Sentences with phrase «of early cinema»

The influence of early cinema on this acclaimed Egyptian photographer is evident.

The sense of monochrome touches on aspects of early cinema as well the aesthetics of historical photography.

Kinemacolor was one of the great British technical innovations of early cinema, transforming the films that were made with its «natural» colour process.

Those distortions are given a life of their own with his digital tools and even become cinematic devices of their own, morphing from one image to another as if released by the ghosts of early cinema.

The third collection of the brilliant «Treasures From American Film Archives,» which showcases 48 rarities made between the years 1900 to 1934, is loosely organized around themes of social issues and engagement and reveals a side of early cinema forgotten in the popularity of the comedy legends and silent screen heartthrobs.

Hugo shows Scorsese's reverence for filmmaking, but far from just being a history lesson, he uses the latest techniques to delight in the magic of early cinema.

Joan was and remains an unassailable giant of early cinema, a transcendental film comprising tears, fire and madness that relies on extreme close - ups of the human face.

Supporting actress Patsy Kelly, one of the few openly gay women of early cinema, is clearly having fun camping it up with the bounty of 60s bikini - clad women, and chances are good that Kelly is the only one who got a lick of enjoyment out of this film.

Like so many of the participating galleries this year, Laurence Miller Gallery is featuring a single artist, in this case the famous innovator of photographic stop - motion techniques and arguably the forefather of early cinema — the British born Eadweard Muybridge.

For Frieze magazine, Morton reviewed Story's 2011 show, «Angeles», at Carl Freedman Gallery where she explored the world of early cinema with paintings of cameras in a subdued colour palette of off - whites and terracotta.

The exhibition thus enriches our understanding of both early cinema and older fine arts media such as painting, drawing, and printmaking.

«This was taking cinema to a level of its own language, moving it beyond the influence of early cinema's dependence on theater as its grounding.

Recalling both the shadow plays of early cinema pioneer Lotte Reiniger and expanded cinema works of the 1960s, Matreyek's work reimagines these approaches in the context of digital animation and multimedia theater.

The montage, collage and quotation strategies she uses are borrowed from the structures of early cinema, sitcom television, commercials, GIFs and Vines.

Hugo is a story which exalts the magic and innovation of early cinema, and calls for the recognition of its pioneers.

Keaton's pared - down approach to production, and that of early cinema in general, suited Ben - Ner, who found himself simultaneously the director, cameraman, lead actor, and stuntman.