Sentences with phrase «of double consciousness»

He will explore their shared interest in W.E.B. Du Bois's theory of double consciousness, beginning with a reading from Manning Marable's biography, Malcolm X: A Life of Reinvention, and expand these ideas beyond their binary nature.

«Ultimately it is my hope,» Berding says, «that the paintings, like urban landscapes, teem with a sort of double consciousness, a prevailing sense of both, the future - present and the ever - present past.»

William Villalongo's exhibition features paintings, collages, and prints, along with a film that gives some insight his use of the African mask as a symbol of double consciousness in his practice.

The Kitchen writes that in this exhibition Hewitt's `... long - standing interest in non-linear perspective merges with W.E.B. Dubois» theory of double consciousness, to create visually elegant and thoughtfully composed situational works».

Owusu interprets Du Boisâ $ ™ notion of double consciousness and creates a third identity or consciousness, representing the diverse consciousness of women and African immigrants interacting in African, white American, and black American culture.

ASK ANY 30 - SOMETHING with African parents what it was like growing up in the States and you'll likely hear a story of unbelonging, an account not of double consciousness but triple.

Owusu interprets Du Bois» notion of double consciousness and creates a third cinematic space or consciousness, representing diverse identities including feminism, queerness and African immigrants interacting in African, white American, and black American culture.

Speaking of complex, where this film manages to do something I've rarely seen in a mainstream movie, that is delve into the idea of double consciousness, as well as the intergenerational struggles in the Black family.

Social criticism can loosen the ropes of this double consciousness.

Not exact matches

Let us read history, our history, as a living account of what we once were, with the double - edged consciousness that all of this has gone forever and that, in spite of everything, that period of youth and every moment of our lives remain mysteriously present at the wellsprings of our soul in a kind of delectable eternity.»

DuBois's idea of «double consciousness» is one example of this fragmentation.

This sense of the word is best illustrated in Hosea, where the ghastly double rupture of marriage and covenant is in prophetic consciousness a fait accompli, and where the prophet draws an analogy between the relationship of husband and wife and that of Yahweh and his people.

W. E. B. DuBois in his classic volume, The Souls of Black Folk, refers to the issue as a type of «double consciousness.»

This creates a type of double - consciousness; it leads to a «sense of always looking at one's soul by the tape of a world that looks on in amused contempt and pity» (SBF 16 - 17).

Yet a truly modern subject or «I» is a doubled or self - alienated center of consciousness, and is so in a uniquely Cartesian internal and radical doubt, one never decisively present in previous cognitive or philosophical thinking, although its ground had been established by Augustine's philosophical discovery of the subject of consciousness.

But perhaps it is more interesting and significant to note that this double eschatology no longer seems to function in the ordinary consciousness, even of convinced evangelical believers.»

Here, Paul, is extraordinarily important, for he is our first purely apocalyptic thinker, and so far as we now know the first ancient thinker fully to draw forth the subject of consciousness, an «I» or subject which he could know as a dichotomous subject, a subject wholly divided or doubled between an old «I» of «flesh» (sarx) and a new «I» of Spirit (pneuma).

Mortality and self - consciousness (in the double sense of self - awareness and embarrassment) emerge from the knowledge of good and evil.

They have a double consciousness: they believe in the shepherd's providence, but that belief does not blind them to the terrors that await them along the ways of justice.

But I could not let irrational white fear distract from the intellectual task of exploring the theological meaning of double - consciousness in black people.

Sadly, Ray has, at least to some extent, faded from the Arsenal collective consciousness in a way that many other stars of that Double year haven't — partly I suppose because there were just too many subsequent goals for Liverpool (each one a small dagger to my heart), and partly, and far more seriously, because his dreadful illness impacts on his ability to travel and maintain any kind of profile.

Francis Crick, co-discoverer of the double helical structure of DNA, and I had hypothesized that the claustrum, a mysterious thin structure located below much of cortex, is critical for binding information across sensory modalities and making it accessible to consciousness.

Thibaut A, Bruno MA, Ledoux D, et al. tDCS in patients with disorders of consciousness: Sham - controlled randomized double - blind study.

In a double - blind, sham - controlled, cross-over study, Thibaut et al (2014) examined the effects of left dorsolateral prefrontal cortex tDCS (DLPF - tDCS) on Coma Recovery Scale - Revised (CRS - R) scores in severely brain - damaged patients with disorders of consciousness.

However, it isn't till about the last 30 minutes of the film that you realize you've been witnessing a nuanced dissection of intergenerational relationships, race relations and double consciousness, and then the film really reveals itself to you.

The flashback, circular structure of a narrative about a doomed man is an essential feature of film noir (see Sunset Boulevard, Out Of The Past, Detour, Double Indemnity, etc) and Lost Highway is structured like a Möbius strip, coiling back on itself in a way that reflects the disturbed consciousness of the protagonist, condemned to replay the tragic events of his life in an endless looof a narrative about a doomed man is an essential feature of film noir (see Sunset Boulevard, Out Of The Past, Detour, Double Indemnity, etc) and Lost Highway is structured like a Möbius strip, coiling back on itself in a way that reflects the disturbed consciousness of the protagonist, condemned to replay the tragic events of his life in an endless looof film noir (see Sunset Boulevard, Out Of The Past, Detour, Double Indemnity, etc) and Lost Highway is structured like a Möbius strip, coiling back on itself in a way that reflects the disturbed consciousness of the protagonist, condemned to replay the tragic events of his life in an endless looOf The Past, Detour, Double Indemnity, etc) and Lost Highway is structured like a Möbius strip, coiling back on itself in a way that reflects the disturbed consciousness of the protagonist, condemned to replay the tragic events of his life in an endless looof the protagonist, condemned to replay the tragic events of his life in an endless looof his life in an endless loop.

A double - edged blade is the elasticity of the collective consciousness in gaming.

In his reflective stance, and position facing Vessel, the activist and scholar is enacting a meditative consideration of «double consciousness» — his theory that African Americans constitute a double sense of self, and their continual struggle to reconcile the two cultures that compose their identity.

«My artworks draw from the uniquely shared history of code switching, double - consciousness, and multiple narratives that people of African descent have inherited and are compelled to adopt as a survival strategy for daily life.

Double Consciousness explores the conceptual art practices of African - American artists over the past 35 years, using as its underpinning, the «reflexive» nature of art - making which emerged with the avant - garde of the late 1960s.

The text doubles up as an artist statement meets stream - of - consciousness prose, printed on a large page and tacked onto the wall.

In his work, Willis Thomas perceptively engages what W. E. B. Du Bois called double consciousness, the condition in which people see themselves reflected, often negatively, in the view of others and end up molding their lives to confirm that view.

The Influence of Cartoons in Contemporary Art (2003); the acclaimed Double Consciousness: Black Conceptual Art since 1970 (2005); and Black / White Noise: Sound and Light in Contemporary Art (2007).

In a 2013 review of Question Bridge, a collaborative transmedia project, Holland Cotter wrote in the New York Times, ``... he has been particularly astute in examining the workings of what W. E. B. Du Bois called double consciousness, the condition in which people see themselves reflected, often negatively, in the view of others and end up molding their lives to confirm that view.»

Born in Inglewood, California, Chris Johnson explores California as an artistic subject with the double - consciousness of observer and participant, figuratively oscillating between being on stage and watching from the audience.

Information is drawn from the uniquely shared history of code switching, double - consciousness and multiple narratives that people of African descent have inherited and are compelled to adopt as a survival strategy for daily life.

«It is a peculiar sensation,» wrote W.E.B. Du Bois, «this double - consciousness, this sense of always looking at one's self through the eyes of others.»

★ Joyce Robins: «Paint and Clay» (closes on Sunday) The combinations of clay, craquelure glaze and watercolor are demonstrated in vibrant wall pieces whose allover patterns of holes or scooped - out craters — redolent of craft and function — are given a double, painterly consciousness with diffuse tints of color.

Adam Pendleton has been included in significant exhibitions in America and Europe including the Palais de Tokyo's La Triennale (2012), where his video installation BAND was presented following its premiere at The Kitchen, New York (2010); Ecstatic Alphabets / Heaps of Language, MoMA, New York (2012); Greater New York, MoMA PS1, New York (2010); The Generational: Younger Than Jesus, New Museum, New York (2010); Afro - Modernism: Journeys through the Black Atlantic, Tate Liverpool (2010); Manifesta 7, Trentino - South Tyrol, Italy (2008); After 1968: Contemporary Artists and the Civil Rights Legacy, High Museum of Art, Atlanta (2008); Object, The Undeniable Success of Operations, Stedelijk Museum, Amsterdam (2008); Manifesto Marathon, The Serpentine Gallery, London (2008); Sympathy for the Devil: Art and Rock and Roll Since 1967, Museum of Contemporary Art, Chicago (2007); Performa 07, New York (2007); Talk Show, ICA, London (2007); Resistance Is, The Whitney Museum of American Art, New York (2007); Frequency, Studio Museum of Harlem (2005 - 06); and Double Consciousness: Black Conceptual Art Since the 1970s, Contemporary Arts Museum, Houston (2005).

Other important exhibitions include Adventure of the Black Square: Abstract Art and Society 1915 — 2015 (2015), Whitechapel Gallery, London; The Disappearance of the Fireflies, Collection Lambert, Avignon, France, 2014; Love Story - Anne and Wolfgang Titze Collection, 21er Haus and Winter Palace, Vienna, Austria, 2014; Radical Presence: Black Performance in Contemporary Art, Walker Art Center, Minneapolis, 2014; Joan Jonas & Adam Pendleton, Galeria Pedro Cera, Lisbon, 2014; We Love Video This Summer, Pace Gallery, Beijing, China, 2014; Radical Presence: Black Performance in Contemporary Art, Contemporary Arts Museum, Houston (2013); Ecstatic Alphabets / Heaps of Language, The Museum of Modern Art, New York (2012); Greater New York, P.S. 1 Contemporary Art Center, Long Island City, New York (2010); The Generational: Younger Than Jesus, New Museum, New York (2010); Afro - Modernism: Journeys through the Black Atlantic, Tate Liverpool (2010); Manifesta 7, Trentino - South Tyrol, Italy (2008); After 1968: Contemporary Artists and the Civil Rights Legacy, High Museum of Art, Atlanta (2008); Object, The Undeniable Success of Operations, Stedelijk Museum, Amsterdam (2008); Manifesto Marathon, The Serpentine Gallery, London (2008); Sympathy for the Devil: Art and Rock and Roll Since 1967, Museum of Contemporary Art, Chicago (2007); Performa 07, New York (2007); Talk Show, Institute of Contemporary Art, London (2007); Resistance Is, Whitney Museum of American Art, New York (2007); Frequency, Studio Museum of Harlem, New York (2005 - 06); and Double Consciousness: Black Conceptual Art Since the 1970s, Contemporary Arts Museum, Houston (2005).

Double Consciousness: Black Conceptual Art Since 1970 [out of print] Perspectives 145: Bodys Isek Kingelez Terry Winters / Paintings, Drawings, Prints / 1994 — 2004 [catalogue unavailable] Perspectives 146: Hit Me!

[I also refer to double consciousness in my post Kara Walker: The Art of War.]

The Influence of Cartoons in Contemporary Art (2003); the acclaimed Double Consciousness: Black Conceptual Art Since 1970 (2005); Black Light / White Noise: Sound and Light in Contemporary Art (2007); Cinema Remixed and Reloaded: Black Women Artists and the Moving Image with Dr. Andrea Barnwell Brownlee (2009); Hand + Made: The Performative Impulse in Art and Craft (2010); a major retrospective on Benjamin Patterson, Born in the State of Flux / us, as well as the survey Donald Moffett: The Extravagant Vein (2011).

«Shades of Black (ness),» Davison Art Center, Wesleyan University, Middletown, CT, January 25 — March 3, 2005 «Collection Remixed,» The Bronx Museum of the Arts, Bronx, NY, February 3 — June 5, 2005; catalogue «Landscape,» Whitney Museum of American Art, New York, NY, March 24 — September 18, 2005 «The Shape of Time,» Walker Art Center, Minneapolis, MN, April 17, 2005 — October 25, 2009 «Very Early Pictures,» Luckman Gallery, California State University, Los Angeles, CA, May 26 — July 23, 2005; traveled to Arcadia University Gallery, Glenside, PA, September 6 — October 30, 2005 «African American Art: Masterworks of Contemporary Art,» Saint Louis Art Museum, St. Louis, MO, June 24 — August 28, 2005 «Wordplay: Text and Image from 1950 to Now,» Davison Art Center, Wesleyan University, Middletown, CT, October 25 — December 11, 2005 «The Painted Word: Language as Image in Modern Art,» Williams Center for the Arts Gallery, Lafayette College, Easton, PA, October 28 — December 14, 2005; brochure «Between Image and Concept: Recent Acquisitions in African American Art,» Princeton University Art Museum, Princeton, NJ, November 12, 2005 — February 6, 2006 «Beauford Delaney in Context: Selections from the Collection,» Philadelphia Museum of Art, Philadelphia, PA, November 13, 2005 — February 26, 2006 «A Brief History of Invisible Art,» CCA Wattis Institute for Contemporary Arts, San Francisco, CA, November 30, 2005 — February 21, 2006 «Linkages and Themes in the African Diaspora,» Museum of the African Diaspora, San Francisco, CA, December 1, 2005 — March 12, 2006 «Looking at Words: The Formal Presence of Text in Modern Contemporary Works on Paper,» conceived by Barbaralee Diamonstein - Spielvogel, Andrea Rosen Gallery, New York, NY, October 28, 2005 — January 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 9, 2005 — September 26, 2006 «Drawing from the Modern, 1975 - 2005,» Museum of Modern Art, New York, NY, September 14, 2005 — January 9, 2006 «ROMANCE (a novel),» curated by Adriano Pedrosa, Cristina Guerra Contemporary Art, Lisbon, Portugal, September 14 — October 15, 2005; catalogue «A Thousand Words,» Inman Gallery, Houston, TX, July 9 — August 27, 2005 «Getting Emotional,» Institute of Contemporary Art, Boston, MA, May 18 — September 5, 2005 «Double Consciousness: Black Conceptual Art Since 1970,» organized by Valerie Cassel Oliver, Contemporary Arts Museum, Houston, TX, January 22 — April 17, 2005

Pendleton has been included in significant exhibitions in America and Europe, including Love Story — The Anne & Wolfgang Titze Collection, Winter Palace and 21er Haus, Belvedere, Vienna (2014); La Triennale, Palais de Tokyo, Paris (2012); Ecstatic Alphabets / Heaps of Language, MoMA, New York (2012); Greater New York 2010, MoMA PS1, New York (2010); The Generational: Younger than Jesus, New Museum, New York (2010); Afro - Modernism: Journeys through the Black Atlantic, Tate Liverpool (2010); Manifesta 7, Trentino - South Tyrol, Italy (2008); After 1968: Contemporary Artists and the Civil Rights Legacy, High Museum of Art, Atlanta (2008); Object, The Undeniable Success of Operations, Stedelijk Museum, Amsterdam (2008); Manifesto Marathon, The Serpentine Gallery, London (2008); Sympathy for the Devil: Art and Rock and Roll Since 1967, Museum of Contemporary Art, Chicago (2007); Performa 07, New York (2007); Talk Show, ICA, London (2007); Resistance Is, Whitney Museum of American Art, New York (2007); Frequency, The Studio Museum of Harlem (2005 — 06); and Double Consciousness: Black Conceptual Art Since the 1970s, Contemporary Arts Museum, Houston (2005).

In The Souls of Black Folk, W.E.B. Du Bois described the African - American experience as one of «double consciousness, this sense of always looking at one's self through the eyes of others.»

Art and Black Los Angeles 1960 - 1980 UCLA Hammer Museum, Los Angeles State of Mind: New California Art Circa 1970 Orange County Museum of Art, Newport Beach (traveled to UC Berkeley Art Museum and Pacific Film Archive, Berkeley; Morris and Helen Belkin Art Gallery, Vancouver; SITE Santa Fe; The Bronx Museum, New York) 2010 Summer Group Show Susanne Vielmetter Los Angeles Projects, Los Angeles The Artist's Museum: Los Angeles Artists 1980 - 2010 The Museum of Contemporary Art, Los Angeles The Seventh House Project Row Houses, Houston Noir Complex Magazin 4, Bregenzer Kunstverein (traveled to Brandenburgischer Kunstverein, Potsdam) Project Row Houses, Houston Man Son, Vom Schrecken der Situation Galerien der Stadt Esslingen, Esslingen Am Necker 2009 Collection: MOCA's First Thirty Years, 1980 — Now The Geffen Contemporary at MOCA, Los Angeles Oz: New Offerings from Angel City Regional Museum of Guadalajara, Guadalajara Attempt to Raise Hell San Diego Museum of Contemporary Art Downtown, San Diego Invitational Exhibition of Visual Arts American Academy of Arts and Letters, New York 2008 Index: Conceptualism in California from the Permanent Collection The Geffen Contemporary at the Museum of Contemporary Art (MOCA), Los Angeles Weighing and Wanting Museum of Contemporary Art San Diego, La Jolla Entre Chien et Loup Kent Gallery, New York Wild Signals — Artistic Postions between Symptom and Analysis Württembergischer Kunstverein Stuttgart, Stuttgart Idea, Text and Image, Schneider Museum of Art, Southern Oregon University, Ashland 2007 Im Wort Kunsthalle Göppingen, Göppingen Read Me: Text in Art Armory Center for the Arts, Pasadena From Close to Home: Recent Acquisitions of Los Angeles Art Museum of Contemporary Art, Los Angeles 2005 Double Consciousness: Black Conceptual Art Since 1970 Contemporary Arts Museum, Houston Hommage to Friedrich Schiller Brigitte March Gallery, Stuttgart Kamm Gallery Anniversary Exhibition Galerie Kamm, Berlin 2004 Fade (1990 - Present): African American Artists in Los Angeles, a Survey Exhibition Luckman Gallery and the University Fine Arts Gallery, Los Angeles Craft and Folk Art Museum, Los Angeles Recherche - entdeckt!

Installation view of «2x2 Collective: double consciousness» The Arts Center of the Capital Region, 265 River St., Troy Through Dec. 21, 2013

Art and the Feminist Revolution, Museum of Contemporary Art, Los Angeles (2007, traveling); Second Lives: Remixing the Ordinary, Museum of Art and Design, New York (2008); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); 54th Carnegie International, Carnegie Museum of Art, Pittsburgh (2004); Out of Actions: Between Performance and the Object, 1949 - 1979, Museum of Contemporary Art, Los Angeles (1998); Afro - American Art in the Twentieth Century: Three Episodes, Bronx Museum of the Arts, Bronx, NY (1980); Afro - American Abstractions, P.S. 1 Contemporary Art Center, Long Island City, NY (1980); Freeway Fets, public art project, freeway underpass, Los Angeles (1979); The Concept as Art, Just Above Midtown Gallery, New York (1977); California Black Artists, The Studio Museum in Harlem, New York (1977); and Sapphire Show, Gallery 32, Los Angeles (1970).

: Double Consciousness: Black Conceptual Art Since 1970, Houston 2005 Museum of Contemporary Art (Ed.)