Watching the movie, though, I'm Not There rambles from one phase of Dylan's life to another, and sometimes the movie's leaps
of dramatic license delve into pure fantasy, like a section that sees him as Billy the Kid or another that envisions him a movie star.
Of course, Berg took a lot
of dramatic license with said character, and the real Don Billingsley sets the record straight regarding his father's bullying in the best and last featurette, Jim Bacon's «The Story of the 1988 Permian Panthers» (24 mins.).
Bennett Miller, who has excelled in delivering quality, Best Picture - nominated biopics in the past with Moneyball and Capote, even if they utilized a liberal amount
of dramatic license, gives us yet another solid effort, though I do believe it is still a step down in a couple of key areas from those works.
When the Game Stands Tall is a family friendly, and, more notably, Christian - family friendly, drama inspired by true events («inspired» means liberal amounts
of dramatic license, fictional characters, etc.).
But, in all fairness, the first is simply a matter
of dramatic license, which any film would and does undertake when confronted with adapting real life, or even a novel, to the screen.
Not exact matches
By way
of dramatic contrast, it is beyond dispute that an abortion kills an innocent human being at an early stage ofher development, and it is beyond dispute that Sen. Obama favours an unlimited
license to perpetrate such killings.
«There's been a
dramatic increase in the number
of licenses issued in the past two to three years — almost double.
While some
dramatic license has been taken with the facts (the role
of The Times has been downplayed and that
of The Post boosted), the crux
of the story remains — that for a democracy to not just survive but thrive, a free and robust press is essential.
Of course, this is the type of fact - based film that probably would have benefited from taking more dramatic license with the material, because some of the sensational events that occur (including one character's supposed death) are presented so matter - of - factly that it sucks the fun out of the movi
Of course, this is the type
of fact - based film that probably would have benefited from taking more dramatic license with the material, because some of the sensational events that occur (including one character's supposed death) are presented so matter - of - factly that it sucks the fun out of the movi
of fact - based film that probably would have benefited from taking more
dramatic license with the material, because some
of the sensational events that occur (including one character's supposed death) are presented so matter - of - factly that it sucks the fun out of the movi
of the sensational events that occur (including one character's supposed death) are presented so matter -
of - factly that it sucks the fun out of the movi
of - factly that it sucks the fun out
of the movi
of the movie.
The sports - themed picture takes no
dramatic license (right «down to the costumes») in bringing audiences the true - life tale
of sports agent J.B. Bernstein's (played by Job Hamm)... [Read more...]
Written originally for the stage, Frost / Nixon is the true story - albeit with
dramatic license -
of Richard Nixon's first interview after resigning from the Oval Office in disgrace because
of Watergate.
While I do think, from a story standpoint, it's a shame that Garrigan wasn't limited to being a mere witness to the events
of the Amin era, as he was portrayed more in the book, instead
of a constant catalyst for Amin's rage, considering he is a fictional character, we'll just chalk up his constant missteps as
dramatic license taken by the screenwriters in drawing out Amin to commit some
of the most heinous acts
of torture shown in film this side
of a Mel Gibson directorial effort.
That is what you expect because you've seen too many
of those historical films with frank and cloying melodrama, artificial conflict, and steep
dramatic license.
Despite the fact that the real life Commodus did actually fight in the the gladiatorial arena, the ending stretched credulity for me but I suppose
dramatic license is commonplace in film's
of this type.
Liman and his screenwriter, Gary Spinelli (Chaos Walking, Stash House), apparently play fast and loose with the facts
of Seal's life («
dramatic license» in case you're wondering), but hew relatively close to the general contours and parameters
of that same life, following Seal as he settles in Mena, Arkansas at the behest
of his careerist handler, expands his drug - smuggling business with Schafer's willful ignorance as an ally, and turns a massive property (also bestowed by a generous federal government) into a training ground for the Contra rebels who fought against the Communist - allied Sandinista regime in Nicaragua in the «80s.
• Patrick Goldstein defends his paper's perceived hit campaign against «The Hurt Locker,» calls quoted second - hand information that wasn't properly vetted «the most in - depth piece written about the film's complex mixture
of questionable
dramatic license and vivid authenticity.»
The film takes
dramatic license with the truth and cushions the anguish with over-emoting melodramatic music, yet the acting is deeply felt and the redemptive message
of Lomax's memoir is intact.
Inspired by Krystyna Chiger's memoir «The Girl in the Green Sweater» with references to Martin Gilbert's «The Righteous» and Robert Marshall's «In the Sewers
of Lvov,» Canadian screenwriter David F. Shamoon takes
dramatic license to fictionalize Socha's inner turmoil.
In an Oscar - nominated performance, Watts is superb as Maria, and it's a shame her ailing character is largely confined to the sidelines during the less impressive second half, a stretch that culminates with a series
of dramatic -
license coincidences so laughable, they belong in a vintage screwball comedy instead.
This is a feature film and not a documentary (on - screen notes at the end explain that while the film is based on meticulous research, some
dramatic license was by necessity taken), but Bigelow has a way
of making scripted drama feel like an utterly gripping newsreel.
One could brush this difference off as mere
dramatic license, but the movie depends completely on the alliance between Mom Maggie and Teacher Viola Davis, who is depicted as an angel
of a teacher as well as a deeply loving mother.
This allows her the
dramatic license to create some powerful scenes: the mass - murder
of the Drones at the hands
of their outraged females and the workers finally gathering the courage to stand up and be accounted for.
Her goal is not only to sell books, but to also build long and ever - growing careers for her clients, giving each
of them close and thorough attention as well as being an advocate in all aspects
of the publishing process, including
licensing foreign rights, audio rights,
dramatic rights and more.
Event spaces at the Margaritaville Hollywood Beach Resort include the elegant 10,000 square foot Compass Rose Ballroom, the white sands
of the Hollywood Beach, the
dramatic 11th - floor
License to Chill restaurant and bar, and one
of the several restaurants on site.
The graphics
of these games has superseded the old MS Solitaire so much so, that it's almost like watching a Dreamworks production (excuse the
dramatic license).
Some
of these were forced adaptations — like Ocarina
of Time's shift to three dimensions — and some took
dramatic artistic
license — Wind Waker's cel - shaded aesthetic.
Utilizing strong diagonals as
dramatic structural
license, the composition features a translucent palette dominated by blue, ochre, and white, that leaves large patches
of the primed canvas revealed.
Was Daisey justified in taking
dramatic license, in spite
of being on a news program rather than a stage?
To provide organizations the latest rulings and insight, the Sixth Edition IP Primer provides information and commentary about recent IP issues, including: the Supreme Court «s
dramatic influence surrounding injunctions in patent cases; the Federal Circuit «s decisions on calculating damages in the modern era; Congress «introduction
of the America Invents Act
of 2011, considered the most
dramatic overhaul
of the patent system since the Patent Act
of 1952; and proper compliance to open source software
licensing terms, an issue rapidly gaining importance.