Sentences with phrase «of early canvases»

The Black Paintings were Hedrick's protest against the Vietnam War in which he took about 50 of his early canvases and painted them in heavy layers of black oil paint.

New Yorkers can see Corse's work at the Guggenheim Museum, where one of her early canvases appeared in «Surface, Support, Process: The 1960s Monochrome» [closes today] or visit the Lehmann Maupin Gallery in Chelsea to bask in the quiet glow of her newest paintings [on view through March 10].

The curator Elizabeth Armstrong has included 10 of his early canvases in «Birth of the Cool» at the Orange County Museum of Art in Newport Beach, opening Sunday.

At the time, they were already fans of the artist, but were astonished to discover a mass of early canvases they'd never known about.

[10] Hedrick took «about 50» [60] of his early canvases and painted them black.

Evoking the rebellious post-Pop aesthetic of New York, Laska often incorporates recycled waste materials and found objects into her paintings, sometimes reworking parts of earlier canvases entirely.

Some of them were kind of spiritual, like Simon Hantaï, who was actually Hungarian, Catholic, and wrote the Catholic liturgy onto the ground of an early canvas.

She returned to New York and adapted the sprawling vortex of dark lines and shapes characteristic of her earlier canvases into a denser structure that floats equivocally across a field of white.

Not exact matches

I have long remembered the remark of a notable art critic — though I have forgotten which one — that many modernist paintings could be understood as fragments of classical painting blown up for their own sake, displaying the formal and technical elements by which painting is accomplished but eschewing the narrative depiction within which such patches of paint on canvas would earlier have had their place.

Promising that the film will be as hyperreal and hallucinatory as his earlier work, Odoul sees the film as «following a subjective point of view and a trajectory, crossing a landscape rather than giving us a broad canvas or attempting to depict the battlefield.»

Also ported over are features on the history and development of «Tarzan,» among them segments on the Deep Canvas Process, Production Progression Demonstration, three publicity trailers, From Burroughs to Disney, an Early Presentation Reel, a short feature on the Research Trip to Uganda, six segments on creating The Characters of Tarzan, a three - minute bit on The Making of the Music, Building the Story and Storyboard to Film featurettes, 10 minutes of deleted and alternate scenes, and a couple tidbits on the international / intercontinental aspects of «Tarzan.»

At an early age, a fragile Lewis overcame the physical challenges of crippling arthritis to lift brush to canvas without any formal training.

But as Ronnie Scheib — who reviewed Monday Morning for the Reader when it showed at the Chicago International Film Festival last fall, declaring it a masterpiece — aptly noted, «Though often compared to Tati, Iosseliani depends less on a central comic actor than on limpid compositions of collective portraiture, like the social canvases of Bunuel or early Jean Renoir.»

Set in Paris in the early 1990s, this terrific drama is a large - canvas, richly coloured docudrama about the early members of the French branch of Act Up, the Aids activism group.

Defender Concept 100 Sport takes all these key design cues and adds to them the spirit of freedom first embodied by the early canvas - roofed Land Rovers with their fold - down windscreens.

Instead of the Ford's folding canvas top, the Lincoln Mark X had a retractible roof, which seemingly every manufacturer was trying to build in the early 2000s.

The canvas Morse had prepared measured six by nine feet, making it greater in size than his House of Representatives of a decade earlier.

Brand, Business Model Canvas, Business Models, Due Diligence, Early Stage Startups, Economic Moat, Innovation, Intangibles, Intellectual Property, Investment Analysis, Margin of Safety, Persuasion, Strategy, Venture Capital

His early dyed - and - sewn canvas pieces, which sold for $ 450 in the 1960s, now bring $ 200,000, while wood works that sold for $ 450 in 1965 are reaching $ 450,000, and a 1966 installation of the 26 letters of the alphabet, composed of soldered tin, sold at auction to MoMA for $ 1 million.

In the early years his imagery fixed on actual objects — workmen's tools, bathroom appliances, household appurtenances, pieces of clothing — affixed on blank canvases or incorporated in constructions that proved both theatrical and daring.

John Yau, however, recently noted that the forms in Held's early 60s paintings, such as The Yellow X, extend beyond the picture plane, creating an awareness of the environment beyond the canvas edge.

Opening: Sadie Laska at CANADA Following her group show at Gavin Brown's Enterprise earlier this year, Sadie Laska (who performs in the sound band I.U.D. along with artist Lizzie Bougatsos) will display more of her explosive abstract canvases in her third solo show to date.

Frankenthaler, energized by Jackson Pollock's all - over method of painting, pioneered the technique of pouring paint onto unprimed canvas early in her career.

In the center of the booth is the 1963 piece Untitled (Four Fur Cutting Boards), a large construction, in the form of a moving, folding screen, that became the backdrop to Schneemann's early and iconic experiments using her body as both canvas and material.

The assertion that the Cubist depiction of space, mass, time, and volume supports (rather than contradicts) the flatness of the canvas was made by Daniel - Henry Kahnweiler as early as 1920, [12] but it was subject to criticism in the 1950s and 1960s, especially by Clement Greenberg.

It includes paint on canvas and bronze sculptures, both staples of earlier abstract art.

Her latest canvases in bold, colorful patterns, which she completes at a ferocious pace, retail in the mid — six figures at New York's Gagosian Gallery and London's Victoria Miro; one of her rare early paintings sold at auction in November 2008 for $ 5.79 million, a record at the time for a living woman artist.

Among the exhibition's many highlights are bold, groundbreaking paintings by Matisse from his most adventurous years, as well as highlights from nearly every phase of Diebenkorn's oeuvre from the early 1950s to 1980 — including several monumental canvases from his Ocean Park series, a renowned exploration of color, light, and space.

Built with wood, cardboard, canvas, foam, and various found or store - bought items, these 3 - D works are the physical manifestation of her 2 - D imagery, exuding a comic and clunky theatricality that one might associate with early Claes Oldenburg.

Unlike her early paintings, this small group of works shows West's increasing experiments with more varied compositional patterns and the drama of forceful brushstrokes, usually black against white unprimed canvas.

The whereabouts of the painting after the Armory Show is unclear, but in 2005 the work was exhibited in a major Bluemner exhibition that Barbara Haskell organized at the Whitney Museum of American Art in New York, and while the accompanying catalogue indicates that the painting is one of the 1911 — 1912 canvases that Bluemner reworked in 1916 — 1917, it does not identify the earlier painting as the one that was in the Armory Show.

That year, Stella also exhibited a series of 30 - year - old sketchings he made in Spain in the early 1960s that disclosed how he worked out ideas about shaped canvases.

Highlights range from the artist's Social Realist paintings and drawings of the 1930s and 1940s, to major Abstract Expressionist canvases of the 1950s and 1960s, and finally to the geometrically inspired paintings of the 1970s and early 1980s.

Take Michel Majerus's Tron 3 (ocker Pantone 143)(1999), which dovetails a silk - screened vignette of early digital - era graphics into the corner of a square of yellow emulsion: if you removed the silk - screened canvas and completed the square, it could have been a wall painting by Günther Förg, an artist of the gallery's original programme.

As in earlier works drawing is achieved via construction, lines are real, the edges of joined or overlapping parts but the plywood gives the «drawing» more precision, more clarity when compared with lines created in earlier paintings by joining or grouping canvases, which are inherently softer.

At yesterday's press preview, Massimiliano Gioni, the museum's artistic director and co-curator of the ambitious exhibition, recommended that the works be viewed beginning on the second floor where early canvases for which Ofili is best known are on view, and then progressing on to the third and fourth floors.

Despite the strong presence of artists like Franz Kline in her abstractions of the early - to - mid-1950s, Betty Parsons, the legendary Manhattan - based art dealer, saw enough in Martin's canvases to take her on in 1957; she also encouraged the artist to move to New York.

ACQUISITION In early January, the Brooklyn Museum announces the acquisition of its first Beauford Delaney painting, «Untitled (Fang, Crow, and Fruit),» a 1945 oil on canvas still life (shown above), purchased from Michael Rosenfeld Gallery with money from the museum's African American Purchase Fund.

It has become a commonplace that Stella peaked too early, and that the deep - thinking black paintings and other inexpressive canvases of the 1960s have more virtue than the hulking late works, whose swooping forms seem more pedestrian.

Tracing the evolution of Green's work from monochromatic canvases of the early 1970s to recent explorations of black and white, the exhibition includes 18 paintings and 52 works on paper, including works borrowed from the Solomon R. Guggenheim Museum and the Corcoran Gallery of Art in Washington, D.C. Resonating emphasizes Green's complex understanding of painting that is based on a combination of Aboriginal and Modern Western approaches.

Although a better understanding of Oh's work would be a comparison with Richard Tuttle's early career, which smacked of formalism (the shaped canvas pinned to the wall, bent wires with false shadows) but in the end were completely intuitive.

While early practitioners such as Robert Mangold embraced a minimal sensibility, the next generation of artists such as Elizabeth Murray and Ralph Humphrey further evolved the practice; Murray's canvases are explosive and energetic, and Humphrey's paintings are tactile, with thick and textured surfaces.

Understood in their broadest definition, the drawings and photographs assembled here include a wide range of material, among which are an 1864 photograph of the forest of Fontainebleau by the little - known French photographer Constant Alexandre Famin; a pastel completed earlier this year by Jasper Johns; a 3 x 5 inch Cezanne figure drawing; a new 6 1/2 x 10 foot landscape drawing by Ugo Rondinone; a digitally - manipulated photograph of the musician Björk by Inez van Lamsweerde; a small piece by an outsider artist known as the «Philadelphia Wireman,» who carefully bound his drawings up with bits of wire so they are barely visible; a recent charcoal on canvas by Gary Hume; and a 1949 sketchbook by Tony Smith.

The first group of paintings are constructed from stretched canvas and linen bags once used for transporting currency; they are reminiscent of Robert Rauschenberg's Combine paintings from the early 1970's.

Rich, flat fields of color fill many of her canvases, reflecting the influence of two of Green's early teachers, Mark Rothko and Robert Motherwell.

FAITH RINGGOLD, Installation view of «Black Light Series # 10, Flag for the Moon: Die Nigger,» 1967/69 (oil on canvas), was on view in «Faith Ringgold's America: Early Works and Story Quilts» at ACA Galleries in New York.

Covering the full breadth of her practice, this extensive exhibition will reveal Martin's early and little known experiments with different media and trace her development from abstraction to grids and striped canvases that became her hallmark.

This array is a development from KAWS» exhibition at Kaikai Kiki Gallery earlier this year, where that melange of shadowy body parts is endlessly abstracted by their shaped canvases here.

The Studio Museum in Harlem and the Frances Young Tang Teaching Museum and Art Gallery at Skidmore present an exhibition featuring works from every period in painter Alma Thomas's career, including rarely exhibited watercolors and early abstractions, as well as her signature canvases drawn from a variety of private and public collections.

I think of early tacked on canvases of Richard Tuttle but then there is a hint of Arte Povera, early Minimalism, and even Color Field.