Sentences with phrase «of curatorial projects»

Finding Storr's paintings on the Internet is difficult enough, given the visual art behemoth's repertoire of curatorial projects and writings.

Interns work with museum staff on a variety of curatorial projects, with a particular focus on American works on paper.

Works submitted to the Biennale may be those of Russian or foreign artists of the new generation, working in the field of contemporary art with the latest strategies, concepts, and techniques (individual, collective, or as part of curatorial projects).

Having just celebrated its eighth incarnation last April and May, Chicago's Version Fest is a 10 - day mash - up of curatorial projects, public interventions, musical events, and academic forums.

Kostova is the co-founder of Bulgarian Artists in America, Director of Curatorial Projects at Radiator Gallery in New York, and a board member of the international exchange program CEC ArtsLink.

He and his longtime partner Geoffrey Hendricks also collaborated on a series of curatorial projects and exhibitions relating to art and AIDS.

Daniela Kostova, Exhibition Director of Bulgarian Artists in America (BAA) and Director of Curatorial Projects at Radiator Gallery

Daniela Kostova — Director of Curatorial Projects contact: [email protected] Tenah Assebian — Director of Special Programs

Concurrently, having completed a number of curatorial projects for the British Council, I was approached by them to conduct an evaluation of their programs in the Caribbean (1999 - 2000).

Some of her curatorial projects are: Playgrounds.

2016 Tom Mc Glynn, Artist, Writer & Independent Curator Nathalie Anglès, Co-Founder & Executive Director, Residency Unlimited Melanie Kress, Assistant Curator, High Line Art Magda Sawon, Owner & Director, Postmasters Gallery Gabriel de Guzman, Curator of Visual Arts, Wave Hill Annelie McGavin, Curator & Director, Studio10 Louise Hobson, Independent Curator, Wales Salome Asega, Artist & Curator Shlomit Dror, Independent Curator Paolo Mele, Independent Curator, Italy Aliza Edelman, Curator and Critic, Modern and Contemporary Art of the Americas Matthew Deleget, Founder & Director, Minus Space Nicholas O'Brien, Net based artist, Curator & Writer Jennie Lamensdorf, Curator of Francis J. Greenburger Collection & Director and Curator of Art - in - Buildings Eva Pion, Independent Curator Vincent Como, Co-director, Tiger Strikes Asteroid Paul D'Agostino, Artist, Writer, & Director of Centotto Gallery Andre Escarameia, Principal & Curator, Rooster Gallery Xavier Acarin, Independent Curator Claudio Zecchi, Independent Curator, Italy Weronika Trojanska, Artist, Curator & Critic Sebastien Santamaria, Director of Operations, Residency Unlimited Loredana Paracciani, Independent Curator, UK and Thailand Daniela Kostova, Artist & Director of Curatorial Projects, Radiator Gallery Alma Saladin, Project Assistant, AICA International (International Association of Art Critics) Zeljka Himbele Kozul, Independent Curator Marshall Price, Curator of Modern and Contemporary Art, Nasher Museum of Art at Duke University Matthew Lyons, Curator, The Kitchen Eugenia Delfini, Independent Curator Elizabeth Larison, Director of Programs, Apexart Anais Duplan, Independent Curator Rachel Steinberg, Director, SOHO20 Amanda Parmer, Curatorial Assistant, Vera List Center for Art and Politics Marco Antonini, Curator - at - large, NURTUREart.

Common Room @ Studio of Björn Meyer - Ebrecht, 1182 Flushing Ave, 2nd flr / Jefferson Stop Common Room is the second installment of a series of curatorial projects curated by Björn Meyer - Ebrecht in his studio.

Also included are two of his curatorial projects: Queer Zines, incorporating more than 100 queer zines from the punk era until today; and Ancestors, a personal archive of books, editions, and ephemera that form a fragmentary and incoherent historical underpinning to the overall project.

Anca Rujoiu, is a Romanian curator based in London, where she currently coordinates the public programme of the School of Fine Art at the Royal College of Art and (UK) is part of the curatorial project FormContent.

From 2009 to 2010 Kegan embarked on a 12 - city international tour of single night screenings in support of his curatorial project, ESCAPE, produced through Video Pool Media Arts Centre.

Vistas Latinas: Archives of a Collective, 1989 — 2014 is the culmination of a curatorial project by Hunter College graduate students enrolled in a Fall 2013 Curatorial Methods seminar.

PS I've recently been serving as external examiner on the new Curating the Contemporary MA, a joint course between London Metropolitan University and Whitechapel Gallery, and I've noticed that the students sometimes forgot or didn't realize the final and very important stage of their curatorial project — that is, what Maria pointed out: where and how it lands.

The right to apply for participation in the Biennale is limited to the aut hors of projects (artists and curators in the case of a curatorial project).

The audience is invited to touch and leaf through the pages of the magazines displayed at the Designlounge, so as to get a better sense of each curatorial project and each issue as a whole.

Individuals must apply with a description of a curatorial project that he or she would like to develop through the program; a resume; a description of a recent exhibition that has made an impact on the applicant; and a cover letter.

Three outstanding solo booths that were part of a curatorial project organized by Rodrigo Moura were not to be missed.

The wrap was created as part of a curatorial project of Abrams's years ago wherein Rafman wanted to work in the medium of the car wrap, usually the province of energy drinks and rap music promotional campaigns.

Not exact matches

Each of the above phases will be detailed in later blog posts, but for now, we need to pick a curatorial vision for the project.

Geoform is an online scholarly resource, curatorial project, and international forum whose focus is the use of geometric form and structure in contemporary abstract art.

Hackett's curatorial projects during her tenure at the AGO include Barbara Kruger: Untitled (It)(2010); Songs of the Future: Canadian Industrial Photographs, 1858 to Today (2011); Max Dean: Album, A Public Project (2012); What It Means To be Seen: Photography and Queer Visibility and Fan the Flames: Queer Positions in Photography (2014); Introducing Suzy Lake (2014); and Outsiders: American Photography and Film, 1950s — 1980s (2016).

Recent curatorial projects include the retrospective exhibition Jack Tworkov: Against Extremes / Five Decades of Painting (2009); Jack Tworkov: Accident of Choice, the artist at Black Mountain College (2011).

She is the co-founder of microWave project, a curatorial partnership that acts as a conduit between artists and businesses, exploring alternative exhibition venues with an emphasis on site - specific installation art.

At MOCA Los Angeles, Smith's curatorial projects ranged from Blueprints for Modern Living: History and Legacy of the Case Study Houses, The Architecture of R.M. Schindler, and At the End of the Century: 100 Years of Architecture to a survey of the Cindy Sherman «s photographs and the first museum presentations of then - emerging artists Uta Barth, Toba Khedoori, Catherine Opie, and others.

Some of Reilly's recent curatorial projects include Pace Gems: Selections from the Linda Pace Collection (2014), Nayland Blake: Behavior (2010), Carolee Schneemann: Painting, What It Became (2009), and Richard Bell: Uz vs. Them, the artist's first retrospective which traveled throughout the US from 2011 - 13, accompanied by a major monograph.

Tony Greene Movie (2014 — 16) similarly explores the blurry work - play balance of artistic labor via a visit to New York by Neff's boyfriend that coincides with the planning and execution of Neff's curatorial project focused on the painter Tony Greene at a Chicago gallery.

CINQUE MOSTRE 2018: The Tesseract An annual exhibition of artwork and curatorial projects by the Rome Prize Fellows and invited artists.

Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

One of these projects, Progress Report, is designed as an online curatorial resource centered on visual content and studio visits.

From 2010 - 2014 she was an active member of the GANDT artists» collective, which used art writing as a starting point for a variety of curatorial, publishing, and performative projects.

In 2013 we initiated Rail Curatorial Projects, an ongoing curation team that collaborates with various galleries and institutions on the basis of timely and critical responses according to congenial thematic narratives.

Student - curated projects at CCS Bard are made possible with support from the Rebecca and Martin Eisenberg Student Exhibition Fund; the Mitzi and Warren Eisenberg Family Foundation; the Audrey and Sydney Irmas Charitable Foundation; the Board of Governors of the Center for Curatorial Studies, and by the Center's Patrons, Supporters, and Friends.

As a survey about itinerancy and the possibilities of museums today, first - year graduate students at the Center for Curatorial Studies have organized this project, which takes the form of a publication - as - exhibition and a series of informal roundtable discussions.

Curatorial projects include Figurative Diaspora: The Migration of Academic Training from Russia to China in the Service of Progressive Art, Piss and Vinegar: Two Generations of Provocateurs, Beautiful Beast, a contemporary representational sculpture exhibition, The Big Picture, and Now and Then: Drawings from the 19th Century to the Present, in partnership with the Dahesh Museum of Art.

Françoise Grossen Selects is organized by Windgate Research and Collections Curator Elissa Auther with the support of Curatorial Assistant and Project Manager Sophia Merkin.

Chang Tsong - Zung (Johnson Chang) is a gallerist, independent curator and co-founder of «Asia Art Archive» in Hong Kong, who began to bring Chinese contemporary artists into a global context in the early 1990s, and has striven to open up Chinese art practices through innovative curatorial projects.

2012 Daniel Belasco, Henry J. Leir Associate Curator, The Jewish Museum Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Kristen Chappa, Curatorial Associate, SculptureCenter Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Elizabeth Houston, Director, Hous Projects Ryan Inouye, Curatorial Associate, New Museum Lesley Johnstone, Curator, Musée d'Art Contemporain de Montréal Nina Katchadourian, Curator, Drawing Center Jonathan David Katz, Curator and Director of the Doctoral Program in Visual Culture Studies at State University of New York at Buffalo John Massier, Visual Arts Curator, Hallwalls Gallery, Buffalo Sara Reisman, Director, Percent for Art and Independent Curator Sara Jo Romero, Director, Schroeder Romero & Shredder Gallery Gregory Volk, Contributing Writer, Art in America Megan Holly Witko, Director, Andrea Meislin Gallery

ISSUE Project Room's annual Artist - in - Residence program provides New York - based emerging artists with a year of support, offering artists access to facilities, equipment, documentation, pr / marketing, curatorial and technical expertise to develop and present significant new works, reach the next stage in their artistic development, and gain exposure to a broad public audience.

She has previously served as the project director of Cai Guo - Qiang's studio and as a curatorial assistant in the Department of Painting and Sculpture at The Museum of Modern Art, in addition to organizing numerous independently curated exhibitions.

For the next five weeks, the curatorial group Sweety's (Bryan Rodriguez Cambana, Julia Mata, Eduardo Restrepo Castaño and Ximena Izquierdo Ugaz) will take over Cuchifritos Gallery and project space for a series of exhibitions and interviews with latinx artists, responding to the history of the gallery's Lower East Side neighborhood as an immigrant community.

Through careful deliberation by the selection committee that included Jesse Greenberg (artist), Naomi Hersson - Ringskog (executive director, No Longer Empty), David Humphrey (artist), Nicole Russo (owner and director, Chapter NY), Elisabeth Sherman (senior curatorial assistant, Whitney Museum of American Art), John Silvis (artist, independent curator and art advisor), Lumi Tan (associate curator, The Kitchen), and Nari Ward (artist), ten artist proposals were chosen to receive funding ranging from $ 750 - $ 1,500 to carry out their projects.

As part of Kraftwerk — Retrospective 1 2 3 4 5 6 7 8, the installation at MoMA PS1 is organized by Klaus Biesenbach, Director, MoMA PS1, and Chief Curator at Large, The Museum of Modern Art, with the assistance of Eliza Ryan, Curatorial Assistant, MoMA PS1 and Lizzie Gorfaine, Project Coordinator, Exhibitions, MoMA PS1.

Curatorial projects include «Intransit,» Moti Hasson Gallery, NY, «Never Never Land,» University Gallery, Florida Atlantic University, Boca Raton, FL and Museum of Contemporary Art, Tampa, FL; «Crossing the Line» Queens Museum of Art, Queens, NY, among numerous others galleries and alternative spaces.

She has been a participant in Ecole du Magain's International Curatorial Program and an editor of the «Harald Seemann Individual Methodology» project; resident artist of the Hyde Park Art Center's Center Program; Resident Artist at ACRE; Artist - In - Residence at Nichols Tower Homan Square; Sponsored Artist at High Concept Labs; Resident Curator of Chicago Artists Coalition's HATCH Projects; and Collaborator of Independent Curators International Dakar Intensive.

Ann Butler is the Director of the Library and Archives at the Center for Curatorial Studies at Bard College and the Project Director for Arts Spaces Archives Project (as-ap.org).

Hull has organized numerous publications and exhibitions including Blind Date (1998), a catalogue of 31 artists and writers» collaborations; I'm Still In Love With You (1998 - 99), an album and catalogue in which visual artists and writers respond to the 1972 album by Al Green; Song Poems (2000 - 01), a catalogue with three CDs of 43 original lyrics, songs and album art contributed by numerous writers, artists and musicians; and Nothing Moments (2007), a publishing and curatorial project consisting of 24 limited edition books and over 400 original drawings.