Sentences with phrase «of dead women artists»

The Guerrilla Girls» billboard paused at the Museum of Fine Arts, which the group, whose members are anonymous and take the names of dead women artists as pseudonyms, complained does not display women artists equally.

The» «girls» we added just to piss people off,» says Kathe Kollwitz, one of the original members of the New York faction, which adopts the names of dead women artists as pseudonyms.

The Guerrilla Girls were founded in New York in 1985, each member taking the name of a dead woman artist as a pseudonym, for example Frida Kahlo and Georgia O'Keeffe.

performs using the name of a dead woman artist and wears a gorilla mask to conceal her true identity.

Not exact matches

(Aronofsky) The Meyerowitz Stories (New and Selected)(Baumbach) The Death of Louis XIV (Serra) On Body and Soul (Enyedi) Molly's Game (Sorkin) B - Graduation (Mungiu) The Lego Batman Movie (McKay) Icarus (Fogel) The Florida Project (Baker) Lady Macbeth (Oldroyd) Rocco (Demaizière and Teurlai) Brawl in Cell Block 99 (Zahler) Faces Places (Agnès Varda and JR) The Unknown Girl (The Dardennes) The Breadwinner (Twomey) Nobody Speak: Trials of the Free Press (Knappenberger) Wheelman (Rush) Wonder Wheel (Allen) C + Beach Rats (Hittman) Baby Driver (Wright) Blade Runner 2049 (Villeneuve) Colossal (Vigalondo) Ghost in the Shell (Sanders) Coco (Unkrich and Molina) My Happy Family (Ekvtimishvili and Groß) Gaga: Five Foot Two (Moukarbel) Gerald's Game (Flanagan) Abacus: Small Enough to Jail (James) Brigsby Bear (McCary) Captain Underpants: The First Epic Movie (Soren) C Get Out (Peele) Phantom Thread (Anderson) The Post (Spielberg) The Disaster Artist (Franco) Dunkirk (Nolan) Joan Didion: The Center Will Not Hold (Dunne) The Killing of a Sacred Deer (Lanthimos) Becoming Warren Buffett (Kunhardt and Oakes) The Death of Stalin (Iannucci) Logan (Mangold) The Discovery (McDowell) Wind River (Sheridan) The Ornithologist (Rodrigues) Mudbound (Rees) American Made (Liman) The Trip to Spain (Winterbottom) Saving Capitalism (Gilman and Kornbluth) Our Souls at Night (Batra) Pirates of the Caribbean: Dead Men Tell No Tales (Rønning and Sandberg) The Lego Ninjago Movie (Bean, Fisher and Logan) Star Wars: The Last Jedi (Johnson) C - John Wick: Chapter 2 (Stahelski) Wonder Woman (Jenkins) It (Muschietti) What Happened to Monday (Wirkola) Call Me by Your Name (Guadagnino) Darkest Hour (Wright) The Square (Östlund) Split (Shyamalan) Spider - Man: Homecoming (Watts) Guardians of the Galaxy Vol.

um... elsewhere is instantly a «star» actress [more on her and Scorsese's women here]; Jon Bernthal (The Walking Dead) is a surprising standout as the least sycophantic member of Belfort's gang of crooks; ubiquitous Matthew McConaughey's monologue on masturbation with impromptu song - chanting is deeply entertaining; and the ingeniously cast Oscar winner Jean Dujardin (The Artist) delivers a pitch perfect cameo as a smiling shady Swiss banker.

In the 1980s, just as women and artists of color were starting showing more, the big new theory of the day proclaimed that the author was dead.

2017 Cabbages and Kings, Maddox Arts, London Contemporary Abstract Prints, Clifford Chance, London Touchstone, APT Gallery, London Creekside Eleven, Zillah Bell Gallery, Thirsk (curator) A Funny Thing Happened on the Way to the Future, Brodrick Gallery, Hull Painting & Structure, The Kennington Residency, London Nine Painters, Syson Gallery, Nottingham Fully Awake, blip blip blip Gallery, Leeds Counterpoints, Eagle Gallery, London Women Artists: Power and Presence, University of Chichester Steal the Show, Glasgow Open House Festival Nine Painters, Syson Gallery, Nottingham Abstract, Paper Gallery, Manchester Abstract, New Adelphi Gallery, University of Salford 2016 Modern Mirror, Bread and Jam IV, London Cuts, Shapes, Scrapes and Breaks, Seventeen, London We Are The Dead, Kirk Hopper Fine Art, Dallas, Texas Juxtaposition, Zilla Bell Gallery, Thirsk, Yorkshire.

Accompanied by wall texts written by Ann Wilson Lloyd, which additionally splice the stories of these women artist couples (one living, one dead), each image is a sort of sphinx.

She is unafraid to address controversial subjects, from a colonial war for independence in «The Woman of Algiers» (2001) to «The Widow» (2013) in which Pauline Lumumba can be seen walking bare - breasted through the streets of Léopoldville, in mourning for her dead husband, Patrice Lumumba, the former prime minister of Congo who was executed by firing squad in 1961 by Katangan forces, as well as themes derived from newspaper articles, religious imagery, the adult entertainment industry and the artist's imagination.

In keeping with the mystery surrounding this movement, where the living women artist - activists highlight the dead women artists they've chosen as aliases, Coyne and Grove, themselves female artists, are lobbying to sell the works in this series to museums with an accompanying frame that is empty, so that the photograph they have taken of the living Guerrilla Girl, which will remain inaccessible in her lifetime, can go into the frame when she dies.

Four of the highlights of Prospect.3 are the electrifying film, The Living Need Light, And the Dead Need Music by The Propeller Group (Phunam and Tuan Andrew Nguyen from Saigon, Matt Lucero from Los Angeles) with New Yorker Christopher Myers at the UNO St Claude Art Gallery; Silent Parade... or The Soul Rebel's Band vs Robert E Lee, a video by Peruvian - born William Cordova in which a local band serenades — or challenges — a statue of Robert E Lee from a rooftop shown at Dillard University; the exuberant, immersive two - channel video at the CACNO by David Zink Yi, another Peruvian artist, that explores Afro - Cuban music and culture, remixing the visual and the aural; and Kwaku Ananse (2013), a film by Akosua Adoma Owusu, an American of Ghanian descent, presented with the compelling simplicity of a fable in which a young woman returns home to attend her father's funeral, then goes into the wild in search of existential meaning.

The Life and Legacy of Ana Mendieta «To turn a dead woman into a martyr is to turn her story into your own» says Rosanna Mclaughlin on what it means to coopt the life of an artist for a social cause, the fetishisation of female victimhood and the artworld's complicity in presenting the «ideal woman artist as dead or close to dying».

The artist's work examines the idea of the «monstrous feminine» and consists of portraiture of women doused in a variety of sloppy fluids, half dead and fully animated.

«Dead Honeys» is a group exhibition of women artists using the (often hollow) representations of women in popular culture as their raw materials, served for our consumption by a Western capitalist culture.

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Boakye becomes first black woman shortlisted for Turner Prize 2013», The Independent, April 25 Nick Clark, «David Shrigley's fine line between art and fun nominated for Turner Prize», The Independent, April 25 Charlotte Higgins, «Turner prize 2013: a shortlist strong on wit and charm», guardian.co.uk April 25 Charlotte Higgins, «Turner prize 2013 shortlist takes a mischievous turn», guardian.co.uk, April 25 Adrian Searle, «Turner prize 2013 shortlist: Tino Sehgal dances to the fore», guardian.co.uk, April 25 Allan Kozinn, «Four Artists Named as Finalists for Britain's Turner Prize», The New York Times, April 25 Coline Milliard, «A Crop of Many Firsts: 2013 Turner Prize Shortlist Announced», Artinfo, April 25 Sam Phillips, «Former RA Schools student nominated for Turner Prize», RA Blog, April 25 «Turner Prize Shortlist 2013», artlyst, April 25 «Turner Prize Nominations Announced: David Shrigley, Tino Sehgal, Lynette Yiadom - Boakye and Laure Prouvost Up For Award», Huffpost Arts & Culture, April 25 Hannah Furness, «Turner Prize 2013: a dead dog, headless drummers and the first «live encounter» entry», Telegraph, April 25 Hannah Furness, «Turner Prize 2013: The public will question whether this is art, judge admits», Telegraph, April 25 Julia Halperin, «Turner Prize shortlist announced», The Art Newspaper, April 25 Brian Ferguson, «Turner Prize nomination for David Shrigley», Scotsman.com, April 25 «Former Falmouth University student shortlisted for Turner Prize», The Cornishman, April 29 «Trickfilme und der Geschmack der Sonne», Spiegel Online, April 25 Dominique Poiret, «La Francaise Laure Prouvost en lice pour le Turner Prize», Liberation, April 26 Louise Jury, «Turner Prize: black humour artist David Shrigley is finally taken seriously by judges», London Evening Standard, April 25 «Turner Prize 2013: See nominees» work including dead dog, grave shopping list and even some paintings», Mirror, April 25 Henry Muttisse, «It's the Turner demise», The Sun, April 25 «Imaginary portrait painter up for Turner Prize», BBC News, April 25 Farah Nayeri, «Tate's Crowd Artist Sehgal Shortlisted for Turner Prize», Bloomberg Businessweek, April 25 «Turner Prize finalists mix humour and whimsy», CBC News, April 25 Richard Moss, «Turner Prize 2013 shortlist revealed for Derry - Londonderry», Culture24, April 25 «David Shrigley makes 2013 Turner Prize shortlist», Design Week, April 25 «The Future Generation Art Prize@Venice 2013», e-flux.com, April 21 Skye Sherwin, «Lynette Yiadom - Boakye», The Guardian Guide, March 2 - 8, p. 36 Amie Tullius, «Seasoned by Whitney Tassie», 15 Bytes, March «ARTINFO UK's Top 3 Exhibitions Opening This Week, ARTINFO.com, February 25 Orlando Reade, «Whose Oyster Is This World?&artist David Shrigley is finally taken seriously by judges», London Evening Standard, April 25 «Turner Prize 2013: See nominees» work including dead dog, grave shopping list and even some paintings», Mirror, April 25 Henry Muttisse, «It's the Turner demise», The Sun, April 25 «Imaginary portrait painter up for Turner Prize», BBC News, April 25 Farah Nayeri, «Tate's Crowd Artist Sehgal Shortlisted for Turner Prize», Bloomberg Businessweek, April 25 «Turner Prize finalists mix humour and whimsy», CBC News, April 25 Richard Moss, «Turner Prize 2013 shortlist revealed for Derry - Londonderry», Culture24, April 25 «David Shrigley makes 2013 Turner Prize shortlist», Design Week, April 25 «The Future Generation Art Prize@Venice 2013», e-flux.com, April 21 Skye Sherwin, «Lynette Yiadom - Boakye», The Guardian Guide, March 2 - 8, p. 36 Amie Tullius, «Seasoned by Whitney Tassie», 15 Bytes, March «ARTINFO UK's Top 3 Exhibitions Opening This Week, ARTINFO.com, February 25 Orlando Reade, «Whose Oyster Is This World?&Artist Sehgal Shortlisted for Turner Prize», Bloomberg Businessweek, April 25 «Turner Prize finalists mix humour and whimsy», CBC News, April 25 Richard Moss, «Turner Prize 2013 shortlist revealed for Derry - Londonderry», Culture24, April 25 «David Shrigley makes 2013 Turner Prize shortlist», Design Week, April 25 «The Future Generation Art Prize@Venice 2013», e-flux.com, April 21 Skye Sherwin, «Lynette Yiadom - Boakye», The Guardian Guide, March 2 - 8, p. 36 Amie Tullius, «Seasoned by Whitney Tassie», 15 Bytes, March «ARTINFO UK's Top 3 Exhibitions Opening This Week, ARTINFO.com, February 25 Orlando Reade, «Whose Oyster Is This World?»

Courtauld Gallery, London All - seeing eyes and cosmic visions dazzle in the abstract art of a woman who claimed her hand was guided by the dead, from holy saints to famous male artists

Highlights include three new acquisitions of major works by Mark Bradford, the Los Angeles artist who will represent the United States at the next Venice Biennale; a somber drawing - cum - sculpture that seems to predict a stormy future, which David Hammons «drew» with a bouncing basketball and graphite; and a solid stainless steel «Sleeping Woman» by Charles Ray, all gleaming dead weight anchoring the gallery around it.

On Being a «Lady» (February 10, 2013) was my solution for how to review a show I was in, «since the show is divided into two parts, installed along two separate sections of the space, with one side featuring the works of women artists who are deceased, and the other side featuring those of us still among the living, I feel that I can safely recommend the dead without incurring controversy among the other living artists in the show or referring to my own work in it or the ramifications of the word «lady,» which I know has stirred some controversy.»

In an artworld willing to congratulate itself for championing overlooked and maligned women, we must also acknowledge the possibility that we may be complicit in a collective type of abuse, in which the ideal woman artist is dead or close to dying

Much like the work in No Dead Artists, Rosato will be featuring a full array of her studies of the human form in the cut map medium; ranging from life - size depictions of men and women to 3 - D busts.

Like all good super her @s we cloak our ordinary public personas and arrive on the scene as dead women artists — masked guerrilla girls — wielding the F word (feminism) to hold our public and cyber institutions accountable to women and youth across cultures and economic backgrounds who are otherwise left on the wrong side of the Digital Divide.

One painting, Night Sky (For Sandi), showing a puzzled, grim aboriginal woman, seems to symbolize the story of Annie Pootoogook, the Inuit artist who won the 2006 Sobey prize, became overwhelmed with the attention and was found dead this fall following several tragic years of homelessness.

An old hand at such juxtapositions, Hauser and Wirth offers an intensely curated pitch for older and dead women artists — a 1960 Eva Hesse painting, a Louise Bourgeois fabric piece, the tormented canvas «Mourning» by Maria Lassnig (aged 92) and a fresco - like work about the ages of women «after Giotto» by Ida Applebroog (aged 82).

Most of the (very few) women artists they've shown are dead.

In more recent work, Islam often takes a single visual motif as her point of departure, such as a woman distractedly spinning a ring in Dead Time (2000), a girl turning towards the camera and then vanishing in Turn (Gaze of Orpheus)(1998), a group of rickshaw drivers instructed by the artist to sit and do nothing in First Day of Spring (2005), or a cable car receding from its port in Time Lines (2005).

Out of the 155 artists in the show 37 are dead male artists (a figure that rivals the amount of living women artists included).

Interview with Georganne Deen, Summer 2011 Fee, Georgia, Artslant, Interview w / Georganne Deen, Apr 22, 2008 Bors, Chris, Artinfo, Georganne Deen in New York, Apr 3, 2008 Reverend Jen, Artnet, Diary of an Art Star, Mar 31, 2008 Tanner, Matt, Beware the Wild Children, Grand Street News, Mar 2008 Powers, Kevin, Interview with Georganne Deen, Artes & Leiloes (Portugal), Nov, 2007 Behrens, Katja, Verspielter Exorzismus, TAZ nrw, March 20, 2007 Wertheim, Christine, Georganne Deen: Underground Woman, X-TRA, Winter 2006 Harvey, Doug, I Art the 80's, L.A. Weekly, March, 2006 Fahl, David, Text Hook, Houston Press, June 17, 2004 Klaasmeyer, Kelly, Deen's List, Houston Press, Jan. 2, 2003 Lowry, Mark, Artist's Work Hits Close to Home, Fort Worth Star Telegram, Mar. 13, 2002 Mitchell, Charles Dee, Self Examination Turns Disturbing, The Dallas Morning News, Feb. 28, 2002 Deen, Georganne, The Girlfriend and The Devil, Grand Street # 70 Halstrup, Anjee, Georganne Deen: The Secret Storm and the Vogue Book of the Dead, ZERO magazine, July, 2001 Rodriguez, Juan, Georganne Deen at Babilonia 1808, Artweek, June, 2001 McEwam, Ann, 15 Psychic Orgasms, Waitako Times, Mar. 8, 2000 Mutch, Nicola, Ads Undermine American Dream, Otago Daily Times, Oct. 26, 1999 Munro, Bruce, Artist Explores Dream World, The Star, Oct. 27, 1999 Madoff, Steven Henry, Pop Surrealism ARTFORUM, Oct., 1998 Gopnick, Blake, Old Wounds Healed Through Older Art Form, The Globe & Mail, Jul 29, 1998 Hume, Christopher, Allegories of Her Hateful Family Tree The Toronto Star, Jul 11, 1998 Schoenkopf, Rebecca, The Glamour of Ugly, Orange County Weekly, Sept 19, 1997 Curtis, Cathy, Light Images, Dark Truth, Los Angeles Times, Sept 9, 1997 Dambrot, Shana Nys, Georganne Deen, JUXTAPOZ, Fall 1997 Kim, Soo Jin, Georganne Deen, Art Issues, Summer 1997 Kandel, Susan, Fierce: Georganne Deen, Los Angeles Times, Feb 28, 1997 McKenna, Kristine, Los Angeles, Art & Antiques, Summer 1996 Zellen, Jody, The Mother Load, World Art, Summer 1995 Lueck, Brock, Co-Mix Art: Fine Tooning Pop, The New Art Examiner, Mar, 1995 McKenna, Kristine, Coming to Terms With Mom, L.A. Times, Dec 18, 1994 Desmarais, Charles, Georganne Deen, Grand Street # 49, 1994 Dubin, Zan, Experiences of a Girl as Seen by a Woman, L.A. Times, Oct 23, 1993 Rose, Cynthia, Pacific Meltdown, British Vogue, Jul, 1991 Carlin, John, Bad Influences, The Paper, Jun, 1988 Smith, Alton, Reinventing the WheelI, Village Voice, Nov 29, 1988 Tanney, Kathy, Paper Tigers, Plastic Toys, Art Week, Aug 22, 1987 Knight, Christopher, Bad Influences Knocks Popular Culture Wisdom, L.A. Herald Examiner, Aug 4, 1987 Leston, Kimberely, Georganne Deen, the Face, Dec, 1986 Pincus, Robt, Voyage on Sculpture May Make Some Viewers Ill, San Diego Union, Jul 10, 1986 Wilson, William, Social Distortion Exhibition, L.A. Times, Jul 10, 1986 Rugoff, Ralph, Exterminating Angel, Los Angeles Weekly, Oct 11, 1985 Drohojowska, Hunter, The Art World's Biggest Pests, Los Angeles Herald Examiner, Oct 20, 1985

I figure that since the show is divided into two parts, installed along two separate sections of the space, with one side featuring the works of women artists who are deceased, and the other side featuring those of us still among the living, I feel that I can safely recommend the dead without incurring controversy among the other living artists in the show or referring to my own work in it or the ramifications of the word «lady,» which I know has stirred some controversy.