Sentences with phrase «of early modern art»

There was a lot of early modern art that was made by seeing something and then abstracting it.
Much of early modern art was concerned with representation and how to reconcile art's illusionism with its real object status (think of René Magritte's Ceci n'est pas une pipe from 1929).
As the art studio and salon of the sculptor and arts patron Gertrude Vanderbilt Whitney (1875 — 1942), the Whitney Studio was at the center of the development of the early modern art movement in America, borne out of Mrs. Whitney's tremendous advocacy on behalf of living American artists.
Edvard Munch (1863 — 1944) is one of early modern art's most important figures.
For director Don Argott and producers Sheena Joyce and Lenny Feinberg, making THE ART OF THE STEAL about the fight over the Barnes collection of early modern art was a labor of love.

Not exact matches

The overall style of Sleeping Beauty is also more modern than that of the older Disney fairy tales; both figures and backgrounds are somewhat sharp edged and angular, in the manner of 1950s commercial art, rather than softly rounded as in the earlier films.
Volume XVI, Number 2 Science and the Humanities; The Great Rift in Modern Consciousness — Douglas Sloan What Stands Behind a Waldorf School — David Mitchell On Earth as It Is in Heaven: The Task of the College of Teachers — Roberto Trostli The Plight of Early Childhood Education in the U.S. — Joan Almon The Art of Knowing — Jonathan Code Painting from a Palette Entirely Different — Johannes Kiersch Authenticity in Education — Elan: Leibner Soul Breathing Exercises — Dennis Klocek
Based on the selection of art I have found, it seems that carrying infants was a fairly egalitarian task in Medieval and Early Modern Europe: men and women shared the work of carrying infants and children.
Blombos Cave, South Africa: Dated to about 100,000 years ago, ochre - processing «tool kits» and other artifacts found at the site — including an engraved piece of ochre, the oldest known art of its type — suggest early humans were capable of modern, complex behaviors much earlier than once thought.
In the early 1960s, New York's Museum of Modern Art (MOMA) turned down a Robert Rauschenberg sculpture over concerns about maintaining a work whose centrepiece was a...
«The research supports the idea suggested by the early Indonesian rock art dates that modern humans brought the practice of making semi-permanent images in rocky landscapes to Europe and Asia from Africa,» Professor Taçon said.
The dates, based on new excavations and state - of - the - art methods, push back the earliest solid evidence for humans in Australia by 10,000 to 20,000 years and suggest that modern humans left Africa earlier than had been thought.
A reclaimed E.T. cartridge from the landfill now sits in the collection of the Smithsonian's National Museum of American History, complementing the copy of Warshaw's earlier game, the critically - acclaimed space shooter Yars» Revenge, which takes pride of place in the Architecture & Design collection at the Museum of Modern Art.
To Ron Magliozzi, associate curator, and Peter Williamson, film conservation manager, of the Museum of Modern Art, for identifying and assembling the earliest surviving footage of what would have been the first feature film to star a black cast, the 1913 «Lime Kiln Field Day» starring Bert Williams.
Founded in 1922 by millionaire art enthusiast Dr. Albert C. Barnes, the Foundation currently boasts a collection of Post-Impressionist and early Modern art worth roughly $ 25 billion.
Constructivism was the modern art movement which developed during the revolutionary years of the early communist Soviet Union.
THE MODERN ERA AND THE DEVELOPMENT OF GLOBAL ART CULTURE: 16) THE BEGINNINGS OF MODERN ART (LATE 1800»S C.E. TO EARLY 1900»S C.E.) 17) MODERNISM (EARLY 1900»S C.E. TO 1939 C.E.) 18) LATE MODERNISM AND POP ART (1940»S C.E. TO 1960»S C.E.) 19) POSTMODERNISM, PERFORMANCE AND CONCEPTUAL ART (1960»S C.E. ONWARDS).
The text explores the origins of tattoos and their development as an early art form in12, 000 B.C. to modern day tatoooing.
«Klimt & Rodin: An Artistic Encounter» at the beautiful Legion of Honor museum in San Francisco celebrates these two artists who helped shape the modern art movement in the early 20th century.
The house contains furnishings that are a blend of early New England and China trade pieces mixed in with modern Mexican folk art.
Parramatta, the major hub of the area and largest central business district after the Sydney CBD and North Sydney, was originally considered by the early Governors to be the most favoured site of the States Capital Western Sydney also comprises the majestic beauty of the World Heritage Listed Blue Mountains National Park; state - of - the - art Olympic venues; historical sites of Indigenous and Colonial importance; and traditional rural environments with the high - tech business districts, retail and service centres typical of a modern regional economic powerhouse.
Following the hotel's large scale architectural restoration of $ 139 million in 2008, this multi-million dollar renovation led by Chicago - based firm The Gettys Group refreshes the original work of renowned Chicago architectural firm Marshall and Fox, highlighting the early twenty - first century grandeur and craftsmanship while incorporating state - of - the - art technology and modern amenities.
Earlier this week Ubisoft unveiled a selection of teasers for Far Cry 5 ahead of the full reveal this coming Friday, May 26th, and now to further whet our appetites we have the official key art, dubbed «The Last Supper»... Given the weaponry on display, it looks like we have confirmation of a modern setting -LSB-...]
NEW YORK — Several works in the 19th - century European paintings sales garnered strong prices at a typically quiet auction - market period that stretches from the end of the major, early, May New York auctions to the start of the London Impressionist, modern and contemporary art auctions each June.
The retrospective «Robert Rauschenberg: Among Friends» that appeared earlier this year at Tate Modern, in London, and is now at the Museum of Modern Art in New York through September 17 led us to explore in the pages of ARTnews... Read More
French artist Caroline Achaintre's visually striking, witty ceramic sculptures and hand - tufted wall hangings bring together a whole host of references such as catwalk fashion, carnival, and death - metal iconography, as well as Primitivism and Expressionism — early twentieth - century Western art movements that borrowed heavily from non-Western and prehistoric imagery to find new ways of representing the modern world.
Ann Temkin, the chief curator of painting and sculpture at the Museum of Modern Art, explained her early fascination with Mr. Guyton's work.
Meanwhile her painting was eventually widely celebrated in the early 80s, when she exhibited at the Hayward Annual, had a solo show at the Museum of Modern Art in Oxford, and a retrospective at the Serpentine Gallery.
In this lecture, John Elderfield, The Marie - Josée and Henry Kravis Chief Curator of Painting and Sculpture, The Museum of Modern Art, New York, will explore the significance of Diebenkorn's early work in New Mexico.
At the same time, however, by recycling and affirming in 1967 his own words from nearly a decade earlier, Sylvester suggests that we can celebrate Bomberg for his genuine accomplishments as a painter and teacher while frankly acknowledging his important, if limited impact in the history of modern art — an impact which is still being assessed today.
Tracing the evolution of Green's work from monochromatic canvases of the early 1970s to recent explorations of black and white, the exhibition includes 18 paintings and 52 works on paper, including works borrowed from the Solomon R. Guggenheim Museum and the Corcoran Gallery of Art in Washington, D.C. Resonating emphasizes Green's complex understanding of painting that is based on a combination of Aboriginal and Modern Western approaches.
The bi-coastal gallery provided comprehensive client services and organized acclaimed exhibitions of modern and postwar art, such as Tanguy Calder: Between Surrealism and Abstraction (2010), John Chamberlain: Early Years (2009), and Tom Wesselmann: The Sixties (2006).
Untitled III carries over the shift in texture from opaque to virtually transparent tonality in the greys and blues in particular, as if the artist had absorbed the style of Sumi - e brush painting, as for example in the lithograph owned by the Museum of Modern Art, Wah Kee Spare Ribs, 1970, a medium with which de Kooning was preoccupied in the early years of the decade.
In fact, it was so early in the evolution of New York's art world (and academia's meddling in it) that Flack transferred from Cooper Union to the BFA program at Yale in 1953, as part of an effort by the recently hired Josef Albers to enlist students who demonstrated a favorable attitude toward modern art.
It's Whitney Biennial Season Again», The New York Times, March 7, 2004 (illus) Suzanne Cotter, «Soul Delay,» catalog essay for Real World, Modern Art Oxford, UK Manami Fujimori, «Artforum Sees and Talks: Art in the early 2000's, (interview with Tim Griffin)» Bijutsu Techo (BT), July 2004, (illus) Blake Gopnik, «Whitney Highlights,» Washington Post, March 14, 2004, (illus) Eleanor Heartney, «The Well - Tempered Biennial,» Art in America, June / July 2004 Bruce Hainley, «Notes on Renewed Appropriationisms, «Artforum, May, 2004 (illus) Michael Kimmelman, «Touching All Bases at the Biennial,» The New York Times, March 12, 2004 (illus) «Out of the Past: Tim Griffin talks with Whitney Biennial Curators,» Artforum, January 2004, p 57 (illus) Walter Robinson, «Building Codes,» Artnet Magazine, January 2004, (illus) Debra Singer, «The Way Things Never Were: The Way Things Never Were and the Unpredictable Past», catalog essay for Whitney Biennial, Whitney Museum, NY
If Houseago's works resonate, it is because they encompass a wide range of influences: the formal language of sculpture throughout the ages (from ancient to early modern), mythology, the natural world of plants and animals, African tribal art, cartoon imagery and contemporary music and culture (the title of the exhibition contains a fragment from the lyrics of «Wild Child» by Lou Reed and a reference to James Taylor's «Like A Circle Round the Sun»).
Early in his career, his work was included in a number of significant exhibitions that defined the sphere of postwar art, including Sixteen Americans (Museum of Modern Art, New York, 1959), Geometric Abstraction (Whitney Museum of American Art, New York, 1962), The Shaped Canvas (Solomon R. Guggenheim Museum, New York, 1964 - 65), Systemic Painting (Solomon R. Guggenheim Museum, New York, 1966), Documenta 4 (1968), and Structure of Color (Whitney Museum of American Art, New York, 197art, including Sixteen Americans (Museum of Modern Art, New York, 1959), Geometric Abstraction (Whitney Museum of American Art, New York, 1962), The Shaped Canvas (Solomon R. Guggenheim Museum, New York, 1964 - 65), Systemic Painting (Solomon R. Guggenheim Museum, New York, 1966), Documenta 4 (1968), and Structure of Color (Whitney Museum of American Art, New York, 197Art, New York, 1959), Geometric Abstraction (Whitney Museum of American Art, New York, 1962), The Shaped Canvas (Solomon R. Guggenheim Museum, New York, 1964 - 65), Systemic Painting (Solomon R. Guggenheim Museum, New York, 1966), Documenta 4 (1968), and Structure of Color (Whitney Museum of American Art, New York, 197Art, New York, 1962), The Shaped Canvas (Solomon R. Guggenheim Museum, New York, 1964 - 65), Systemic Painting (Solomon R. Guggenheim Museum, New York, 1966), Documenta 4 (1968), and Structure of Color (Whitney Museum of American Art, New York, 197Art, New York, 1971).
Museum of Modern Art, New York, American Independent Cinema: Recent Acquisitions, Early Cinema / Cinema Space, (film) Center D' Arts Plastiques de Bordeaux, Bordeaux.
ACROSS THE UNITED STATES and in London, auctions of post-war, modern and contemporary art were held at the end of February and early March.
In the early 20th century, when Georges Braque and Pablo Picasso pioneered the new pictorial language of cubism, they profoundly affected the course of modern art.
Yale has particular strengths in late medieval and early Renaissance Italy — as well as a university's inevitable gaps, such as a paucity of modern sculpture and a bias in Asian art toward Japan.
Willamson has been described by Robert Storr, former director of the Museum of Modern Art in New York as «one of the foremost artists of her generation», and her early series A Few South Africans, acquired by the Tate Modern, London last year, is currently on display on Citizens and State.
The acquisition of an early Cubist collage is a major coup for the Scottish National Gallery of Modern Art, and made headlines when it was announced at the tail end of the month.
Before joining Tate Modern in 2015, Ireson was Rothman Family Associate Curator at the Art Institute of Chicago, where she was responsible for the exhibition and acquisition of 19th - and early - 20th - century works on paper.
The exhibition spans Warhol's iconic career from his early illustrative works of the 1950s, through Pop Art's 1960s heyday, until his untimely death in 1987 — addressing the artist's exploration of every facet of modern life, from consumerism and commissions to Communist politics.
Milwaukee Art Museum (2009, traveled to Museum of Modern Art, Fort Worth, Brooklyn Museum of Art and the Baltimore Museum of Art); «Motion Pictures,» Museum of Modern Art, New York (2010); and «The Early Sixties,» Kunstmuseum Basel (2010).
Project 94 at the Museum of Modern Art in early 2011 was Olesen's first U.S. solo museum show, in which, according to Valery Oisteanu in The Brooklyn Rail,
Self - taught in the early career in the mid-1950s, Ludolf was a student of Ivan Serpa Free Course in Painting from the Museum of Modern Art in Rio de Janeiro (MAM - RJ).
Selections from the Saltzman Family Collection continues celebrations of the Museum's 25th anniversary year with an exhibition of early 20th - century modern art.
Although the 2012 retrospective at Tate Modern was rapturously received, bringing with it a renewed reminder of the power of early works such as The Physical Impossibility of Death in the Mind of Someone Living and Mother and Child, Divided, recent exhibitions have been panned — Schizophrenogenesis was condemned for coasting on past glory, while 2012's painting - focused Two Weeks, One Summer received scathing one - star reviews — and there is a nagging sense that these days his art can resemble a factory production line, with endless copies of his popular «spot» paintings churned out in the name of brand recognition.
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