University Art Gallery, MASS MoCA, and the Williams College Museum
of Art, which opened in November
of 2008 and will remain on public view through 2033.
The exhibition is curated by Dr. Wang Chunchen, Broad MSU Adjunct Curator and Head
of the
Curatorial Research Department at CAFAM, in
collaboration with Steven L. Bridges, Broad MSU Assistant Curator.
Envisioned as a forum for
collaboration and conversation, the ICA will serve as an incubator for innovation, a pilot space for
curatorial and educational practices, and a source
of programming that will foster experimentation across artistic disciplines.
Machine Project — The Platinum Collection (Live by Special Request) is organized by Rachel Seligman, Assistant Director for
Curatorial Affairs, in
collaboration with Machine Project, and is supported by the Friends
of the Tang.